Adolph Stieler Prints and Multiples

In "Still Night", Frederick Mershimer depicts a row of brownstone houses on Seventh Avenue near Flatbush Avenue between Park and Stirling Places. Mershimer remembers that as he was ...

In "Destinations", Frederick Mershimer creates an image of taxis rushing by the Fuller Building, better known as Flatiron Building. The building is only six feet wide at its rounded...

From: The Cleveland Set (23 plates), No. 1 Edition: Small Signed in pencil Image: 7 3/4 x 11 1/2"

'Riders at Sundown', aquatint and drypoint, edition 75, 1953, Kloss 451. Signed, titled, and annotated 'Artist's Proof' in pencil. A superb, richly-inked, atmospheric impression, in ...

Etchings with drypoint on laid Japon paper, 5 x 6 3/4 inches (128 x 172 mm); sheet 9 x 11 3/8 inches (230 x 290 mm), full margins. In very good condition with some minor uniform toni...

'Cliveden Spring, Bucks' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of a...

Etchings with drypoint on laid Japon paper, 3 x 4 inches (71 x 102 mm); sheet 9 x 11 3/8 inches (230 x 290 mm), full margins. In very good condition with some minor uniform toning. ...

Paris: 1872. Etching with drypoint on laid Japon paper, 4 1/2 x 8 1/8 inches (115 x 207); sheet 9 3/4 x 12 7/8 inches (248 x 327 mm), full margins. In good condition with some minor...

This luminous nocturnal mezzotint by Art Werger depicts a quiet American neighborhood arranged in a circular pattern, glowing under the soft spill of streetlights. Seen from an eleva...

A "Pylon" of the Brooklyn Bridge with the Manhattan Bridge and Williamsburg Bridge visible in the background is captured in this powerful image by Frederick Mershimer. It is #77 in t...

Etching with drypoint on white laid paper, 6 1/4 x 7 1/2 inches (160 x 190 mm); 10 x 13 1/2 inches (254 x 343 mm) full margins. In good condition with some minor scattered surface so...

The image depicts a restaurant on New York's Mott Street with ornamental iron work on the balconies. There are six figures in the scene in various stages of contrast. Mott Street is considered the unofficial Main Street of New York's Chinatown. Ella Fitzgerald sang it best: “And tell me what street compares with Mott Street in July? Sweet pushcarts gently gliding by.” CFW Mielatz was an early influence on the drypoints and etchings of Martin Lewis. This piece was created in 1906 and it is signed in pencil. It is part of the collection of New York's Metropolitan Museum of Art C.F.W. Mielatz American, 1860-1919 Born in Bredding, Germany in 1864, Mielatz emigrated to the United States as a young boy and studied at the Chicago School of Design. Mostly self-taught, his first prints were large New England landscapes reminiscent of the painter-etcher school of American Art. Around 1890 he started to produce prints of New York City and by the time of his death, the number totaled over ninety images. He was a master technician in the field of etching, reworking many of his plates to get the exact feeling he was seeking. Mielatz was a member of the New York Etching...