Vintage Burlesque

Medium: Painting Signature: Unsigned Contact for dimensions.

The Burlesque is a black and white vintage photo, realized in 1960s.

Robert Adler Untitled - Troc Burlesque Theater #2 Gelatin silver print Image Dimensions: 8.5 x 12.75 inches (21.6 x 32.4 cm) Paper Dimensions: 16 x 20 inches (40.6 x 50.8 cm)

Robert Adler Untitled - Troc Burlesque Theater #1 Gelatin silver print Image Dimensions: 8 7/8 x 12 7/8 inches (22.5 x 32.7 cm) Paper Dimensions: 16 x 20 inches (40.6 x 50.8 cm)

Robert Adler Untitled - Troc Burlesque Theater #3 Gelatin silver print Image Dimensions: 12 7/8 x 8 5/8 inches (32.7 x 21.9 cm) Paper Dimensions: 20 x 16 inches (50.8 x 40.6 cm)

Robert Adler Untitled - Troc Burlesque Theater #6 Gelatin silver print Image Dimensions: 8 7/8 x 12 7/8 inches (22.5 x 32.7 cm) Paper Dimensions: 15 7/8 x 20 inches (40.3 x 50.8 cm)

Burlesque Show on Miami Beach, Collins Avenue facade, featuring a vintage car, with Kathy King and Cindy Ember headlining at the Exciting International Revue on Collins Avenue, Miami...

Silhouettes burlesques is an original lithograph on watermarked paper "Arc".

Signed lower right 'John R. Nobriga' (American, 20th Century) and dated 1962. Additionally signed and dated verso and titled 'Dancers'. A colorful mid-century oil on paper showing ...

A nude Native American Indian girl, crowned with a feathered headdress, poses on the Burlesque stage while male onlookers visually devour her.

In 1978, photographer Fernando Natalici, the creative mind behind the graphic design for iconic venues like CBGB and the Mudd Club, spent four hours shooting the seedy scenery of Tim...

Adolf Dehn's, lithograph on chine collé, Curtain or The Flora Dora Girls, is an ode to burlesque with dancing girls and fabulous costumes.

An English, composite burlesque figure in Art Deco revival taste, dating to the late 20th century, circa 1970.

Adolf Dehn's, lithograph about burlesque, The Big Hearted Girls #2 (also known as The Last Veil), is filled with dancing girls and fabulous costumes.

Painted in the 1950s, this is a large, vertical, abstracted portrayal of a standing female Burlesque dancer painted in brilliant reds, wearing a plumed head dress, possibly a scene f...

Super rare 1940s Samba / flamenco style two piece cotton crop top and mini skirt ensemble. Crop top features a warm green color with hand-sewn patches of red, blue, green and yellow....

Burlesque Clown Bert Lahr is dipicted in a bowler hat with a wry grin.

Hand-painted wooden advertising sign for "The Old Howard Burlesque at Scollay Sq." featuring stylized black and teal lettering with additional text reading "Dancing Girls," "Comics,"...

In the early 1920's Dehn moved to Europe, and he developed his imagery for the decade, which was made up of cabaret, park scenes, burlesque and landscapes of the roaring 20's in Euro...

In the early 1920's Dehn moved to Europe, and he developed his imagery for the decade, which was made up of cabaret, park scenes, burlesque and landscapes of the roaring 20's in Euro...

The left painting shows a showgirl /dancer in a feathered burlesque costume, holding an ornate fan aloft on a stage with green curtains and golden stairs.

The artwork features a whimsical montage of a burlesque-inspired showgirl, a curious cat, and a large tropical fish containing a serene female profile, all set against a graphic back...

En s'inspirant du personnage burlesque qu'est leur père, Pierre et Jacques Prévert inventeront plus tard des personnages aériens drôles et mélancoliques proches de leur père.

En s'inspirant du personnage burlesque qu'est leur père, Pierre et Jacques Prévert inventeront plus tard des personnages aériens drôles et mélancoliques proches de leur père.

En s'inspirant du personnage burlesque qu'est leur père, Pierre et Jacques Prévert inventeront plus tard des personnages aériens drôles et mélancoliques proches de leur père.

The photo offers an insider's look at the burlesque "Crazy Horse" nightclub of the 1950s in Paris, France where the audience, predominantly male, interacts with an intrepid female st...

In 1965 Galerie Anne de Francony exhibits the lesser known body of work that she describes as "unusual and surrealist " (exhibition titled Luis Molné, the dream and the unusual ), we...

Fascinated by populist entertainments—Coney Island, burlesque, and dance halls—he depicted a city in social and economic flux, often with elements of satire and social commentary.

He opted for the reality of life using the amazing, burlesque or violence, without any cheating. Hard and soft at the same time, he knows us deeply, moved by the fantastic side that ...

The photo offers an insider's look of the burlesque "Crazy Horse" nightclub of the 1950s in Paris, France where the audience interacts with a female striptease act.

