Ukiyo E Prints

Originating in the thirteenth century Japan, the artistic form of Japanese rope bondage has many different interpretations of it’s history, while most of the art form comes from the ...

Originating in the thirteenth century Japan, the artistic form of Japanese rope bondage has many different interpretations of it’s history, while most of the art form comes from the ...

Originating in the thirteenth century Japan, the artistic form of Japanese rope bondage has many different interpretations of it’s history, while most of the art form comes from the ...

Originating in the thirteenth century Japan, the artistic form of Japanese rope bondage has many different interpretations of it’s history, while most of the art form comes from the ...

Originating in the thirteenth century Japan, the artistic form of Japanese rope bondage has many different interpretations of it’s history, while most of the art form comes from the ...

Originating in the thirteenth century Japan, the artistic form of Japanese rope bondage has many different interpretations of it’s history, while most of the art form comes from the ...

Originating in the thirteenth century Japan, the artistic form of Japanese rope bondage has many different interpretations of it’s history, while most of the art form comes from the ...

Originating in the thirteenth century Japan, the artistic form of Japanese rope bondage has many different interpretations of it’s history, while most of the art form comes from the ...

Originating in the thirteenth century Japan, the artistic form of Japanese rope bondage has many different interpretations of it’s history, while most of the art form comes from the ...

Originating in the thirteenth century Japan, the artistic form of Japanese rope bondage has many different interpretations of it’s history, while most of the art form comes from the ...

Originating in the thirteenth century Japan, the artistic form of Japanese rope bondage has many different interpretations of it’s history, while most of the art form comes from the ...

Originating in the thirteenth century Japan, the artistic form of Japanese rope bondage has many different interpretations of it’s history, while most of the art form comes from the ...

In 2000 Murakami curated Superflat, an exhibition featuring works by artists whose techniques and mediums synthesize various aspects of Japanese visual culture, from ukiyo-e (woodblo...

Originating in the thirteenth century Japan, the artistic form of Japanese rope bondage has many different interpretations of it’s history, while most of the art form comes from the ...

Originating in the thirteenth century Japan, the artistic form of Japanese rope bondage has many different interpretations of it’s history, while most of the art form comes from the ...

Originating in the thirteenth century Japan, the artistic form of Japanese rope bondage has many different interpretations of it’s history, while most of the art form comes from the ...

Originating in the thirteenth century Japan, the artistic form of Japanese rope bondage has many different interpretations of it’s history, while most of the art form comes from the ...

Originating in the thirteenth century Japan, the artistic form of Japanese rope bondage has many different interpretations of it’s history, while most of the art form comes from the ...

Originating in the thirteenth century Japan, the artistic form of Japanese rope bondage has many different interpretations of it’s history, while most of the art form comes from the ...

Originating in the thirteenth century Japan, the artistic form of Japanese rope bondage has many different interpretations of it’s history, while most of the art form comes from the ...

Originating in the thirteenth century Japan, the artistic form of Japanese rope bondage has many different interpretations of it’s history, while most of the art form comes from the ...

Japanese woodblock print (ukiyo-e), Japan, 19th century, depicting an elegant female figure in an intimate moment.

Description Title: Bairei Picture Album of One Hundred Birds (Bairei hyakuchō gafu) 楳嶺百鳥畫譜 Artist: Kōno Bairei 幸野楳嶺 (Japanese, 1844–1895) Period: Meiji period (1868–1912) Date: 1881...

Shunga (春画) is a type of Japanese erotic art typically executed as a kind of ukiyo-e, often in woodblock print format. Dimensions: 30.5" x 7.5" (Width x Height)

Impressionist artists like Claude Monet were deeply inspired by Japanese ukiyo-e woodblock prints, particularly those by Hokusai and Hiroshige.

Fenellosa introduced Dow to ukiyo‑e, the woodblock prints of Japan, which greatly influenced his later works.

Literally translated as “spring pictures,” Japanese shunga is an erotic art form that reached its peak during the Edo period (1603-1867), typically in the form of woodblock prints (u...

Framed in acid free rag matting, OP3 Acrylic and a rounded corner metal leaf frame Sight size: 6-3/4 x 5-3/8" Frame size: 14-5/8 x 12-5/8 x 3/4" Shinsui Itō (Japanese: 伊東 深水, romaniz...

Literally translated as “spring pictures,” Japanese shunga is an erotic art form that reached its peak during the Edo period (1603-1867), typically in the form of woodblock prints (u...

In 2000 Murakami curated Superflat, an exhibition featuring works by artists whose techniques and mediums synthesize various aspects of Japanese visual culture, from ukiyo-e (woodblo...

Teraoka's early work consisted primarily of watercolor paintings and prints that mimicked the flat, bold qualities of ukiyo-e woodblock prints.

Fenollosa introduced him to the wonders of the "floating world" (ukiyo-e), the great woodblock prints of Hiroshige and Hokusai, and opened up to him the recondite center of Japanese ...

Midcentury poster "Master Prints of Japan" by Ukiyo-e Hanga, circa 1969. The piece was printed in France by Mourlot - Paris for the UCLA art galleries exhibition.

