Alfonso Ossorio Art

Untitled Signed in pencil lower right (see photo) Edition: 25 (9/25) (see photo) Engraving, drypoint & carborundum Printed by the artist Condition: Excellent, slight residue on rever...

Zao Wou-ki - Moments - Original Aquatint Edition of 130 Dimensions: 34.2 x 30.5 cm Vellum paper BFK Rives 1996 Bibliography: Jørgen Ågerup, Zao Wou-Ki: The Graphic Work, A Catalogue ...

CR 168 Paper:Auvergne à la Main Richard de Bas handmade paper; offset-printed Roth Händle cigarette label Signature:Signed "RM" in pencil upper right Inscriptions:Numbered in pencil ...

"Hombre Blanco" by Rufino Tamayo is a Figurative Abstraction mixografia in color limited edition measuring 30x22 in. The piece is framed beautifully with...

A very good impression of this color aquatint, etching and carborundum. Signed and numbered 27/75 in pencil by Miro. Printed and published by Maeght, Paris. Catalogue reference: Du...

Ancient Landscape II (Ancient City) Etching and drypoint, 1953-1955 Signed and titled in pencil by the artist; (see photo) Annotated: "E130 A/1" in pencil lower right Estate stamp v...

Caviar20 is excited to be offering this evocative print by the inimitable Louise Nevelson - one of the most revered and unique sculptors of the 20th century. Nevelson is renowned for her mysterious and complex artworks. She was an active printmaker, experimenting with different techniques and approaches while working with some of the best print-making studios in the United States. Nevelson, whether working in sculpture or in two dimensions typically had a strict palette; almost exclusively black. While there are iconic works in white, gold, or raw wood, Nevelson almost entirely avoids color. However, during the last decade of her life, her palette expanded notably with her printmaking. "Reflections III" is an example from her 1983 portfolio, "Reflections I-V" consisting of six large-scale prints. These prints contain signature elements found throughout Nevelson's prints; ripped or collage-like forms as well as the use of fabric, lace, and toile in the printing process. However one of the strongest characteristics of the "Reflections" series is her new uninhibited use of color. Here it is used to maximum effect. This work features unexpected elements of fuchsia, crimson, and Prussian blue that punctuate her signature layered collage-like composition. Nevelson's late prints are truly some of her best. Over the last few years, there has been tremendous momentum in both interest and appreciation of Nevelson's work. In May of 2021, a new auction record of $1.35 million was established for one of Nevelson's signature white construction sculptures...

Caviar20 is excited to be offering this evocative print by the inimitable Louise Nevelson - one of the most revered and unique sculptors of the 20th century. Nevelson is renowned for her mysterious and complex artworks. She was an active printmaker, experimenting with different techniques and approaches while working with some of the best print-making studios in the United States and Italy. Many of the leading, ground-breaking American abstract artists experienced success in post-war Europe. Nevelson was notably well-embraced in Italy arguably because of parallels to Arte Povera in her work. She had an important and enduring connection to Italy, beginning with representing America at the Venice Biennale in 1962. Nevelson would then exhibit at the legendary Studio Marconi in Milan during the succeeding decades. This fruitful relationship led Nevelson to start working with Italian printmakers during the 1970s. This impressive aquatint is a paradigm of both the era and Nevelson's later printmaking, notable for its use of metallic elements, color, and collage. This work features unexpected shades of magenta, lime green, and rust, which punctuate her signature monochromatic black forms that sweep the surface of the page creating an intriguing architectural form. This work is an example from Nevelson's 1973 portfolio, "Aquatints Portfolio (B. 116)" which comprised six aquatints with metallic elements. Click here to see another example from this body of work. Over the last few years, there has been tremendous momentum in both interest and appreciation of Nevelson's work. In May of 2021, a new auction record of $1.35 million was established for one of Nevelson's signature white construction sculptures...

A very good, richly-inked impression of this scarce color aquatint on Arches Cover. Initialed and numbered 15/28 in pencil by Motherwell. Printed by Catherine Mosley at the artist's ...

In this edition by Karen Seapker, deep greens and blues streak across the canvas with swift gestural velocity. Although abstract, this work is reminiscent of a landscape, with green ...

Louise Bourgeois Homely Girl, A Life, Volumes I and II (Literary books with 10 original etchings) Hand signed by both artist Louise Bourgeois and Pulitzer winning playwright Arthur M...

SAM FRANCIS 1923-1994 San Mateo, California 1923 – 1994 Santa Monica (American) Title: Untitled (SFE-081), 1992 Technique: Original Hand Signed and Numbered Aquatint in Colours on ...

André Lanskoy - Composition - Original Etching From Dédale Edition: 190 Dimensions: 32 x 18 cm This etching is from the first series of etching Lanskoy made. Unsigned and unumbered ...

Sam Francis Untitled 1995 Etching in colours, Edition of 35 53.3 x 45.7 cms (21 x 18 ins) SF17887

IRIS 2 Date of creation: 2006 Medium: Etching on Paper Edition: 50 Size: 100 x 70 cm Condition: In very good conditions and never framed Observations: Etching on paper signed by the ...