Alexandra Maitre Ceramiste Wemmel

Larger mid century studio pottery vessel hand thrown in hues of mustard, brown and green, the colors darkening as they graduate to the top of the vase. This pieces is signed on the u...

A very fine vintage handcrafted Studio Pottery miniature tenmoku glazed vase by renowned potter Atsuya Hamada (Japanese, 1932-1986) and made at the Leach Pottery in St Ives, Cornwall...

Shapely midcentury vase manufactured by 'Kunsttöpferei Gudrun & Ralf Unterstab' Langenhessen, East Germany. Around late 1960s to 1970s. Black glaze in matt and glossy combined with i...

This lovely piece would make a great addition to a collection.

Studio pottery bottle vase – signed “Maria”, Belgium, c. 1970–1990 Elegant studio pottery bottle vase, hand-signed Maria to the base. Matte glaze in soft bands of deep blue and sea-...

Glazed Studio Pottery Vase Dimensions. 6 W ; 5 D ; 8 1/2 H.

A wonderfully glazed, beautifully crafted, and classically shaped vase/vessel by renowned Canadian master potter Brother Thomas Bezanson (1929-2007). Brother Thomas studied design at Nova Scotia College in the late 40s and early 50s, It was during this time that he discovered a love for the ceramic art form. In 1959 he became a monk and joined the Weston Priory, Vermont, a community of Benedictine men. Here he continued his art while also pursuing a degree in philosophy. In 1978 he traveled to Japan where he met and worked with five Japanese potters, designated “Living National Treasures” by the Japanese government. These particular artists and the time spent with them deeply influenced his work and his thought. In 1985, he became artist-in-residence at Mount Saint Benedict Monastery in Erie, Pennsylvania, where worked until his death in 2007. Brother Thomas was universally known and esteemed for his mastery of complex glazes and his adaptation and application of traditional Chinese and Japanese pottery methods and materials. The vase features a sumptuous green glaze that absolutely radiates in the light. The work is signed by Brother Thomas with his traditional signature and cipher. A special piece. Would be a great addition to any Brother Thomas or Mid-Century pottery/ceramics collection or make for an eye catching stand alone accent work in about any setting. His work can be found in numerous collections and international museums including: Aidekman Art Center, Tufts University, Medford, MA Allen Art Museum, Oberlin College, Oberlin, OH Art Complex Museum, Duxbury, MA Art Gallery of Nova Scotia, Halifax, Nova Scotia, Canada Art Institute of Chicago, Chicago, IL Bunting Institute, Radcliffe College, Cambridge, MA Canadian Museum of Civilization, Hull, Quebec, Canada Carnegie Museum of Art, Pittsburgh, PA Chrysler Museum of Art, Norfolk, VA Cleveland Museum of Art, Cleveland, OH Cooper-Hewitt, National Design Museum, Smithsonian Institution, New York, NY Davis Museum and Cultural Center, Wellesley College, Wellesley, MA Dimock Gallery, George Washington University, Washington, DC Everson Museum of Art, Syracuse University, Syracuse, NY Fleming Museum, University of Vermont, Burlington, VT Fogg Art Museum, Harvard University, Cambridge, MA Framingham State University, Framingham, MA Hokkaido University, Hokkaido, Japan Los Angeles County Museum of Art, Los Angeles, CA The Metropolitan Museum of Art, New York, NY Museum of Art, Rhode Island School of Design, Providence, RI Museum of Fine Arts, Boston, MA Phoenix Art Museum, Phoenix, AZ Portland Museum of Art Portland, ME Pucker Gallery...

Beautiful brown salt glazed studio pottery vase or vessel. The piece is signed by the artist but we have not yet been able to identify them. Most cer...

A stylish Burmantofts Faience art pottery vase decorated in ox blood red glazes and dating from around 1890. The earthenware flask shaped vase stands on a wide round foot rim with a ...

Pottery Pitcher Pinched Spout in Great Size and Form. Ancient Near East / Ancient Mediterranean, Amlash culture, ca. 1400 to 1000 BCE. A hand-built redware pottery vessel of a grand ...

Mid-Century West German Ceramic Vase by Spara, 1950s A very distinctive 1950s ceramic vase by Spara, hand-produced in West Germany. The surface is sgraffito hand-decorated in beauti...

Vintage ceramic bud vase features sculptural multi spouted shape and stunning textured drip glaze in earthy, organic brown palette. The gradation glaze color and abstract graphic pattern of the main decor emphasize the soft, rounded shape of the vase; the use of shades of brown, from dark espresso to mocha to off-shite cappuccino, creates rich and varied, but monochromatic palette that does not overpower the complex form and shape of the vase. The vase is signed on the bottom with LEE, that was Lee Levy customary signature; it is not dated, but the style of the piece is consistent with her Mid-Century Modern pieces created in 1960s-1970s. Leah "Lee" Levy (1922 - 2011) was an established pottery artist based in Upstate New York area. She was born in Pinsk, formerly in Poland, now in Belarus, and moved to the United States in 1929, growing up in Brookline, Massachusetts. She and her husband Irving started their first pottery studio in Long Island, New York, in late 1940s, while training at the Alfred University School of Ceramics alongside with some of the foremost artists and craftsman in America. Since 1946, Alfred University in Alfred, New York was a home for School for American Craftsmen, with the faculty that included Edwin Blanchard Brown, Ernest Frank Brace, Laurits Eichner, Philip Morton, Charles Reese, Ethel Mitchell, Robert Savage, Thomas Mclure, and most importantly for Levy, the renowned ceramists Linn Phelan and Herbert Sanders...