Include frame: 53 x 42 cm Utagawa Kunisada, also known as Utagawa Toyokuni III (1786 - 1865), was the most popular, prolific and commercially successful designer of ukiyo-e woodbloc...

Her underlip is green, a detail often found in ukiyo-e prints with an aesthetic appeal that made it fashionable at the time.

A graphic, lyrical Jack Youngerman lithograph and screenprint in blue, white and gray, signed and numbered in an edition of 150. Youngerman was born in St. Louis, Missouri in 1926. H...

A graphic, lyrical Jack Youngerman lithograph and screenprint in blue, white and gray, signed and numbered in an edition of 150. Youngerman was born in St. Louis, Missouri in 1926. H...

A graphic, lyrical Jack Youngerman lithograph and screenprint in blue, white and gray, signed and numbered in an edition of 150. Youngerman was born in St. Louis, Missouri in 1926. H...

A graphic, lyrical Jack Youngerman lithograph and screenprint in blue, white and gray, signed and numbered in an edition of 150. Youngerman was born in St. Louis, Missouri in 1926. H...

Kunichika Toyohara represents one of the last artists at the beginning of the Meiji period (1868-1912) who continued to make ukiyo-e prints with the full respect to the old-school, t...

Artist: Yoshitoshi Tsukioka (1839 - 1892) Title: Inuzuka and Inukai Fight Atop a Pavillion Publisher: Hasegawa Tsunejiro Date: 1885 Size:: (T) 24.6 x 35.8 (B) 24.3 x 37.6 cm Conditi...

Artist: Chikanobu Yoshu (1838-1912) Title: The Battle between Lord Uesugi Kenshin and Lord Takeda Shingen Publisher: Inoue Mohei Date: 1882 Condition report: Pinholes. Slight tear on...

Artist: Utagawa Kuniyoshi (1797-1861) [Signed as Ichiyusai Kuniyoshi] Title: A Portrait of Beauty Publisher: Izutsuya Shokichi Date: 1815-1842 A portrait of a beauty completed entir...

The clashes between these two families really happened throughout history, but the accounts have since been greatly modified and exaggerated to suit kabuki plays and ukiyo-e. In the ...

Size: 36 cm x 24.6 cm One of the last great masters of ukiyo-e, Kunichika was inspired by the plays, actors and customs of kabuki theatre.

Mori's great display of bravery and loyalty for his lord during this sudden ambush has made this scene an unforgettable episode in Japanese history and is often been depicted in the ...

Artist: Yoshitora Utagawa (act. 1850–80) Title: Kato Kiyomasa and Honda Tadakatsu Publisher: Kiya Sojiro Date: 1866 Condition report: Some pinholes. Left panel slightly browned. Mi...

Artist: Kobayashi Kiyochika Title: Morning After Snow by the Old Inner Keep of Edo Castle Publisher: Fukuda Kumajiro Date: 1877 Dimensions: 36.3 x 24.1 cm Condition: Faint stain on t...

Artist: Chikanobu Yoshu (1838-1912) Title: The Battle of Sekigahara Publisher: Yorozuya Magobei Date: 1881 Dimensions: (L) 24.5 x 35.5 (C) 24.1 x 35.2 (R) 24.7 x 35.6 cm Condition: W...

Artist: Katsushika Hokusai Title: Sarugaku Theatre Series: Hokusai Manga Volume 13 Publisher: Toheki-do Published: 1814-1878 Size: 22.9 x 31.1 cm Condition report: Binding holes. Thi...

Artist: Katsushika Hokusai (1760 - 1849) Title: A Poem by Abe no Nakamaro Series: 100 Poems Narrated by the Nurse Publisher: Nishimuraya Yohachi Date: 1835-1845 Size: 36.8 x 25.5 cm ...

Artist: Katsushika Hokusai (1760 - 1849) Title: Empress Jito Series: 100 Poems Narrated by the Nurse Publisher: Nishimuraya Yohachi Published: 1835-1838 Size: 37.5 x 24.4 cm Conditio...

Artist: Hiroshige II Utagawa (1826 - 1869) Title: No. 29 Surihari Peak in Omi Province Series: One Hundred Famous Views in the Various Provinces Date: 1859-1861 Publisher: Uoya Eikic...

Artist: Katsushika Hokusai Title: War Artillery Series: Hokusai Manga Volume 3 Publisher: Toheki-do Date: 1814-1878 Size: 25.8 x 22.6 cm Condition report: Slightly trimmed, two panel...

Artist: Zeshin Shibata (1807 - 1891) Title: Three travelers caught in the wind Date: late 19th century Size: 23.5 x 22.7 cm Condition: Slightly trimmed. Light creases and minor brown...

Artist: Ando Hiroshige I (1797-1858) Title: 1. Nihonbashi Yukibare, 1. Nihonbashi, Clearing after Snow Series: One Hundred Famous Views of Edo Publisher: Uoya Eikichi Date: 1856 Size...

Artist: Katsushika Hokusai Title: Bear caught in a trap Series: Hokusai Manga volume 3 Publisher: Toheki-do Date: 1815 Size: 20.9 x 25.2 cm Condition report: Small tear on right side...