Alberto Savinio More Art

Sol LeWitt Unique Geometric Abstraction on Postcard, 1982 Original drawing done on postcard from the Van Gogh Museum (Amsterdam), mailed, stamped and postmarked (franked) from Spolet...

Mario Testino Private View Bi-Lingual (Chinese-English), hand signed and stamp numbered, 2012 Limited Collector's Edition Hardback Monograph with Lenticular Cover portrait of Lady Ga...

Wolf Kahn (hand signed by Wolf Kahn), 2011 Hardback monograph with dust jacket (hand signed by Wolf Kahn) Hand signed by Wolf Kahn on the title page 13 × 12 × 1 1/2 inches This gorge...

North African Maghribi Manuscript Leaf Gold Illumination, c.15th Century North African, c. 15th century Print: Height 39cm, width 31cm Frame: Height 73cm, width 62cm, depth 4cm Prod...

Antique Mamluk Qur’anic Manuscript Leaf Folio Maghribi Script 14th-15th Century North African, 14-15th Century Print: Height 39cm, width 31cm Frame: Height 73cm, width 62cm, depth 4c...

Walasse Ting 丁雄泉 Chinese Moonlight (signed, dated and inscribed by Walasse Ting), 1967 Illustrated Softback monograph with four original double-page litho...

Mark di Suvero Dreambook (hand signed by Mark di Suvero), 2008 Hardback monograph with no dust jacket as issued (hand signed by Mark di Suvero) Boldly signed by Mark di Suvero on the...

Vintage Sailor Tattoo Flash Ink on mounted paper c. 1940 4 x 3

North African Maghribi Manuscript Leaf Gold Illumination, c. 14-15th Century North African, c. 14-15th century Print: Height 39cm, width 31cm Frame: Height 73cm, width 62cm, depth 4cm This Qur’anic manuscript leaf originates from North Africa and is written in the characteristic Maghribi script, recognisable through its rounded contours and extended horizontal profiles. Workshops across the western Islamic world developed this calligraphic style, creating manuscripts where geometry and devotional clarity worked in harmony. The present leaf originates from that tradition, reflecting a script that was developed and refined over many generations of scribes. The parchment carries black ink text with red diacritics, punctuated by gold and polychrome rosettes that divide the verses. Along the right margin, larger teardrop motifs enriched with blue, white, and gold create a sense of both structure and ornamentation. These features are typical for Qur’anic manuscripts produced in North Africa in the late medieval period, when symmetrical and elaborately illuminated pages became the hallmark of regional craftsmanship. Set within a giltwood frame and layered mount, the leaf’s colours gain a striking clarity, making the piece even more impressive. Its craftsmanship and historical resonance give it a natural place within any serious collection of Islamic manuscript...

Francis Bacon Francis Bacon (hand signed and warmly inscribed by Francis Bacon), 1975 Softcover catalogue with stiff wraps (hand signed and warmly inscribed by Francis Bacon) hand si...

3 Field, on the spot Sketches NW Frontier India : Manasbal Lake, Kashmir Artist: Unknown Medium: Pen & Ink Created: 1890s Size: 13 x 18 cm each A charming set of on-the-spot sketch...

Alex Katz in Maine, 2005 Hardback monograph (hand signed and dated by Alex Katz) Boldly signed and dated 6.9.10 by Alex Katz on the first front end page 9 3/4 × 11 1/2 × 3/4 inches T...