Victorian Chromolithograph

'Plausible' Vanity Fair legal portrait of The Hon. Mr Justice Swinfen Eady. Accompanied by original descriptive text pasted onto a separate sheet. 380mm by 260mm (sheet)

A Vanity Fair chromolithograph of "Ossie" by Sir Leslie Ward, English. Ossie was Captain Oswald Henry Ames. Signed in plate Spy (Ward's pseudonym). A hilarious description, taped to ...

Vanity Fair legal portrait of Mr Edmund Widdrington Byrne QC MP for Walthamstow. 380mm by 260mm (sheet)

'on 1 China station' Vanity Fair portrait of Admiral Sir Edmund Robert Fremantle GCB CMG (1836 –1929). 400mm by 270mm (sheet)

'The Cavalry Division' Vanity Fair portrait of Field Marshall John French (1852-1925). He was an English commander who served in the Soudan, Boer War and World War I. Godfrey Doug...

'a good soldier'. Vanity Fair portrait of Lt.General George Wentworth Alexander Higginson, who was born in 1826. He joined the Grenadier Guards at 19 and fought in the Crimean War....

'Sam Loates' Vanity Fair portrait of Samuel "Sam" Loates (1865 - 1932) was a British Thoroughbred horse racing jockey who was the Champion Jockey of 1899. 395mm by 265mm (sheet)

'Top of the List' Vanity Fair portrait of William Higgs (1880-1958). Higgs was a Irish jockey who was Champion Jockey on two occasions He won the 2000 Guineas on Slieve Gallion. ...

Keywords: Persian art, Islamic art, Persian ceramics, lustreware, Kashan pottery, Arabic calligraphy, Henry Wallis, chromolithograph, Victorian print, medieval Persia, Islamic orname...

Keywords: Persian art, Islamic art, Persian ceramics, lustreware, Kashan pottery, geometric ornament, Islamic geometry, Henry Wallis, chromolithograph, Victorian print, medieval Pers...

Vanity Fair legal portrait of Justice Gainsford Bruce. Sir Leslie Matthew Ward was a British portrait artist and caricaturist who over four decades painted 1,325 portraits which wer...

Vanity Fair legal portrait of John Patrick Murphy QC. 380mm by 260mm (sheet)

'Stay please' Vanity Fair legal portrait of Mr Justice Field. Accompanied by original descriptive text. 380mm by 260mm (sheet)

'Jumbo' Vanity Fair legal portrait of Mr Samuel Pope QC, an Irish barrister. Accompanied by original descriptive text. 380mm by 260mm (sheet)

'The Cavalry Division' Vanity Fair portrait of Admiral Sir Compton Edward Domvile GCB GCVO (1842-1924) who was a distinguished Royal Navy officer in the Edwardian era. 390mm by 26...

Keywords: original antique print, poinsettia, Euphorbia pulcherrima, Poinsettia pulcherrima, Christmas Star, Christmas Flower, Berthe Hoola van Nooten, Hoola van Nooten, botanical pr...

Today, Hoola van Nooten's botanical plates are considered among the finest botanical chromolithographs of the Victorian era. Presented unframed.

Vanity Fair legal portrait of Charles Willie Matthews in wig and gown. Specialised in criminal law. 380mm by 260mm (sheet)

The detail of Roberts’ foot resting on a March 8 print of Kruger adds an additional layer of political satire, referencing British victory narratives and contemporary public sentimen...

Keywords: original antique print, botanical print, Berthe Hoola van Nooten, Hoola van Nooten, rambutan, Nephelium lappaceum, tropical fruit, Java, Indonesia, Southeast Asia, chromoli...

Berthe Hoola van Nooten's botanical works are regarded among the finest chromolithographs of the Victorian period. Painted from living specimens in Batavia (present-day Jakarta), her...

Vanity Fair legal portrait of Commissioner Kerr. 380mm by 260mm (sheet)

When framed together, they create a panoramic diptych that captures two complementary moods of Javanese landscape — the dramatic energy of rushing water and the serene rhythm of ever...

Each panel is meticulously covered with hundreds of carefully composed chromolithographs, Victorian scraps, die-cut paper ephemera and printed illustrations, creating a richly layere...

Framing tips: Use a light beige mat with a medium-tone walnut frame to enhance warmth without overpowering the image. Technique: Chromolithograph Maker: Vanity Fair (after Ape), Lon...

Framing tips: A pale gray or ivory mat paired with a slim black frame keeps the presentation crisp and architectural. Technique: Chromolithograph Maker: Vanity Fair (after Ape), Lon...

Framing tips: A warm cream mat with a dark mahogany or espresso-colored frame complements the sober tones and formal subject. Technique: Chromolithograph Maker: Vanity Fair (after A...

Framing tips: An off-white mat paired with a dark walnut or charcoal-colored frame reinforces the military character and formal tone. Technique: Chromolithograph Maker: Vanity Fair ...

Framing tips: A soft beige or stone-colored mat combined with a medium walnut frame highlights the warmth of the beard and clothing tones. Technique: Chromolithograph Maker: Vanity ...

Title: Victorian Political Figure in Profile – Vanity Fair Statesmen, 1870 Description: Published July 9, 1870, this Vanity Fair chromolithograph presents a statesman in quiet refle...

Victorian Cabinet Minister – Vanity Fair Statesmen No. 6, 1869 Description: This early Vanity Fair chromolithograph was published on March 13, 1869.

