Wax Resist

Mid-Century Abstracted Watercolor & Wax-Resist Mountain Landscape by Mina Tabuena.

Vintage wheel thrown studio pottery pitcher - wax resist floral decoration - speckled olive green glaze over the buff clay body - contrasting white glaze to the interior - artist's c...

Upholsted in an unusual muted pink and purple batik wax resist fabric, with metallic fringing on carved cabriole legs united by connecting turned stretchers.

A traditional meticulously hand drawn wax resist painting by canting on cotton, of an aquatic theme Supit Urang (shrimp clip) in a four panel design of a pair of matchbook motifs dep...

Mid-Century stoneware planter by Wishon-Harrell. Green glaze with a wax resist abstract design. James Wishon and Jerry Harrell produced many fine ceramics in their southern Californ...

One wood fired Yunomi with wax resist impressed pattern and ash glaze drip interior.

Batik is a technique of wax-resist dyeing applied to textiles.

The design showcases an alternating pattern of black and white semi-gloss enamel stripes achieved through a wax resist technique. This medium-sized piece is a limited edition reissue...

O'Malley has employed a complex, multi-media technique, using casein, wax resist and random markings to create an elegant and atmospheric work.

Clyde Burt's modernist wax resist pottery represents the best of mid century modernism in ceramics.

Batik is an Indonesian technique of wax-resist dyeing applied to the whole cloth.

All batik dyed unto the selvedge in two vegetal colors with wax resist; a light soga brown and indigo blue on an unbleached cotton white reserve ground.

The diagonal patterned stripes design created by hand in wax resist in Indonesia with vertical stripe band on either end terminating in fringe all rendered in brown and dark blue nat...

Batik is an Indonesian technique of wax-resist dyeing applied to the whole cloth. The perfect object to bring warmth to any space.

A traditional hand drawn wax resist painting by canting on cotton, dyed in three colors. beige, dark indigo blue and soga brown on a white reserve ground.

A length of cotton fabric used as a shoulder cloth, hand dyed in two colors: red and blue painted over a wax resist design, created by a combination of tjaps (batik stamps) and hand ...

The applied wax resists dyes and therefore allows the artisan to color selectively by soaking the cloth in one color, removing the wax with boiling water, and repeating if multiple c...

A length of cotton fabric used as a shoulder cloth, hand dyed in three colors of rust brown, indigo and a dark blue painted over a wax resist design created by hand drawn canting for...

A traditional meticulously hand drawn wax resist painting by canting on cotton of an Udan Liris pattern of lyrical diagonal decorative bands superimposed by images of flora and fauna...

A traditional meticulously hand drawn wax resist painting by canting on cotton, dyed in two colors; a fine line of indigo blue and soga brown on a beige reserve ground.

Executed in the batik technique—a centuries-old wax-resist dyeing method—the artwork beautifully merges storytelling and craft.

A traditional meticulously hand drawn wax resist painting by canting on cotton of a Udan Liris pattern of diagonal decorative bands, dyed in two vegetal colors; a fine line of soga ...

Designs are applied using the wax resist-dye method. Typical of those made in Surakarta (Solo) one of the two central Javanese cities known for its highly developed batik art.

A length of cotton fabric used as a shoulder cloth, hand dyed in three colors: the base dyed golden yellow overall then a vermillion and maroon painted over a wax resist design, crea...

Vintage Pernakan Kain Panjang Batik Tulis, Cirebon, Java 1950. A fine hand drawn wax resist painting by canting on cotton of a traditional Java north coast Pernakan zig-zag pattern w...

A traditional meticulously hand drawn wax resist painting by canting on cotton of a spirited phoenix pattern interspersed with leaves, lotus and sawat (pair of garuda wings) in a ver...

Charles Pulsford ARSA (1912-1989) Abstract Landscape in Brown and Blue Watercolour with wax resist 55 x 31 cm Provenance: the artist; the residual stock of William Hardie.

The flora & fauna design created by tjaps with wax resist in Indonesia with vertical stripe band on either end terminating in fringe all rendered in brown and dark blue natural dyes ...

The printed cotton with bâton rompu design dates from the first half of the 19th century and was probably made in Alsace. Wax-resist printed cotton for the black and green background...

INV–1907 Bolo, 1962 cm. 12H x 35Ø x 17,5Ø base Decoro grata smalto bianco e nero semi lucido II Edizione, 199 Centrepiece by Aldo Londi Form made on the potter’s wheel in refractory...

This wax creates a resist that protects the fabric from dye.

