Whistler Lithograph

ED RUSCHA (1937-Present) 1975 Lithograph in colors on Arches wove paper, signed in graphite, dated, and numbered 189/200, from the series America: The Third Century. Includes the bl...

Ed Ruscha, lithograph, signed 137/200. Dated 1975. "America whistles", on woven paper, signed and dated in pencil Created as part of a bicentennial “America: The Third Century”....

Artist: Ruscha, Edward Title: America Whistles Date: 1975 Medium: Lithograph on Arches Unframed Dimensions: 31" x 22.5" Signature: Pencil signed Edition: /200

A gorgeous lithograph by renowned British wildlife artist Basil Ede, in major collections around the world - the preface to one of his bird books was written by Prince Philip, who is...

ED (Edward) RUSCHA (born 1937) 1937 Omaha, Nebraska (American) Title: America Whistles, from: America the 3rd Century, 1975 Technique: Original Hand Signed and Numbered Lithog...

JAMES ABBOTT MCNEILL WHISTLER (1834 – 1903) THE WHITESMITHS, IMPRESSE DES CARMELITES 1894 (03) Way 53, LEVY 84 Transfer lithograph signed with butterfly in stone 8 ½ x 6 1//8".

Edition 3000 printed by Way With the leterpress in the bottom left corner of the sheet: The Art Journal, March 1896 Note: Published in The Art Journal 48, no. 135 (March 1896), text ...

Imp London" The stone erased in 1904 The majority of the lifetime impressions are in public collections Condition: Excellent condition Hinges from original issuance of L'Estampe Orig...

Imp London" The stone erased in 1904 The majority of the lifetime impressions are in public collections Condition: Excellent condition Hinges from original issuance of L'Estampe Orig...

Signed with the "Butterfly" in the stone, left center Edition: An edition of 3000 impressions, with the blind stamp of The Studio, London lower left Published in: The Studio 6,...

James Abbott McNeill Whistler (1834-1903), Vitré: the Canal, lithograph, 1893.

Stratis, Harriet K and Martha Tedeschi (editors). The Lithographs of JAMES MCNEILL WHISTLER. Volume I: A Catalogue Raisonné.

Stratis, Harriet K and Martha Tedeschi (editors). The Lithographs of JAMES MCNEILL WHISTLER. Volume I: A Catalogue Raisonné.

"The Smith's Yard" is an original lithograph by James Abbott MacNeill Whistler. It depicts a blacksmith and his horses.

Bad Hare Day (Whistler's Mother) is a lithograph on paper, initialed 'BD' lower right, 9 x 9 inches image size.

Bad Hare Day is a lithograph on paper, 9 x 9 inches image size. From the edition of 395, numbered 187/275 (there were also 100 Roman and 20 AP), framed in a contemporary, silver-tone...

Hand-coloured lithographed plates, heightened with gum arabic. Framed and glazed. Overall 62 x 45cm. Edward Lear is one of the greatest ornithological artists of all time. Lear's c...

Whistler, James A. M. THE DRAPED FIGURE SEATED. Spink 72, Way 46, Levy 74.

Whistler, James A. M. OLD BATTERSEA BRIDGE. Spink 18, Way 12, Levy 24.

Chicago states that the sitter was Beatrix Whistler, his wife. 'Whistler plainly stated in a letter to the Ways, this lithograph and La Belle Dame endormie were drawn on the evening ...

She also was the initial model for what would be the Portrait of Miss Florence Leyland, as well as Harmony in Grey and Peach Colour, numerous other oils, drawings, watercolors, etchi...

Godwin in 1876 and then married Whistler in 1888, following Godwin's death. Another sister Rosalind was appointed Whistler's executrix at his death.

When Whistler first received the proofs of this lithograph he declared it 'a great success'.

Whistler was apparently pleased with this lithograph, for after a small number of impressions were printed he agreed that it could be published by The Studio, an art magazine that ha...

Nursemaids: les bonnes de Luxembourg. 1894. Lithograph. Way 84; Levy 79; Tedeschi, Stratis and Spink 81. 9 x 6 1/2 (sheet 12 1/2 x 9).

Edition of 3000 impressions, with the blind stamp of The Studio, London Published in: The Studio 8, No. 39 (15 June 1896) Printed by Way Stone polished out in 1903 Refere...

His paintings, etchings, lithographs and pastels epitomize the modern penchant for creating "art for art's sake," an axiom celebrated by Whistler and others in the Aesthetic movement.

It is likely that while Miss Burke was visiting Paris she was introduced to Whistler through a mutual friend. The setting for this lithograph is believed to be the drawing-room of Wh...

Signed with the "Butterfly" in the stone, right center Published in: The Studio 3, No. 18 (15 September 1894) Printed by Way in an edition of 3000 impressions, with the blind stamp...

Little Evelyn, 1896 lithograph by James Abbott McNeill Whistler. Lithograph of young girl in dress standing.

Woman In A Red Dress a Lithograph by James Abbott McNeill Whistler circa 1894.

“The Duet” is the second lithograph that Whistler drew of Beatrix Whistler and her sister Ethel seated at the piano in the Whistlers’ Paris home.

Les Bonnes du Luxembourg, 1894 lithograph by James Abbott McNeill Whistler. Many figures depicted in a park scene.

Gants de Suède, 1890, lithograph by James Abbott McNeill Whistler. Woman with a hat holds a small staff in her hands.

Illustrations of British Birds and Their Eggs Henry Leonard Meyer (1797-1865) London, 1857 Lithographs with Original Hand-Colouring. Henry Leonard Meyer produced Illustrations of Bri...

"Quart and a Half" is an American Realist abstract landscape watercolor on paper painting by Andrew Wyeth in 1961. The artwork is 21 x 29 1/4 inches and is 33 3/4 x 42 1/4 x 1 inches...

Signed 'Whistler' lower left, titled 'Annie', center, and annotated 'Imp. Delâtre Rue St. Jacques. 171' in the plate lower right. From the portfolio: "Douze Eaux-Fortes d'après Natur...