Vatican Workshop

Congregation of St Jerome Charity in Rome and is now housed in the Vatican Museums. The subject, quite unusual

smallest pieces of glass (tesserae), a technique developed in the 18th century in the Vatican Mosaic

were truer to life. Glass micromosaic technique developed in the 18th century, in the Vatican Mosaic

originated about mid 18th century at the Vatican Mosaic Workshops. Smalti - Flat rectilinear tesserae made

Large Italian micro mosaic plaque "Woman in red veil." Vatican studio on reverse. 15" x 12.5

Depicting the Temple of Vespasian and Titus, within black marble and malachite banded border. overall diameter 8in (20cm)

Exceptional quality grand tour Giallo Antico Marble model of The Temple of Vespasian. Vatican

likely Vatican workshops, circa 1820.

continent brought these pieces back as souvenirs of their journey. Mainly crafted in the Vatican workshops

as Cesare Aguatti et Giacomo Raffaelli, or Volpini who worked in the Vatican workshops. The box is

Milan and the Dom Square (Piazza del Duomo), made by Vatican Mosaic Workshop in Rome in 1860 circa. The

patronised by Pope Pius XV (d. 1799), and worked in both the Vatican workshops as well as from his own studio

where made in the workshops of the Vatican city

A grand tour mosaic souvenir from Italy featuring forum Romanum made by Vatican Mosaic workshop in

Roccheggiani worked at the Vatican Mosaic Workshop from 1856 until 1864. His private atelier is recorded in

the Vatican Micro Mosaic Workshops from 1856 till 1864. In 1874 he set up his own workshop. Length 68

in the Vatican State workshops in Italy, these pieces were works of skillful craftsmanship and are

by the works of Antonio Aguatti, one of the most famous micromosaic masters in the Roman workshops of

micromosaics were made by craftsmen who had trained in the workshops of the Vatican. They set up stands in the

, completed in 77AD. Glass micromosaic techniques were developed in the 18th century, in the Vatican Mosaic

workshops of the Vatican, finding favour among the surge of affluent tourists making their requisite Grand

micromosaics were made by craftsmen who had trained in the workshops of the Vatican. They set up stands in the

Vatican. The Vatican Micromosaic Workshop, established in the 16th Century is extant today. Various

19th century, most notably in the workshops of the Vatican, and found favor among the surge of affluent

, most notably in the workshops of The Vatican, finding favor among the surge of affluent tourists making

-shaped drops, and girandole pendants featuring floral and geometric motifs, in 18k gold. Vatican workshop

bracelet 19th Century Rome, Vatican Workshops A love bracelet in the truest sense, this exquisite Etruscan

‘La Volpe’—The’ Fox & Cat (Pinocchio) Pietra Dura Mosaic By Walmina, Vatican Workshop, Rome This

executed after Cesare Roccheggiani left Vatican workshop in 1864, and opened his own afterwards. The box is

in Vatican workshops and marked with pre-1860 Papal States gold assay mark (the Papal crown and cross

technique was perfected in Italy at the Vatican Workshops with numerous examples in museum collections

Roccheggiani worked at the Vatican Mosaic Workshop from 1856 until 1864. His private atelier is recorded in

. Sphinxes such as these were included in the decoration of the loggia of the Vatican Palace by the workshop

the Vatican Mosaic Workshop. By the 19th century, numerous independent studios devoted to the

Sienna marble Grand Tour columns probably, by the Vatican Workshop.

Vatican Mosaic Workshop, Roman Micromosaic of Sheperds, 19th Century The oval scene representing

nineteenth century, producing works from the Vatican workshops under the patronage of Pope Pius VII. Here his

grouting them with colored was grout. The technique was developed in Rome at the Vatican Workshop, which

years since it was made. Likely a Vatican Workshop made item, these were the earliest of tourist

A rare signed micromosaic work by Vatican Mosaic Workshop artist, Cesare Roccheggiani, this

17th centuries. Sphinxes were included in the decoration of the loggia of the Vatican Palace by the

Grand Tour Specimen Marble Paperweight Attributed to Vatican Workshop Magnificent inlays of

19th century, probably manufactured by a Vatican workshop in Rome around 1860. The back – possibly

A 1930's French Gilt Lacquered Wood Pagoda Form Chinoiserie Platinum Painted Box, Attributed to Jansen. At first glance, the box's visual allure is simply breathtaking. Adorned with ...

Exquisite Quality French Art Nouveau oil on canvas painting of an elegant lady and pup, titled "The Little Prince" / "Le Dauphin no. 51" (on exhibition label affixed to the stretcher...

ROMAN MARBLE MOSAIC PANEL, 4TH CENTURY A.D. Tiger chasing its prey 40-1/4 x 84 inches (102 x 213 cm.) Within an iron metal frame PROVENANCE Private Collection, Germany Spanish Colle...

*Winner of the 2022 Masterpiece Fair Furniture Highlight* The 1851 Great Exhibition Carved Bog Yew Armchair by Arthur Jones of Dublin Carved entirely from Irish bog yew wood, ...

Jacques-Francois Delyen (1684-1761), Court Painter of King Louis XV. A Magnificent Pair of Palatial "French Royal" Allegorical Paintings "Aurora and Diana" "Night and Day" A truly ...

This museum-quality Amethyst “harp” from Artigas, Uruguay, is a natural sculpture of exceptional beauty and rarity. The piece features a harmonious arrangement of high-quality Amethy...

This extraordinary 128-piece service by Fabergé is a rare treasure in more ways than one. Enclosed in its original oak chest, the exquisite service remains complete and in pristine c...

This outstanding fossilised skeleton is that of the ancestral crocodile species Steneosaurus bollensis that lived during the early Jurassic period. The skeleton, complete with armour...

An Exceptional American "Renaissance Style" Arts and Crafts Bronze, Enamel and Multi Gemstone Cigar Humidor by Edward F. Caldwell & Co. This remarkable cigar humidor, crafted by...

The Holy Bible, Containing the Old and New Testaments, Translated out of the Original Tongues: And with the Former Translations Diligently Compared and Revised, by His Majesty’s Spec...

A three-quarter length portrait of Anne, Lady Russell, later Countess of Bedford (1615-1684), in a blue dress. Attributed to Sir Anthony Van Dyck.  Anne Carr, Lady Russell, an estee...

Four season ,monumental classically draped female figures and their distinguishing symbols on a square base. Autumn, winter, spring and summer. Timeless classical decoration for you...