Viollet Le Duc

His background is a melting of Catalunyan pride, pre-rapphaelite quotes, Viollet-le-Duc reminiscences, all of them deeply intermingled with a mystical vision of reality and a love fo...

The style responded to leading 19-century theoreticians, such as French architect Eugène-Emmanuel Viollet-le-Duc (1814–1879) and British art critic John Ruskin (1819–1900).

Signed lower left, "V. Viollet-le-Duc". Displayed in a period giltwood frame.

This remarkable stone fireplace, dating from between 1840 and 1850, is fully in keeping with the Neo-Gothic style, echoing the aesthetics and restoration principles championed by Eug...

Lion claw feet. In the spirit of Viollet Le Duc. Very beautiful original patina.

Therefore, we can say the gates are in the style of Viollet-le-Duc. Viollet was a Gothic Revival architect known for his notable restorations to churches, castles and town halls.

It was then erected in the Château de Pierrefonds on a pedestal designed by the celebrated 19th century architect Viollet-le-Duc, where it remains today. Literature: Catherine Chev...

This piece is designed after "Viollet le Duc" style, an important French architect that refused the Beaux Arts style of the moment and defended the Neo-gothic style.

Architectural and harlequin caisson design combining stylised palmettes and vermiculated borders in a neo-Gothic style reminiscent in France of the work of Eugène Viollet-Le-Duc. Ver...

Witnessing a view that moves our hearts to the core and that now belongs to the past particularly when it comes to the Viollet-le-Duc spire, this Impressionist painting depicts the s...

Witnessing a view that moves our hearts to the core and that now belongs to the past particularly when it comes to the Viollet-le-Duc spire, this Impressionist painting depicts the s...

Witnessing a view that moves our hearts to the core and that now belongs to the past particularly when it comes to the Viollet-le-Duc spire, this Impressionist painting depicts the s...

Gruz was responsible for the interiors of many fashionable Parisien Hotels, working in conjunction with Viollet-le-Duc and other architects. Ready to be framed, which we can support ...

Van de Velde was an avid reader of Viollet le Duc, and his work was deeply influenced by the master's ideas and general vision.

The style responded to leading 19-century theoreticians, such as French architect Eugène-Emmanuel Viollet-le-Duc (1814–1879) and British art critic John Ruskin (1819–1900).

Gruz was responsible for the interiors of many fashionable Parisien Hotels, working in conjuction with Viollet-le-Duc and other architects. Ready to be framed, which we can support w...

Gruz was responsible for the interiors of many fashionable Parisien Hotels, working in conjunction with Viollet-le-Duc and other architects. Ready to be framed, which we can support ...

The originals were restored around 1860 by Villeminot under the direction of Viollet-le-Duc, who had initiated the movement to preserve endangered heritage by making casts, as exhibi...

Image dimensions: 14.5 x 19.5 Federico Travaglini (Naples, 1814 - 1893) was an Italian architect and restorer, with a strong interest in the Middle Ages.Travaglini dealt, rather th...

Planchon will also reconstitute the clock that Viollet-Le-Duc gave as well as the monumental clock of Jean Fusoris for the cathedral of Bourges in his Dictionary of Furniture.

His aesthetic approach combined with his "historical realism" fitted in perfectly with Viollet-Le-Duc's new vision of historical monuments, in search of architectural reconstructions.

Supplier of furniture for the Imperial Train in 1856, and for the Chateau d'Eu, restored by Viollet-Le-Duc in 1874. Ternisien and Dantant established their "Maison de Decoration at ...

Couquaux's work is characteristic of the esthetical influences of the end of the 19th century, with mentors such as Eugène Viollet-le-Duc or Jean-Baptiste-Antoine Lassus. Couquaux wa...

In the late 1800’s, the French architect and historian, Eugène Viollet-le-Duc, published his book, Entretiens sur l’architecture, which ushered in a new style known as Art Nouveau.

This taste manifested itself in a renewed interest in medieval architecture, which served as a backdrop for stories in literature and painting. In architecture, Viollet-le-Duc, under...

He was a pupil of David d'Angers and Viollet le Duc. Exhibiting for the first time at the Salon in 1840, he went on to win a first class medal in 1857 and to become a Chavalier de la...