Fernando’s photo archive and art design were also featured in two highly regarded New York shows: “Area” at The Hole Gallery NYC (2014) & “Downtown New York Film” at The Museum of Th...

Known for his flamboyant persona and theatrical attire, he was a prominent figure in the mid-century American art scene and was famously married for a time to the burlesque entertain...

Paradis Latin, founded by Napoleon Bonaparte in 1803 and revived in the 20th century as a mecca of French cabaret, has long been synonymous with the revue tradition, featuring music,...

Crowded Coney Island beach scenes, popular entertainments such as vaudeville and burlesque, women, and jobless men on the Bowery are subjects that reappear throughout his work.

Rejecting abstraction, Marsh included crowded Coney Island beach scenes, vaudeville and burlesque shows, women, and jobless men on the Bowery among his favorite subjects.

Folk art. Diorama burlesque biker on moped with magic lamp system that gives the impression of pedaling instead of the engine.

Gregory created his Burlesque Dancer at about the same time as Nautch Dancer.

The photographs he made of her during the week March 24–30, 1955 as she prepares for two appearances; opening night of Cat on a Hot Tin Roof at the Morosco Theatre and being fitted w...

The photographs he made of her during the week March 24–30, 1955 as she prepares for two appearances; opening night of Cat on a Hot Tin Roof at the Morosco Theatre and being fitted w...

The photographs he made of her during the week March 24–30, 1955 as she prepares for two appearances; opening night of Cat on a Hot Tin Roof at the Morosco Theatre and being fitted w...

Painted in the 1960s, this is a large, vertical, abstracted portrayal of a standing Burlesque dancer wearing a plumed headdress, painted in brilliant reds, yellows and violets; prob...

The photographs he made of her during the week March 24–30, 1955 as she prepares for two appearances; opening night of Cat on a Hot Tin Roof at the Morosco Theatre and being fitted w...

Painted in the 1950s, this is a large, vertical, abstracted portrayal of a standing female Burlesque dancer painted in brilliant reds and violets, wearing a plumed head dress, possib...

Titled "Dancers #2", the painting depicts a dynamic, stage-lit night club scene of plumed burlesque dancers portrayed in rich, dark blues, maroon purples and raking black shadows.

The photographs he made of her during the week March 24–30, 1955 as she prepares for two appearances; opening night of Cat on a Hot Tin Roof at the Morosco Theatre and being fitted w...

The photographs he made of her during the week March 24–30, 1955 as she prepares for two appearances; opening night of Cat on a Hot Tin Roof at the Morosco Theatre and being fitted w...

The photographs he made of her during the week March 24–30, 1955 as she prepares for two appearances; opening night of Cat on a Hot Tin Roof at the Morosco Theatre and being fitted w...

The photographs he made of her during the week March 24–30, 1955 as she prepares for two appearances; opening night of Cat on a Hot Tin Roof at the Morosco Theatre and being fitted w...

The photographs he made of her during the week March 24–30, 1955 as she prepares for two appearances; opening night of Cat on a Hot Tin Roof at the Morosco Theatre and being fitted w...

The photographs he made of her during the week March 24–30, 1955 as she prepares for two appearances; opening night of Cat on a Hot Tin Roof at the Morosco Theatre and being fitted w...

The photographs he made of her during the week March 24–30, 1955 as she prepares for two appearances; opening night of Cat on a Hot Tin Roof at the Morosco Theatre and being fitted w...

The photographs he made of her during the week March 24–30, 1955 as she prepares for two appearances; opening night of Cat on a Hot Tin Roof at the Morosco Theatre and being fitted w...

The photographs he made of her during the week March 24–30, 1955 as she prepares for two appearances; opening night of Cat on a Hot Tin Roof at the Morosco Theatre and being fitted w...

The photographs he made of her during the week March 24–30, 1955 as she prepares for two appearances; opening night of Cat on a Hot Tin Roof at the Morosco Theatre and being fitted w...

The photographs he made of her during the week March 24–30, 1955 as she prepares for two appearances; opening night of Cat on a Hot Tin Roof at the Morosco Theatre and being fitted w...

Rigour was the corner stone of his constructions, constantly conscious of the space, he managed the use of colours in a very specific manner, harmoniously disposing them in geometric...

Rigour was the corner stone of his constructions, constantly conscious of the space, he managed the use of colours in a very specific manner, harmoniously disposing them in geometric...

Rigour was the corner stone of his constructions, constantly conscious of the space, he managed the use of colours in a very specific manner, harmoniously disposing them in geometric...

The photographs he made of her during the week March 24–30, 1955 as she prepares for two appearances; opening night of Cat on a Hot Tin Roof at the Morosco Theatre and being fitted w...

The photographs he made of her during the week March 24–30, 1955 as she prepares for two appearances; opening night of Cat on a Hot Tin Roof at the Morosco Theatre and being fitted w...