Vintage Domus

Sold and priced individually. Literature: Domus no. 247, September 1952, page 4. Condition: In great vintage condition.

Wirkkala personally photographed his own work in a very unique style with his shots published and promoted by Ponti in Domus magazine. Tapio was awarded another three Grand Prix at t...

It features three drawers and brass details. Bibliography: Domus 410, 01/1964, p. d/190 R. Rizzi, Carlo De Carli 1910-1999.

Matériaux : - aluminium laqué - Methacrylate Dimensions : Hauteur : 92 cm Longueur : 84 cm Littérature : Domus no 289, Dec. 1953 – Domus no 304, March 1955, model illustra...

Visible in every street corner in Milan and cheerleaded on the pages of Domus, his works evoke Baroque and Milanese tradition, while being totally innovative.

Dimensions Height : 75 cm Width : 50 cm Depth : 48 cm Height of seat : 45 cm Literature Domus 426, May 1966, p.29 Ottagono 2, July 1966, p.77 Giuliana Gramigna, Repertorio 195...

Produced by Flos, Italy. 1982. Literature Domus n°646, January 1984, p.123 Domus n°654, 1984, p.151 Ottagono 80, March 1986, pp.14-15 Sergio Polano, Achille Castiglioni, Pall Mal...

In 1926 he founded-with editor Gianni Mazzocchi-the magazine Domus, which he directed until his death. In 1931 he was called to the artistic direction of Luigi Fontana, and in 1932 -...

These include the Contour Lounge Chair (1950s) and Te-Ve Chair (1953) for Ljungs Industrier, the Congo Easy Chair (1954) for Haga Fors, the modular Domus 1 Chair (1955) for Dux, orig...

In 1926 he founded-with editor Gianni Mazzocchi-the magazine Domus, which he directed until his death. In 1931 he was called to the artistic direction of Luigi Fontana, and in 1932 -...

In 1966 Gio Ponti selected it for the cover of Domus magazine. British designer Sir Terence Conran declared it his favourite chair.

The model was first introduced in Domus magazine with a brass saucer element that was later removed.

In addition to designing the institute's furnishings, Pagano also designed the university building at Via Sarfatti 25, a splendid example of his Rationalist approach. Bibliography: ...

Marked 1967 in the shade. Literature: Domus, n°440, July 1966, p.76. Giuliana Gramigna, Repertorio 1950/1980, Arnaldo Mondadori Editore, Milano, 1985, p.229.

This vase also has been seen in Domus Magazine although we are not sure of what issue it was.

His designs gained widespread recognition, frequently published in esteemed publications like Domus and Roberto Aloi's furniture overviews. His designs are exemplary for pure moderni...

In 1926 he founded-with editor Gianni Mazzocchi-the magazine Domus, which he directed until his death. In 1931 he was called to the artistic direction of Luigi Fontana, and in 1932 -...

In December 1946 Stilnovo made its first appearance in Domus, where two table lamps and a brass tray were published.

The couple moved to Monza after marriage, and although the biographical information available is scarce, we know that he began manufacturing lamps in his Monza house in 1943 and that...

Domus sera confiée à sa mort aux mains d’autres grands designers dont notamment Alessandro Mendini et Stefano Boeri.

Very similar to a design by Ignazio Gardella. See DOMUS 282 (Maggio 1953) p. 43 Compact but beautifully functional and holds a surprising amount of books.

Milano / Milan. 1961 Essential Bibliography Elementi accessori, in "Rivista dell'Arredamento", n. 80, August 1961, p. 24 Rassegna Domus - Per Natale, in "Domus", n. 373, December 196...

Priced and Sold as a Pair. Literature: Domus n. 143, November 1939, pag. 60. Gio Ponti's legacy is the deepest and widest of all 20th century Italian architects and designers.

They developed projects in various sectors like architecture, urban planning, interior design, exhibition design, and industrial design. Literature: Domus N.498, March 1971, page 27...

In very good condition, fully original and ready to be shipped. Published in: Domus 400, marzo 1963, pubblicità; Domus 408, novembre 1963, pubblicità e p. 41; Ottagono 3, ottobre ...

Italian architect and longtime founder and director of Domus, Gio Ponti (1891–1979) is remembered for his attention to surfaces and his pursuit of simplicity in the relationship betw...

He has written several books on design (Home Landscape, Goodbye Architecture, The Unhappy Project) and is a member of the scientific committee of Domus Academy. He contributed articl...

A must-have piece for the discerning collector. Literature; Domus, no. 380, July 1961, p. 15 Roberto Aloi, L’arredamento moderno, Settima Serie, Milan, 1964, p. 73 Literature; Stiln...

Soon after, he founded Domus magazine in 1928 with Gianni Mazzocchi, which became one of the most prominent European magazines in architecture and design.

Italian architect and longtime founder and director of Domus, Gio Ponti (1891–1979) is remembered for his attention to surfaces and his pursuit of simplicity in the relationship betw...