He was a pupil of David d'Angers and Viollet le Duc. Exhibiting for the first time at the Salon in 1840, he went on to win a first class medal in 1857 and to become a Chavalier de la...

He was a pupil of David d’Angers and Viollet le Duc. Exhibiting for the first time at the Salon in 1840, he went on to win a first class medal in 1857 and to become a Chavalier de la...

This influence is visible in his design for the Amsterdam Commodities Exchange, for which he would also draw on the ideas of Viollet-le-Duc. The load-bearing bare brick walls and the...

In Scotland, it is associated with key figures such as Charles Rennie Mackintosh.[11] Viollet le Duc's books on nature and Gothique art also play an essential part in the aesthetics ...

The fireplace area is not in left out, enabling the manufac-turing of picturesque hoods and monumental overmantel , painted in the man-ner of the great seigniorial rooms. Hence, Vi...

The latter once again undertook major works supervised by Viollet-le-Duc. Unfortunately, in 1902, most of the central building was ravaged by fire.

The style responded to leading 19-century theoreticians, such as French architect Eugène-Emmanuel Viollet-le-Duc (1814–1879) and British art critic John Ruskin (1819–1900).

Antique Barbizon school landscape by Victor Viollet-le-Duc (1848-1901). Oil on board, circa 1875.

Signed lower left, "V. Viollet-le-Duc". Displayed in a period giltwood frame.

The Medieval scene is reminiscent of the stylings of Eugène Viollet-le-Duc, a 19th-century French artisan who specialized in restoring Medieval architecture.

Signed lower left, "V. Viollet-le-Duc". Displayed in a period giltwood frame.

He was one of the pupils of Eugène Viollet-le-Duc that joined to Sicily in the 1830s.

In France they stood out, among others, Hector Guimard, Viollet Le Duc... The Universal Exposition in Paris in 1900 marked a great milestone in this movement and reached its apogee i...

The clock signed Gauffroy Dechaume and the bronze marked AD for Auguste Delafontaine Clock height 45cm, width 31cm, depth 21cm, candelabra height 28cm, width 14.5cm, depth 10.5cm ...

While Eugène Samuel Grasset's illustrations are influenced mostly by Gustave Doré, his commercial artworks are modeled on Viollet-le-Duc. His works were exhibited in the Salon des Ce...

While Eugène Samuel Grasset's illustrations are influenced mostly by Gustave Doré, his commercial artworks are modeled on Viollet-le-Duc. His works were exhibited in the Salon des Ce...

The arched top and its intricate decoration make this an exquisite gothic mirror in the style of Eugène Viollet-le-Duc, the renowned French gothic revival architect.

Like many other French nineteenth-century architects, he attended the École nationale supérieure des arts décoratifs in Paris from 1882 to 1885, where he became acquainted with the t...

Decorated all-over with Gothic arches and tracery, cutout of superposed sheets of red copper and brass, nailed and screwed on to the wooden case, the inside lined with yellow silk. T...

His research into these defensive structures reflected the broader 19th-century fascination with medieval architecture and the emerging preservation movement championed by figures su...

Miniature medieval armor in the spirit of Viollet Le Duc. Embossed and chiseled metal. Work dating of the second half of the 19th century.

A 19th Century French Bronze and Translucent Glass Lantern in the Style of Viollet-le-Duc. Circa 1885

Made in Venice during the third quarter of the 19th century, this monumental armchair is covered in rich Renaissance-revival gros-point needlework, influenced by the work of Eugène V...

Lassus, an architect and historian of medieval architecture and decorative arts, inspired Viollet-le-Duc in the creation of this piece, which reflects the spirituality and Gothic art...

The Gothic manner adopted in the 1840’s by such architects as Eugene Viollet-Le-Duc, perhaps most spectacularly at his renovation of the Château of Pierrefonds and the Cathedral of N...

Inspired by Gothic architecture, Louis certainly was familiar with Viollet-le-Duc’s program of restoration of church and cathedral architecture and his publications.

This workmanship of a sophisticated neogothic design inspired by the interest in medieval and Gothic architecture promoted by the architect Viollet-le-Duc. The delicate but robust pa...

George Trollope and Sons. Exhibited at the Paris Universal Exhibition in 1878 winning a Gold Medal for Excellence. The set forms the four sides of a complete panelled room that was ...