Batik is one of many methodologies of fabric art in long and rich textile tradition. It is a wax-resist type of dyeing operation where certain sections of a textile are pigmented whi...

A fine and large semi-antique circa 1930 Indonesian batik finely-woven cotton panel from Cirebon, West Java having blue and white "Mega Mendung" or "Chinese Cloud" wax resist dyed pa...

Presumably, the human figures circling the interior were accomplished by coupling wax resist with the reduction copper glaze. The depth and scale of the bowl makes it perfect for bea...

Vintage Indonesian Kain Panjang and Matching Selendang Batik Tulis, Cirebon, Java 1960. A fine hand drawn wax resist painting by canting on cotton of a traditional flora and fauna pa...

Vintage Indonesian Kain Panjang Batik Tulis Pagi-sore Buket, Demak, Java 1950. A fine hand drawn wax resist painting by canting on cotton of a traditional Javanese multi-colored bouq...

Artist Julian Meredith created this print using a giant plank of elm, handmade rice paper and a wax resist technique with handmade ink to make the image.

The surface is finished in a rich reduction-fired copper red glaze, overlaid with expressive wax resist decoration. Organic brush strokes and abstract motifs, drawn from Japanese and...

Crafted using traditional wax-resist techniques from Java, Indonesia—a region whose batik heritage has been recognized by UNESCO as an intangible cultural treasure—this cloth is beau...

Safari decoration applied with wax-resist technique on white glaze. Year of original production: 1966–1967.

Batik is one of many methodologies of fabric art in a long and rich folk textile tradition around the world. It is a wax-resist type of dyeing operation where certain sections of a t...

Batik is a technique of wax-resist dyeing applied to the whole cloth. This technique originated from the island of Java, Indonesia.

Batik is one of many methodologies of fabric art in a long and rich folk textile tradition around the world. It is a wax-resist type of dyeing operation where certain sections of a t...

Batik is one of many methodologies of fabric art in a long and rich folk textile tradition around the world. It is a wax-resist type of dyeing operation where certain sections of a t...

This kemben batik has a hand-drawn design on cotton by wax resist canting. The traditional ceremonial design format juxtaposes the deep red elongated diamond (tengahan) on center wit...

Charles Pulsford ARSA (1912 - 1989) Abstract Figure in Yellow and Blue Watercolour and ink with wax resist 56 x 38 cm Signed lower right. An abstract figure in arresting colours.

This work exhibits Shimaoka's signature rope and slip Joson inlay technique, kaki glaze, wax resist, and green trailed decoration. The work is apparently unsigned though this is cle...

In 1963, Helmut Scholtis introduced the highly popular Ankara décor during his time with CARSTENS. An example of the "wax resist" technique, it was applied to a wide range of forms.

In 1963, Helmut Scholtis introduced the highly popular Ankara décor during his time with CARSTENS. An example of the "wax resist" technique, it was applied to a wide range of forms.

He is known primarily for his salt-fired stoneware works combining distinct forms with wax-resist animal or natural motifs. Simon was born in Springfield, Minnesota in 1947.

He is known primarily for his salt-fired stoneware works combining distinct forms with wax-resist animal or natural motifs. Simon was born in Springfield, Minnesota in 1947.

He is known primarily for his salt-fired stoneware works combining distinct forms with wax-resist animal or natural motifs. Simon was born in Springfield, Minnesota in 1947.

He is known primarily for his salt-fired stoneware works combining distinct forms with wax-resist animal or natural motifs. Simon was born in Springfield, Minnesota in 1947.

He is known primarily for his salt-fired stoneware works combining distinct forms with wax-resist animal or natural motifs. Simon was born in Springfield, Minnesota in 1947.

He is known primarily for his salt-fired stoneware works combining distinct forms with wax-resist animal or natural motifs. Simon was born in Springfield, Minnesota in 1947.

He is known primarily for his salt-fired stoneware works combining distinct forms with wax-resist animal or natural motifs. Simon was born in Springfield, Minnesota in 1947.

He is known primarily for his salt-fired stoneware works combining distinct forms with wax-resist animal or natural motifs. Simon was born in Springfield, Minnesota in 1947.

He is known primarily for his salt-fired stoneware works combining distinct forms with wax-resist animal or natural motifs. Simon was born in Springfield, Minnesota in 1947.

He is known primarily for his salt-fired stoneware works combining distinct forms with wax-resist animal or natural motifs. Simon was born in Springfield, Minnesota in 1947.

He is known primarily for his salt-fired stoneware works combining distinct forms with wax-resist animal or natural motifs. Simon was born in Springfield, Minnesota in 1947.