Italian architect and longtime founder and director of Domus, Gio Ponti (1891–1979) is remembered for his attention to surfaces and his pursuit of simplicity in the relationship betw...

Italian architect and longtime founder and director of Domus, Gio Ponti (1891–1979) is remembered for his attention to surfaces and his pursuit of simplicity in the relationship betw...

Pubblicate sulla rivista Domus n237 pag 52 del 1949.

Wood dyed in aniline, glass with colored paper on applied on rear. Bibliography: - Domus 229 (July-August 1948, p.22 - Flaminio Gualdoni, Ico Parisi & Architecture, Nuova Alfa Editor...

In 1926 he founded-with editor Gianni Mazzocchi-the magazine Domus, which he directed until his death. In 1931 he was called to the artistic direction of Luigi Fontana, and in 1932 -...

In 1926 he founded-with editor Gianni Mazzocchi-the magazine Domus, which he directed until his death. In 1931 he was called to the artistic direction of Luigi Fontana, and in 1932 -...

Mari, instead, is the conscience of us all. A. Mendini, Domus 607, 1980

Working in the same vein as his friend and mentor the architect Gio Ponti, founder of Domus magazine, Sabattini was interested in fusing Neo-Classicism with Modernist and Minimalist ...

A floral-printed fabric and light wood "Domus" lounge chair or slipper chair designed by Alf Svensson and produced by Dux, Sweden, c. 1960s.

Literature: Quaderni Fontana Arte 2, 1962 Domus, no. 424, March 1965 Franco Deboni, Fontana Arte: Gio Ponti, Pietro Chiesa, Max Ingrand, Turin, 2012, fig. 419

ISA Bergamo, Italy, 1952. Domus Library No. 274, October 1952 An elegant pair of armchairs attributed to Guglielmo Veronesi, characterized by soft volumes, well-calibrated proporti...

Gatta and the brand’s head designer, Angelo Gaetano Sciolari, helped shape the visual language of mid-century Italian design, and the company’s work drew early praise from Gio Ponti ...

His 23-page photo essay on Germany, 20 years after the death of Adolph Hitler, appeared in the Italian design magazine Domus. New York Times critic Joseph Deschin, reviewing Naar's 1...

His 23-page photo essay on Germany, 20 years after the death of Adolph Hitler, appeared in the Italian design magazine Domus. New York Times critic Joseph Deschin, reviewing Naar's 1...

As early as the 1930s and 1940s, it was Ponti's Domus that reserved ample space for the presentation of Bega's projects, which were mainly dwellings for the upper middle class in Mil...

In 1946 the couple was awarded the opportunity to design all furniture and interiors for the Domus Academia, a new student-housing complex in Helskini.

In 1946 the couple was awarded the opportunity to design all furniture and interiors for the Domus Academia, a new student-housing complex in Helskini.

He has given talks in the greatest centres of culture in the world and was editor of Domus. His work can be found in the Collections of major Art Museums.

He intensified his ties with the magazine "Domus" by Gio' Ponti and met architects and students students of the designer.

Largely self-taught, his early work attracted the attention of Gio Ponti, who published him in Domus and facilitated his appointment as artistic director of Christofle from 1956 to 1...

Dimension (cm): Depth - 20 Width - 35 Height - 25 Bibliography: Domus 514 September 1972, p.114 Domus 517 (December 1972), Advertising for the Amica house 1 May 1973, p. 40 Sergio P...

A strikingly light and graceful design, emblematic of the golden age of 1950s Italian modernism, featured in the April 1955 number of Domus publishing. Stamped “Medea” on the undersi...

Soon after, he founded Domus magazine in 1928 with Gianni Mazzocchi, which became one of the most prominent European magazines in architecture and design.

In 1926 he founded-with editor Gianni Mazzocchi-the magazine Domus, which he directed until his death. In 1931 he was called to the artistic direction of Luigi Fontana, and in 1932 -...

In 1926 he founded-with editor Gianni Mazzocchi-the magazine Domus, which he directed until his death. In 1931 he was called to the artistic direction of Luigi Fontana, and in 1932 -...

In 1926 he founded-with editor Gianni Mazzocchi-the magazine Domus, which he directed until his death. In 1931 he was called to the artistic direction of Luigi Fontana, and in 1932 -...

Retains original manufacturer's label. Literature: Domus 514 September 1972, p.114 Domus 517 (December 1972), House advertisement Amica May 1, 1973, p. 40 Sergio Polano, Achille Ca...

Retains original manufacturer's label. Literature: Domus 514 September 1972, p.114 Domus 517 (December 1972), House advertisement Amica May 1, 1973, p. 40 Sergio Polano, Achille Ca...

These armchairs are a fine example of the pieces that the Milanese architect Mario Bellini – and former Domus magazine editor – created for Cassina from 1973 onwards.

The Cocotte model was documented in the Italian design magazine Domus (issue 298, September 1954), illustrating the innovative lighting designs produced in Italy during the mid-centu...