Ukiyo E Prints

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

Shinohara’s nature-based abstractions are printed on handmade kozo paper using water-based pigment onto woodblocks in the ukiyo-e style–the traditional Japanese printmaking method da...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

Utagawa Kuniyoshi was one of the last great masters of Japanese ukiyo-e prints and paintings. He belonged to the Utagawa school.

The technical process involves meticulous etching and the layering of bold colors, contributing to the print’s vibrant and tactile quality. While the images have some resemblance to...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

Japanese Wood Block Print Artist Utagawa Kuniyoshi (1797/98-1861) - Battle Scene Ukiyo-e woodblock print master.

Polychrome woodblock print (nishiki-e). A finely executed ukiyo-e print depicting two kabuki actors caught in a moment of heightened dramatic tension, shown within a richly patterne...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

This dynamic ukiyo-e print depicts a kabuki actor captured in a moment of heightened theatrical tension, shown mid-stride against a bamboo fence beneath flowering branches, likely ch...

Polychrome woodblock print (nishiki-e). A finely executed ukiyo-e print depicting two kabuki actors caught in a moment of heightened dramatic tension, shown within a richly patterne...

Though his compositions, like most ukiyo-e prints, may be said to be fairly simple overall, it is the overall composition that concerned Harunobu.

Shinohara’s nature-based abstractions are printed on handmade kozo paper using water-based pigment onto woodblocks in the ukiyo-e style–the traditional Japanese printmaking method da...

Pair of vintage 20th century Japanese woodblock prints after ukiyo-e style art of geishas / courtesans by Kikukawa Eizan.

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

Lithograph by Jack Youngerman from Ukiyo-E portfolio. Published by Pace Editions. Edition 55/150. Has metal frame.

This is an antique framed woodblock print. A Japanese, ukiyo-e figural scene by Utagawa Kunisada (1786 - 1865), dating to the early Victorian period, circa 1840.

Title: Portrait Of Samurai Medium: Woodblock Print Style: Ukiyo-e Size: 13 1/2"" x 9 1/2"" Frame Size: 18 1/2"" x 14 1/2"" Signature: Kunisada Provenance: Collection from E...

Print artist. Pupil of Utagawa Toyokuni. One of the three principal ‘Ukiyo-e’ artists of the late Edo period, together with Kunisada (Toyokuni III) and Hiroshige, Kuniyoshi is partic...

Although some thinned areas this ukiyo-e print has preserved still today its charme.

This portrait transcends traditional representation, embedding Japanese ukiyo-e prints in the background—reflecting Van Gogh’s profound admiration for Japanese art and its influence ...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

Utagawa Hiroshige Dawn Inside the Yoshiwara, circa 1857 Woodblock print 11 x 7 inches Utagawa Hiroshige is recognized as a master of the ukiyo-e woodblock printing tradition, havin...

At the heart of the composition is a delicately rendered Japanese woman, depicted in a style inspired by traditional ukiyo-e prints. Her serene expression, intricate hairstyle, and f...

The Hōeidō edition of the Tōkaidō is Hiroshige's best known work, and the best sold ever ukiyo-e Japanese prints. Created after Hokusai's Thirty-six Views of Mount Fuji series, this ...

Untitled Woodcut print Sight: 16 x 29 1/2 in. Framed: 23 x 36 1/2 in.

Though his compositions, like most ukiyo-e prints, may be said to be fairly simple overall, it is the overall composition that concerned Harunobu.

Artist: Watanabe Nobukazu, Japanese (1872 - 1944) Title: The Second Army Bombarding and Occupying Port Arthur Year: 1894 Medium: Woodblock Triptych Size: 14.5 in. x 28 in. (36.83 cm...

Ukiyo-e Style Woodcut Untitled, c. 1900 Woodcut print Sight: 13 1/2 x 28 3/4 in.

Artist: Migita Toshihide, Japanese (1862 - 1925) Title: Chinese Generals in Pyongyang Surrender to Japanese Year: 1892 Medium: Woodblock Triptych Size: 14.5 in. x 28 in. (36.83 cm x...

The Japanese inspired ukiyo-e style woodblock prints and lithograph works he created at Tyler Graphics in 1980 contain a 20th century "floating world" sensibility.

The Japanese inspired ukiyo-e style woodblock prints and lithograph works he created at Tyler Graphics in 1980 contain a 20th century "floating world" sensibility.

The Japanese inspired ukiyo-e style woodblock prints and lithograph works he created at Tyler Graphics in 1980 contain a 20th century "floating world" sensibility.

The Japanese inspired ukiyo-e style woodblock prints and lithograph works he created at Tyler Graphics in 1980 contain a 20th century "floating world" sensibility.

The Japanese inspired ukiyo-e style woodblock prints and lithograph works he created at Tyler Graphics in 1980 contain a 20th century "floating world" sensibility.

It is signed in the lower right and is edition 16/200. This print is inspired by the Ukiyo-e prints of Utagawa Kunimasa. 32" x 19" art 41 3/4" x 28 7/8" framed Michael Knigin was...

The Hōeidō edition of the Tōkaidō is Hiroshige's best known work, and the best sold ever ukiyo-e Japanese prints. Created after Hokusai's Thirty-six Views of Mount Fuji series, this ...

Kunisada designed a wide spectrum of traditional ukiyo-e subjects like kabuki themes, beautiful women, historical events and quite a few shunga prints.

Rendered in a flat, graphic style that recalls Japanese Ukiyo-e prints, his paintings are both meditative and lyrical in their exploration of the still-life.

Nishijima specialises in scenes of old Japan, and a distinctive hallmark of his entire body of work is the complete absence of human figures or automobiles, reinforcing a timeless an...

Kunisada designed a wide spectrum of traditional ukiyo-e subjects like kabuki themes, beautiful women, historical events and quite a few shunga prints.

Notably, his early recognized works include ukiyo-e prints created for kabuki theater under the pseudonym Utagawa Toyoaki.

Born in Nigata prefecture, Tadashi Nakayama evolved a unique graphic style that combined traditional Japanese ukiyo-e print techniques with Western influences.

During the Victorian period and into the early 1900s, it was common to write letters and messages on picture postcards, often embellished with colorful images and decorations, with l...

"In this book the author attempts to place the Japanese print in a very broad historical setting. He has striven to grasp and transmit an understanding of Japanese popular culture fr...

Kunisada enjoyed enormous commercial success once he established his studio, whose production of Utagawa-school woodcuts dominated the world of ukiyo-e prints from the 1820s into the...

By the age of 18, Shôtei was a co-founder of the Japan Youth Painting Society, and by 1907 he had been recruited by Shōzoburō Watanabe to produce prints for his Shin Hanga movement. ...

Man of very diverse interests and great artistic sensitivity, studied Art History and in 2012, a deep interest in oriental art was awakened in him so that he began to study the great...

Elegant, intimate, and highly sophisticated, the composition exemplifies the artistic refinement of Edo-period surimono printing. Unlike commercial ukiyo-e prints produced for mass c...