Ukiyo E Prints

From the time the first monochrome prints were published in the 1600s, Ukiyo-e represented a unique collaboration between the publisher, the artists and the public.

From the time the first monochrome prints were published in the 1600s, Ukiyo-e represented a unique collaboration between the publisher, the artists and the public.

UV-protective glass is recommended to preserve the delicate pigments. Technique: Woodblock print (ukiyo-e) Maker: Utagawa Toyokuni I, Japan, circa 1800

Frame Size: 21 x 16.25 Translation of Calligraphic Japanese Text: 大星由良之助 Ōboshi Yuranosuke (character from Kanadehon Chūshingura) 片岡仁左衛門 Kataoka Nizaemon 横川彫岩 Yokokawa Hori Iwa (eng...

From the time the first monochrome prints were published in the 1600s, Ukiyo-e represented a unique collaboration between the publisher, the artists and the public.

Utagawa Kunisada, also known as Utagawa Toyokuni III (1786 - 1865), was the most popular, prolific and commercially successful designer of ukiyo-e woodblock prints in 19th-century Ja...

Fair conditions, with a a halo on top right margin of the print. Utagawa Kunisada, also known as Utagawa Toyokuni III (1786 - 1865), was the most popular, prolific and commercially ...

From the time the first monochrome prints were published in the 1600s, Ukiyo-e represented a unique collaboration between the publisher, the artists and the public.

Technique: Woodblock print (ukiyo-e, hand-colored) Maker: School of Katsukawa Shunshō, Japan, circa 1780

Proper archival mounting can help preserve the integrity of the backing while enhancing its display quality. Technique: Woodblock print (ōban triptych) Maker: Toyohara Chikanobu, Ja...

His early work shows the influence of the Torii school of ukiyo-e painting, particularly Torii Kiyonobu I, and he likely learned from the examples of Torii Kiyomasa and the early uki...

Utagawa Kunisada, also known as Utagawa Toyokuni III (1786 - 1865) was one of the most famous designers of Ukiyo-e woodblock prints from Japan in the 19th century.

Utagawa Kunisada, also known as Utagawa Toyokuni III (1786 - 1865) was one of the most famous designers of Ukiyo-e woodblock prints from Japan in the 19th century.

Utagawa Kunisada, also known as Utagawa Toyokuni III (1786 - 1865) was one of the most famous designers of Ukiyo-e woodblock prints from Japan in the 19th century.

Yoshitora became one of the best known and most active artists of the Yokohama-e school. Utagawa Yoshitora (歌川 芳虎) was a designer of ukiyo-e Japanese woodblock prints and an illustr...

Toyohara Kunichika (30 June 1835 – 1 July 1900) was a ukiyo-e Japanese woodblock print artist. Talented as a child, at about thirteen he became a student of Tokyo's then-leading prin...

Utagawa Kunisada, also known as Utagawa Toyokuni III (1786 - 1865) was one of the most famous designers of Ukiyo-e woodblock prints from Japan in the 19th century.

Utagawa Kunisada, also known as Utagawa Toyokuni III (1786 - 1865) was one of the most famous designers of Ukiyo-e woodblock prints from Japan in the 19th century.

Utagawa Kunisada, also known as Utagawa Toyokuni III (1786 - 1865) was one of the most famous designers of Ukiyo-e woodblock prints from Japan in the 19th century.

He was one of the most famous Ukiyo-e woodblock print designers of 19th-century Japan.

His early work shows the influence of the Torii school of ukiyo-e painting, particularly Torii Kiyonobu I, and he likely learned from the examples of Torii Kiyomasa and the early uki...

He was one of the last Japanese ukiyo-e painters. His first signed print dates from 1852, but it was only in 1854 that he took the go (stage name) "Kunichika".

In time, ukiyo-e would become eclipsed. However, shin hanga (new prints) and sōsaku hanga (creative prints) managed to preserve the world of Japanese prints in the twentieth century...

Most major woodblock artists produced erotic scenes at some point in their careers, usually showing an idealized view into courtly life, in keeping with the larger Ukiyo-e tradition....

Frame size: 19.25"H x 15.25"W Image size: 14"H x 9"W Utagawa Hirokage, also known as Ichiyūsai Hirokage, was a Japanese designer of ukiyo-e woodblock prints, who was active from abo...

Utagawa Kuniyoshi (1798 – 1861) was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting. He was a member of the Utagawa school.

Utagawa Kunisada, also known as Utagawa Toyokuni III (1786 - 1865) was one of the most famous designers of Ukiyo-e woodblock prints from Japan in the 19th century.

Utagawa Kunisada, also known as Utagawa Toyokuni III (1786 - 1865) was one of the most famous designers of Ukiyo-e woodblock prints from Japan in the 19th century.

Kunichika Toyohara was one of the last Japanese ukiyo-e painter. His first signed print is from 1852, but it was only in 1854 that he took the gō (stage name) "Kunichika".

Excellent impression with Bokashi, blind and glossy printing (haori of Yoshibei), slightly faded, backed, oxidation (kimono of Tokubei) Utagawa Yoshitaki (April 13, 1841 – June 28, ...

