Vintage Ray Bans 1960s

Vintage Ray-Ban sunglasses remain practically synonymous with American cool. And although the brand has given us some of America’s most iconic sunglass styles — the Wayfarer, the Clubmaster are widely loved Ray-Bans — the Ray-Ban Aviator is in a class of its own.

As a pilot in the U.S. Army Signal Corps, Lieutenant John Macready had experienced the debilitating headaches caused by the bright sun high up. In the 1930s, he took action, partnering with eyewear manufacturer Bausch & Lomb to develop sunglasses specifically for aviators like himself and his colleagues. It was patented as the Ray-Ban Aviator in 1939.

“Aviators reflect the idea that form follows power. They express charisma and heroism — a pilot takes us forward through danger, and there is no going back,” says Patrick Michael Hughes, fashion and decorative-arts historian at Parsons School of Design.

When the Wayfarer was released, in 1952, it was the first sunglass frame made from acetate. With a design inspired in part by mid-century Cadillac tail fins, it caught on with silver-screen stars. Early adopters included James Dean and Marilyn Monroe, who were soon followed by other artists, like Bob Dylan and Andy Warhol. Indeed, celebrities have long held sway in the sunglasses realm — whether you’ve opted for vintage Ray-Ban sunglasses because you’re enamored with Marilyn Monroe’s celebrated Wayfarers or you’ve taken to classic Aviators because actor Jon Hamm wore them in the nostalgic TV smash hit Mad Men.

Of course, with all of this star power, that means they’ve become as popular with counterfeiters as they are with consumers. Do you know how to spot fake Ray-Ban sunglasses?

The center portion of a pair of Ray-Ban acetate sunglasses — which holds the lenses — is cut from a single block. If you feel a seam where two pieces of plastic, front and back, have been glued together, just say no. Also, look out for glue and uneven edges. These are telltale signs of counterfeit production. The final product should have a sturdy, substantial hand.

The lettering inside the temples, or arms, is another good indicator of authenticity. The text should be cleanly etched, perfectly centered and aligned. Ray-Ban’s faux-leather cases come in black, brown and occasional special-edition colors. What you won’t find on a real case is frayed or uneven stitching. What you will find, on newer cases, is a snap closure inscribed with a perfectly centered and executed signature logo and, at the left, a larger logo stamped on the case, sometimes in matte gold or black.

There will be a prominent Ray-Ban signature logo in the upper corner of the right lens and a very subtle BL (for glasses made before 2000) or RB (for those made in 2000 or later) etched on the left one. The logos appear on the opposite sides for prescription lenses.

If faced with Ray-Bans of questionable provenance, remember: The truth may hinge on the hinges. Ray-Bans will always have solid metal, not plastic, hinges, and they will be attached to the frame with screws or rivets, not glue.

A pair of classic designer sunglasses can be a game-changing finishing touch to your ensemble. Find your perfect pair of vintage Ray-Ban sunglasses on 1stDibs.

A pair of vintage designer sunglasses can be a game-changing finishing touch to your ensemble.

No matter your age or general fashion sensibility, wearing sunglasses may already be part of your regular outdoor routine owing to their practicality. Most sunglasses protect the eyes from harmful UV (ultraviolet) rays — and not merely on sunny days. Glasses that utilize color-enhancing lenses, which feature specific coatings or filter tints, can limit the amount of light coming through, while polarized lenses substantially reduce glare.

So while their usefulness is well known, let’s face it, a good pair of sunglasses can be stylish too.

People have been making a statement with iconic eyewear for a while — sunglasses garnered popularity with the Hollywood set in the early 1900s, when it wasn’t uncommon for a hip actress to be photographed in a pair of her sharpest shades.

Today, we’re still talking about the sunglasses that Audrey Hepburn — the original trendsetter — donned in the opening scene of 1961’s Breakfast at Tiffany’s. She emerges from the flagship store of the legendary luxury house referenced in the film’s title in a pair of glamorous dark tortoiseshell frames designed by London eyewear firm Oliver Goldsmith Sunglasses. The brand was a keeper for Hepburn — in 1967, she famously wore a pair of Goldsmith’s Yuhu wraparound frames in the poster for Stanley Donen’s film Two for the Road.

Indeed, celebrities have long held sway in the sunglasses realm — perhaps you’ve opted for vintage Ray-Ban sunglasses because you’re enamored with Marilyn Monroe’s celebrated Wayfarers or you’ve taken to classic Aviators because actor Jon Hamm wore them in the nostalgic TV smash hit Mad Men. Good frames are a surefire way to take your style to the next level.

When shopping for the right pair of sunglasses, consider the color and shape of the frames (as well as the shape of your face), how dark or light the lenses are — or tint, if you’re leaning toward a chic gradient lens. Take your time, spring for more than one pair because different moods call for different shades and, while you’re at it, make sure you know how to spot a pair of fake Ray-Ban sunglasses before you make that purchase.

On 1stDibs, our collection of vintage designer sunglasses features classics from Gucci, Cartier, Chanel and other brands as well as a wide range that can be sorted by color — find sleek black sunglasses, brown pairs and a whole lot of other eye-catching options, whether it’s sunny outside or not.