Alex Berdal Prints

A romantic collection of dried, pressed Botanicals, well preserved with calligraphy and Latin description, describing each piece, place found and date. One may purchase as many as on...

Abstract in browns and red on ecru. Pencil signed indistinctly (possibly Y. Bishop) and dated 73 lower right, numbered 64/70 lower left. Embossed French gallery mark lower right. Fra...

Nice engraving illustrating the proverb "Spare The Rod And Spoil The Child » (Qui aime bien, châtie bien). The scene takes place in a 19th century bourgeois interior. On the mantelpi...

Elegant 20th century lithograph-aquatint signed and dated lower right, numbered 10/40 lower middle and titled lower left in pencil. Actual size without the frame 35" x 23".5.

**Engraving by Maria Kelly – 20th Century – Couple with a Hat in Front of a Harbor – A4860** This **20th-century engraving**, in the **style of sanguine drawings**, is probably by *...

Collection of nine 20th Century Swedish engravings of cuckoos. The Von Wright ducks are by the Finnish artists Magnus von Wright (1805 - 1868) and Wilhelm von Wright (1810 - 1887) wh...

M. FORSYTHE - 'Ash' - # 37/100 - Vintage fine art engraving on paper - signed and numbered - stained wood frame with gilt detail - under glass - grey bevel edged matte board - Canada...

From: 'Costumes of Various Countries' by Jacques Grasset de Saint-Sauveur, circa 1797. Hand colored engravings on paper. 'Hollandie', showing a mother and child in native costume fro...

Original Early 20th Century French Engraving Print, Art Deco Era Engraving Print Louis XIV Style Fashion Focused Engraving Print A fine French engraving print from well listed print...

Virgin Mary with Child, Baroque Devotional Engraving, Penzinger, c.1700 This refined Baroque devotional engraving depicts the Virgin Mary tenderly embracing the Christ Child, set wi...

Beautiful etching on wove paper with a watermark, BFK Rives, signed, titled, and published by the Société Française des Amis des Arts around 1920. Title "Frère et soeur" (brother and sister) engraved by Adolphe Grauk (1865-1945), after the painting by Aimé Nicolas Morot (1850-1913) The engraving is in very good condition with some fading to the right edge of the sheet which will not be visible when the engraving is framed Dimensions: "Frère et soeur" etching: Sheet: 460 x 332 mm - Engraving: 250 x 250 mm - Engraving plate: 320 x 280 mm Engraved signature: A. Grauk below the engraving on the right & Blank signature of the Société Française des Amis des Arts under the engraving lower right. Adolphe Crauk, born in Valenciennes on May 24, 1865 and died on December 13, 1945, was a French engraver and painter. A pupil of David Joseph Desvachez in Valenciennes and then in Paris of Alexandre Cabanel, Louis-Pierre Henriquel-Dupont, and Jules Jacquet, he exhibited at the Salon des Artistes Français from 1887 onward, receiving an honorable mention in 1893, a 3rd-class medal in 1896, a travel grant in 1897, and a 1st-class medal in 1905, the year he was selected as an hors-competition. He also received an honorable mention at the 1900 World's Fair. Aimé Nicolas Morot, born on June 16, 1850 in Nancy and died on August 12, 1913 in Dinard, was a French painter and sculptor. He studied at the Nancy School of Drawing and Painting under Claude-Émile Thiéry and Charles Sellier before becoming, through a competitive examination, a student of the painter Alexandre Cabanel at the École des Beaux-Arts in Paris on May 31, 1869. He competed four times, unsuccessfully, for the Prix de Rome, before winning in 1873 with The Captivity of the Jews in Babylon. Upon marrying Suzanne Gérôme, he became the son-in-law of the painter Jean-Léon Gérôme; he was a friend of the painter and sculptor Édouard Paul Mérite. He exhibited at the Salon des Artistes Français from 1880 to 1912, where he received a medal of honor for his first participation for The Good Samaritan. As an academic and professor at the École nationale supérieure des beaux-arts, a frequent exhibitor at the Salon des artistes français in Paris, and a member of the painting jury, Aimé Morot was an influential figure in Parisian art circles, one of the 18 most influential members of the Institut de France. The Société Française des Amis des Arts was founded in 1885 at the Palais de l'Industrie for the development of the arts, supported by numerous distinguished subscribers: Messrs. Gaston Doumergue (President of the French Republic), Baron Edmond de Rothschild, Count Greffulhe, the brothers Alfred, Jules, and Léon Bernheim, Louis Boucheron, Edgar Brandt, Emile Buland, Paul Chabas, Viscount Guy de Dampierre, Colonel Francis E. Drake, André Fallières, Louis Lévy, Paul Louchet, Maurice Moisset, Louis Montagné...

Pair of Prints From the Early 20th Century Depicting Women We present you a pair of prints depicting women from Ancient times doing daily tasks. The pieces are closed in decorative ...