Vintage Folies Bergere

Alfred Pellan, Canadian, 1906-1988 Folies-Bergères, 1974 Serigraph 20.75 x 16 in ( image ) 52.7 x

Déméter from Les Idoles, Folies Bergère was created in 1924 and is a gouache on paper measuring

facade bas-relief of the Folies-Bergères cabaret. One time designer, Pico who created the central dancing

elegant body as she holds a large red fan above her head with the stylised lettering for Folies Bergere on

production presented by Helene Martini, the owner of Folies Bergère. This iconic French cabaret music hall

. Story of the Folies Bergere Unsigned and unframed. George Ziel was a prolific illustrator for paperback

Signed, titled, dated & numbered in pencil on verso Gelatin silver print 20 x 16 inches/frame size 20 x 24 Edition 35 of 50

Created to celebrate 100 years of the legendary Folies Bergère, this dazzling circa 1960 poster

Signed lower right Victor Guerrier was born in Lyon and began his career as an illustrator before gaining recognition as a painter. He became known for lively depictions of Belle Ép...

Original vintage advertising poster for the famous Parisian cabaret music hall - Folies Bergère

Behind the scenes of the Folies Bergère. Lona Barrison is a modern artwork realized in the mid-20th

condition. The subject is a costume created by the artist for the Parisian Cabaret Les Folies Bergeres This

. This woman seems to have just stepped out of the Folies Bergères where she once again caused a

18th Century 1919 Folies Bergere pour Weldy' (referring to the renowned set and costume designer Max

danseur . Installé à Paris en 1931 , il crée des costumes pour les folies Bergères et d'autres music hall

title. Originally a costume design for the scene Les Rois de Legendes at the Folies Bergere in the early

. Originally a costume design for the scene Les Rois de Legendes at the Folies Bergere in the early 1930s, the

cabarets that included Les Folies Bergeres, Les Folies Pigalles and Raspoutine, for whom the artist

cabarets that included Les Folies Bergeres and Raspoutine, for whom the artist designed costumes and decors

defined her career. The poster embodies the vitality and cosmopolitan charm of the Folies Bergère and

France in 1931 where he exercised various professions: designer of sets for the Folies Bergères, window

, known for his posters for the Folies Bergère , Édith Piaf , Josephine Baker , Genevieve Guitry, Lucienne

and director of the famous Parisian cabaret, Les Folies Bergeres, for whom the artist designed

the Folies Bergère, Erté draws inspiration from the splendors of India in Conte Hindou (Hindu Story

cabarets that included Les Folies Bergeres, Les Folies Pigalles and Raspoutine, for whom the artist

Paris, the Moulin Rouge and the Folies Bergère. Given her endless popularity, Erté worked alongside

that ran from 1907 to 1931, inspired by the pretty pin up chorus girls and dancers of the Folies

stars of the celebrated Folies Bergeres. Rousselet jewellery is highly regarded, and very recognisable

Paris en 1931 , il crée des costumes pour les folies bergères et d'autres music-hall ainsi que pour

stage design followed in the 1920s, for the Folies Bergeres and similar revues in Paris, then in

, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino

1920s, for the Folies Bergeres and similar revues in Paris, then in Hollywood for Louis B. Mayer

all over the city like The Folies Bergère, The Folies Pigalle and Rasputin. Erté was such great

were featured in the Ziegfeld Follies of 1923, many productions of the Folies Bergère, Bal Tabarin

spirited performances, with establishments like the Folies Bergère and the Bal Tabarin setting global

Montparnasse districts, hosted spirited performances, with establishments like the Folies Bergère and the Bal

artists and theatres such as Folies Bergères, the Moulin Rouge and the Champs Elysées Theatre

poster model for the Folies-Bergères, which was refused because it was too daring. In 1925, he did his

posters for artists and theatres such as Folies Bergères, the Moulin Rouge and the Champs Elysées Theatre

Erté designed Golden Fleece for a Folies-Bergére scene entirtled "The Golden Fleece" and a 1926

acclaim as a designer of sets and costumes for productions such as Folies-Bergère, George White's Scandals

Paris Opera, as well as for the Folies-Bergères and George White’s Scandals. Erté is perhaps best

Paris Opera, as well as for the Folies-Bergères and George White’s Scandals. Erté is perhaps best

and the Paris Opera, as well as for the Folies-Bergères and George White’s Scandals. Erté is perhaps

Music Hall, the Casino de Paris and the Paris Opera, as well as for the Folies-Bergères and George

and the Paris Opera, as well as for the Folies-Bergères and George White’s Scandals. Erté is perhaps

ranging from the Folies Bergère to the Paris Opéra. At 76 he began creating lithographs and serigraphs

Folies-Bergères and George White’s Scandals. Erté is perhaps best remembered for the gloriously

Folies-Bergères and George White's Scandals. At the age of 75, Erté was encouraged to embark on a new

York's Radio City Music Hall, the Casino de Paris and the Paris Opera, as well as for the Folies-Bergères

, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino

and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies

at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a

designed numerous costumes and sets for the famous Folies-Bergere in Paris and The Ziegfeld Follies in New

designed numerous costumes and sets for the famous Folies-Bergere in Paris and The Ziegfeld Follies in New

designed numerous costumes and sets for the famous Folies-Bergere in Paris and The Ziegfeld Follies in New

designed numerous costumes and sets for the famous Folies-Bergere in Paris and The Ziegfeld Follies in New