Victorian Diplomat Caricature – Vanity Fair Statesmen No. 61, 1870 Description: This original chromolithograph was published in Vanity Fair on August 27, 1870, as part of the States...

A slightly generous mat border emphasizes the elegant vertical format and complements the subtle Victorian color palette. Technique: Chromolithograph Maker: Leslie Ward (“Spy”), pri...

Framing tips: A neutral cream mat with a dark brown or antique black frame suits both the narrative scene and Victorian character. Technique: Chromolithograph Maker: Vanity Fair (af...

Framing tips: An off-white mat with a dark mahogany or antique black frame suits the sober moral tone. Technique: Chromolithograph Maker: Vanity Fair (after Ape), London, 1870 Keyw...

Framing tips: A soft beige mat with a light to medium walnut frame enhances the scholarly tone. Technique: Chromolithograph Maker: Vanity Fair (after Ape), London, 1870 Keywords: V...

Framing tips: Use an ivory mat paired with a slim black or dark brown frame for a clean presentation. Technique: Chromolithograph Maker: Vanity Fair (after Ape), London, 1870 Keywo...

A generous mat border enhances the elegant composition and complements the subtle Victorian palette. Technique: Chromolithograph Maker: Carlo Pellegrini (“Ape”), printed by Lemercie...

Framing tips: Choose a neutral off-white mat and a classic black or dark walnut frame to emphasize the medal and figure. Technique: Chromolithograph Maker: Vanity Fair (after Ape), ...

Framing tips: A warm cream mat with a dark walnut or antique black frame emphasizes the uniform and posture. Technique: Chromolithograph Maker: Vanity Fair (after Ape), London, 1870...

Title: Victorian Statesman with Top Hat – Vanity Fair Statesmen Series, 1870 Description: Published December 24, 1870, this original Vanity Fair chromolithograph belongs to the cele...

Framing tips: Choose a light beige or stone mat with a simple black or dark brown wooden frame. Technique: Chromolithograph Maker: Vanity Fair (after Ape), London, 1870 Keywords: ...

Framing tips: Use a warm cream mat with a medium walnut or dark oak frame to enhance the tailoring and posture. Technique: Chromolithograph Maker: Vanity Fair (after Ape), London, 1...

A generous mat border enhances the calm composition and complements the soft Victorian color palette. Technique: Chromolithograph Maker: Carlo Pellegrini (“Ape”), printed by Vincent...

Set of 3 Vanity Fair Spy Caricatures – Named Victorian Figures 1883 Description: A refined set of three original Vanity Fair chromolithographs, all published in December 1883 and dr...

A generous mat border enhances the elegant vertical format and complements the soft Victorian color palette. Technique: Chromolithograph Maker: Leslie Ward (“Spy”), printed by Vince...

Set of 6 Vanity Fair Spy Caricatures – Named Victorian Figures 1883 Description: A cohesive and historically rich set of six original Vanity Fair chromolithographs, all published in...

Woodland River Animal Print – Victorian Otter Scene, Earth Tone Artwork A beautifully composed chromolithograph showing European otters along a woodland riverbank, animated by natur...

Framing tips: A warm off-white mat combined with a medium to dark oak frame enhances the stately character. Technique: Chromolithograph Maker: Vanity Fair (after Ape), London, 1870 ...

Victorian Vanity Fair Caricatures, Empire & Service, Set of Six, 1880s This distinguished set of six original Vanity Fair chromolithographs from the 1880s presents a compelling surv...

Framing tips: A deep ivory mat with a dark mahogany or gilt-accented black frame complements the red robes beautifully. Technique: Chromolithograph Maker: Vanity Fair (after Ape), L...

A generous mat border emphasizes the elegant vertical format and complements the refined Victorian color palette. Technique: Chromolithograph Maker: Leslie Ward (“Spy”), printed by ...

A generous museum mat emphasizes the elegant vertical format and highlights the soft Victorian color palette. Technique: Chromolithograph Maker: Leslie Ward (“Spy”), printed by Vinc...

A generous mat border enhances the elegant vertical format and complements the soft Victorian color palette. Technique: Chromolithograph Maker: Leslie Ward (“Spy”), printed by Vince...

Stooped Victorian Philosopher – Vanity Fair Men of the Day No. 12, 1870 This original chromolithograph was published in Vanity Fair on October 22, 1870, as Men of the Day No. 12.

Framing tips: A warm cream mat with a dark oak or walnut frame complements the sporting theme. Technique: Chromolithograph Maker: Vanity Fair (after Ape), London, 1870 Keywords: Va...

Framing tips: Choose an ivory mat with a medium to dark walnut frame for a scholarly, museum-style look. Technique: Chromolithograph Maker: Vanity Fair (after Ape), London, 1870 Ke...

Framing tips: Use a light gray or ivory mat with a dark walnut frame to balance structure and warmth. Technique: Chromolithograph Maker: Vanity Fair (after Ape), London, 1870 Keywo...

Framing tips: Choose an ivory mat with a medium to dark walnut frame for a scholarly, museum-style look. Technique: Chromolithograph Maker: Vanity Fair (after Ape), London, 1870 Ke...

Keywords: Albert Racinet, L’Ornement Polychrome, Medieval ornament, Renaissance ornament, chromolithograph, antique print set, decorative arts, Firmin Didot, Paris 1873, historic orn...