Alejandro Alfonso Art

Donna Evans' "Angel and Skeleton" shows an angel reaching out to a skeleton as if to rescue it from a wooded landscape. Donna Evans is one of a group of N...

Alex Katz (b. 1927) Untitled, from the portfolio 'A Tremor in the Morning', 1986 Woodcut on wove paper Edition 32/45 Signed and numbered in pencil lower left Sheet: 20 x 19.75 inches...

Black Hat, 2012 Alex Katz Woodcut, on Somerset satin white Signed and numbered from the edition of 25 Printed by Collaborative Art Editions, Tampa Published by Lococo Fine Art Publi...

This screenprint, Cultured Woman – Tokyo, is a sharp, knowing example of Art Hazelwood’s satirical voice—stylish, unsettling, and quietly biting. The elongated female figure dominates the composition, her body exaggerated into a narrow vertical column that reads as both fashionable and faintly grotesque. Her pose is elegant yet strained, chin lifted, gaze distant, projecting confidence that borders on caricature. Hazelwood’s line work is incisive and deliberate. The woman’s clothing—fur-trimmed coat, patterned dress, high boots—signals cosmopolitan sophistication, while the acid clarity of her facial features undermines any straightforward glamour. Makeup becomes mask-like; refinement tips into artifice. The palette is cool and controlled, reinforcing a sense of emotional remove beneath the polished surface. At her feet, the small dog functions as a critical counterpoint. It echoes her presence while subtly mocking it, grounding the image in Hazelwood’s characteristic irony. The pairing suggests themes of status, performance, and cultural self-consciousness, with Tokyo serving less as a literal place than as a symbol of globalized style and curated identity. Like much of Hazelwood’s work, the print resists easy judgment. It is neither cruel nor celebratory, but observant—a portrait of modern sophistication rendered with wit, skepticism, and a razor-edged sense of humor. Signed and numbered color woodcut from the edition of 15. Modern woman in Tokyo; signed and titled edition of 15. Art Hazelwood calls himself artist, instigator and impresario to define the three intertwining areas of his practice. He uses printmaking within a range of political allegory and satire making work from political posters to fine press edition artist books. He has curated and organized a range of exhibitions at venues from museums to immigrant centers. He has worked for over 20 years with homeless rights groups; creating prints, and street posters, and has authored one book and contributed to another on art and homelessness. He has been a regular visiting guest artist at San Quentin State Prison and teaches currently at the San Francisco Art Institute. He organized the San Francisco Poster...

AP Signed, titled, and numbered in pencil on print margin. From the series: Vietnam Remembrances After receiving his MFA at the University of Texas in 1966, Don Schol was drafted in...

Edition of 8 Signed, titled, and numbered. From the series: Vietnam Remembrances Paper size: 17 1/4 x 13 1/2 in. Image size: 14 x 11 in. After receiving his MFA at the University of...

AP Signed, titled, and numbered in pencil on print margin. From the series: Vietnam Remembrances After receiving his MFA at the University of Texas in 1966, Don Schol was drafted in...

Tracey Emin, Billy and Traci in a Pub, 1984 Woodcut in dark blue on Japon paper, signed and inscribed 'lots love Traci xx' in pencil on the backboard, printed by the artist Test prin...

Horses is an original woodcut print on paper realized in 1962 by an Anonymous artist of the 20th Century. Hand-signed on the lower right and dated, ill...

Tim Engelland (American, 1950-2012) Snowy Night - Hitchcock, 1993 Woodcut 8 1/2 x 9 in. Titled, numbered, signed, and dated bottom: A/Proof, "Snowy Nigh...

FLOWERS is an original limited edition woodcut print by the African-American painter and sculptor, Otto Neals. The woodblock used to print FLOWERS was hand carved by Otto Neals and printed in two colors - burnt orange and black on Rives BFK printmaking paper, 100% acid free, enhanced with hand colored accents. FLOWERS portrays an exotic portrait of a young black woman posed in profile with long dark wavy hair, looking downward wearing a lively floral print dress and large silver hoop earrings...

Tim Engelland (American, 1950-2012) Untitled, 1996 Woodcut 7 1/2 x 8 1/2 in. Signed and dated lower right: T. Engelland, 1996 Numbered lower left: 102/200 A lifelong artist, Engelland specialized in oil portraits and landscapes, and also worked extensively in woodcuts and linocuts. He was born on Jan. 5, 1950, in Ames, Iowa, the son of Charles Wilbur “Will” Engelland and Patricia Fairman Engelland.. Tim grew up in Terre Haute, IN, attending Fairbanks Elementary School and Indiana State University’s Laboratory School. He knew he wanted to be an artist from an early age, and was mentored by Lab School’s John Laska, graduating in 1968. He received a BFA from Temple University’s Tyler School of Art; was a Norfolk Fellow at Yale University; and received his MFA from Cornell University, teaching there for two years after graduation. He spent the majority of his career, from 1976-2004, at Deerfield Academy, a prestigious preparatory school in Deerfield, Mass. There he taught art and photography, coached basketball and lacrosse, and served as faculty resident. When the school began accepting female students, Tim designed The Deerfield Girl, a bronze statue to accompany The Deerfield Boy statue...