Aimé Daniel Steinlen Prints and Multiples

Claude MONET (after) The Nymphs in Giverny Lithogrpah after a painting Printed signature in the plate Number / 300 copies On vellum 30 x 59 cm (c. 12 x 24 in) Excellent condition

This exquisite lithograph after Edgar Degas (1834–1917), titled Danseur au bar (Dancer at the Barre), originates from the 1945 folio Degas, Ten Ballet Sketches. Published by The Stud...

Childe Hassam (1859-1935), French Cruiser, lithotint, 1918, signed in pencil with the cipher lower right. Reference: Griffith 8. In very good condition, printed in black ink on cream...

Lithograph on paper. Hand signed and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 310. All reasonable offers will be co...

James Abbot McNeill Whistler (1834-1903), Gabled Roofs, lithograph, 1893. Reference: Chicago (Spink et al) 64, only state. From the lifetime edition of 12 (there was also a posthumou...

JAMES MCNEILL WHISTLER (1834-1903) Limehouse, from Notes lithotint, on cream Japan paper mounted to plate paper (as issued), 1878, Spink, Stratis & Tedesch 7, second state (of three)...

Bill Sullivan, American (1942 - ) - Low Tide 21, Year: circa 1985, Medium: Hand Colored Lithograph, signed in pencil, Edition: 25, Size: 35 x 50 in. (88.9 x 127 cm), Descriptio...

Oliviero Masi, Italian (1948 - ) - Summer Field, Year: circa 1990, Medium: Lithograph, signed in pencil lower right, Image Size: 15.25 x 23.5 inches, Size: 22 x 29.75 in. (55.88 ...

Reginald Marsh (1898-1954), Switch Engines, Erie Yards, Jersey City, Stone No. 3, lithograph, 1948, signed in pencil lower right. Reference: Sasowsky 30, o...

Bill Sullivan, American (1942 - ) - Stony Creek Sunset, Medium: Lithograph, Signed in Pencil, Edition: 50, Size: 30 in. x 44 in. (76.2 cm x 111.76 cm), Description: Overlooking t...

Wayne Ensrud, American (1934 - ) - Mediterranean, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Image Size: 21 x 28.5 inches, Size: 2...

Lovis Corinth Tapiau 1858 - 1925 Zandvoort Wildbach, 1923 Color lithograph on handmade paper Signed in pencil lower right Sheet 4 of the portfolio Swiss Landscapes One of 75 copies on this paper Image size: 15.5 x 18 cm Sheet size: 40 x 30 cm Frame: 43 x 33 cm Catalogue raisonné Müller 795 Further photos available on request Viewing and collection possible by prior appointment Authenticity will be confirmed in writing. Lovis Corinth was born on July 21, 1858, in the town of Tapiau in East Prussia (now Gwardejsk, Russia). While attending high school in Königsberg, he developed an interest in Greek and Roman mythology as well as the Christian stories of the Bible. From 1876, Lovis Corinth attended the art academy in Königsberg, where he studied under Otto Günther, who introduced him to Weimar plein air painting. In 1880, he transferred to the Munich Academy. Works from his Munich period demonstrate his orientation towards the naturalistic painting style of Wilhelm Leibl's circle. In 1883, Lovis Corinth traveled to Italy with his father, and in 1884 he spent three months in Antwerp, where he took painting lessons from Paul Eugène Gorge. From 1884 to 1887, Corinth studied at the Académie Julian in Paris. The artist then traveled to Berlin, where he probably painted his first self-portrait in 1887/88, which was followed by numerous others over the years. From 1891 to 1899, Corinth lived as a freelance painter in Munich, where he belonged to the Secession. After meeting Max Liebermann and Walter Leistikow in the winter of 1898/99, he decided to move to Berlin, where he settled in 1901. Prior to this, his work "Salomé with the Head of John the Baptist...