Kunichika Toyohara was one of the last Japanese ukiyo-e painter . His first signed print is from 1852, but it was only in 1854 that he took the go (stage name) "Kunichika".

Utagawa Kunisada, also known as Utagawa Toyokuni III (1786 - 1865) was one of the most famous designers of Ukiyo-e woodblock prints from Japan in the 19th century.

This piece was allegedly part of a triptych, but no examples of the other two pieces exists, and this appears to be the most popular part of the triptych, with copies held by the Uni...

Condition: Excellent Sheet/Image: 14 3/4 x 10 1/2 inches Gigadō Ashiyuki (戯画堂 芦幸) was a designer of ukiyo-e style Japanese woodblock prints in Osaka, who was active from about 1813 ...

Ichimura Uzaemon XIII - actor as Okaji of Gion, 1862 "The Six Poetry Immortals" A Japanese Ukiyo-e woodcut print created circa 1862 by artist Utagawa Kunisada (Japanese, 1786-1864).

The artwork's bold colors and dynamic brushstrokes reflect the Ukiyo-e woodblock print tradition, an artistic style that had been evolving for centuries in Japan.

Man of very diverse interests and great artistic sensitivity, studied Art History and in 2012, a deep interest in oriental art was awakened in him so that he began to study the great...

These pictures are reminiscent of Japanese ukiyo-e prints in their emphasis on character and their flat linearity, but with spectacle replaced by a matter-of-fact ordinariness.

Inspired by the expressive realism of Honore Daumier, Edgar Degas, and Edouard Manet, as well as the vivid color and composition of Japanese ukiyo-e woodblock prints, Toulouse-Lautre...

Inspired by the expressive realism of Honore Daumier, Edgar Degas, and Edouard Manet, as well as the vivid color and composition of Japanese ukiyo-e woodblock prints, Toulouse-Lautre...

Inspired by the expressive realism of Honore Daumier, Edgar Degas, and Edouard Manet, as well as the vivid color and composition of Japanese ukiyo-e woodblock prints, Toulouse-Lautre...

Inspired by the expressive realism of Honore Daumier, Edgar Degas, and Edouard Manet, as well as the vivid color and composition of Japanese ukiyo-e woodblock prints, Toulouse-Lautre...

Inspired by the expressive realism of Honore Daumier, Edgar Degas, and Edouard Manet, as well as the vivid color and composition of Japanese ukiyo-e woodblock prints, Toulouse-Lautre...

Inspired by the expressive realism of Honore Daumier, Edgar Degas, and Edouard Manet, as well as the vivid color and composition of Japanese ukiyo-e woodblock prints, Toulouse-Lautre...

Inspired by the expressive realism of Honore Daumier, Edgar Degas, and Edouard Manet, as well as the vivid color and composition of Japanese ukiyo-e woodblock prints, Toulouse-Lautre...

Inspired by the expressive realism of Honore Daumier, Edgar Degas, and Edouard Manet, as well as the vivid color and composition of Japanese ukiyo-e woodblock prints, Toulouse-Lautre...

Inspired by the expressive realism of Honore Daumier, Edgar Degas, and Edouard Manet, as well as the vivid color and composition of Japanese ukiyo-e woodblock prints, Toulouse-Lautre...

Inspired by the expressive realism of Honore Daumier, Edgar Degas, and Edouard Manet, as well as the vivid color and composition of Japanese ukiyo-e woodblock prints, Toulouse-Lautre...

Inspired by the expressive realism of Honore Daumier, Edgar Degas, and Edouard Manet, as well as the vivid color and composition of Japanese ukiyo-e woodblock prints, Toulouse-Lautre...

Inspired by the expressive realism of Honore Daumier, Edgar Degas, and Edouard Manet, as well as the vivid color and composition of Japanese ukiyo-e woodblock prints, Toulouse-Lautre...

Inspired by the expressive realism of Honore Daumier, Edgar Degas, and Edouard Manet, as well as the vivid color and composition of Japanese ukiyo-e woodblock prints, Toulouse-Lautre...

Inspired by the expressive realism of Honore Daumier, Edgar Degas, and Edouard Manet, as well as the vivid color and composition of Japanese ukiyo-e woodblock prints, Toulouse-Lautre...

Inspired by the expressive realism of Honore Daumier, Edgar Degas, and Edouard Manet, as well as the vivid color and composition of Japanese ukiyo-e woodblock prints, Toulouse-Lautre...

Inspired by the expressive realism of Honore Daumier, Edgar Degas, and Edouard Manet, as well as the vivid color and composition of Japanese ukiyo-e woodblock prints, Toulouse-Lautre...

Inspired by the expressive realism of Honore Daumier, Edgar Degas, and Edouard Manet, as well as the vivid color and composition of Japanese ukiyo-e woodblock prints, Toulouse-Lautre...

Inspired by the expressive realism of Honore Daumier, Edgar Degas, and Edouard Manet, as well as the vivid color and composition of Japanese ukiyo-e woodblock prints, Toulouse-Lautre...

Inspired by the expressive realism of Honore Daumier, Edgar Degas, and Edouard Manet, as well as the vivid color and composition of Japanese ukiyo-e woodblock prints, Toulouse-Lautre...