Alfred Thompson Bricher Art

Represented by George Billis Gallery, NY & LA --The process of endless building and reconfiguring transcends the mere physical and encompasses the spiritual and symbolic. The scars a...

Painted by Hudson River School artist Hermann Simon (1846-1895) , "Sunset on the Hudson River" is oil on canvas, measures 15 x 25 inches, and is signed and dated 1875 at the lower ri...

Original Painting New Yorker Mag Cover proposal. Army Wedding American Scene WPA Antonio Petruccelli (1907 – 1994) Army Wedding New Yorker cover proposal, c. 1939 11 1/2 X 8 inches ...

"Corona 2," is an abstract work on paper featuring hues of gold, blue, turquoise, red, yellow, purple and white. This piece is framed in a simple white box frame behind Plexiglas mea...

“View of Gardanne, 1925" Louis Gautier (French, 1855-1947) Oil on cardboard Signed and dated 1925 lower left, Dedicated lower right: "à Monsieur Angeli, Bien cordially" Titled, dated...

"Landscape with Sheep" by Daniel Folger Bigelow (July 22, 1823 - July 14, 1910), Oil on Canvas, signed D. F. Bigelow lower right corner. An American painter active in New England an...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

This watercolor is part of our exhibition America Coast to Coast: Artists of the 1930s Circus Wagons, 1927, watercolor on paper, signed and dated lower left, 10 x19 ¾ inches (sight), provenance includes Stary-Sheets Art Gallery (Gualala, CA); J. Ralph & Louis Stone Foundation; presented in a newer metal frame behind glazing About the Painting Millard Sheets was only twenty years old and in his third year of studies at the Chouinard Art Institute when he painted Circus Wagons. Despite his youth, Sheets was already an accomplished artist who had publicly exhibited his work and won prestigious prizes. Within several years, he would have his first solo exhibition at one of Los Angeles’ premiere galleries and become a painting instructor at his alma mater. In Circus Wagons we already see Sheets deft handling of the watercolor medium and his interest in the California Scene. In this case, Sheets captures a back lot view of a traveling circus, a subject he sometimes returned to, including in a color screen print in the collection of the National Gallery. Sheets made a career by painting what he knew and observed firsthand. This approach allowed Sheets to capture with authenticity the details of each narrative. Even with a narrowly limited palette and an economy of brushstrokes, Sheets effectively depicts the southern California scene with its strong and mysterious shadows, as well as the workers and circus animals. Seen through the hindsight of his six-decade long career, Circus Wagons offers a fascinating insight into the early development of California Scene painting which would by the mid-1930s become the best recognized style on the West Coast. About the Artist Millard Sheets was the dean of California watercolorists. His list of accomplishments is so extensive that his entry in Who was Who in American Art is over forty lines. Born in Pomona, California, Sheets became a painter at an early age, winning a prize at the Los Angeles County Fair in 1918. By the mid to late-1920s, Sheets became a regular at art exhibitions in the western part of the United States, winning several additional prizes before he reached the age of twenty-five. Sheets studied at the prestigious Chouinard Art Institute from 1925 through 1929 with Frank Tolles Chamberlin and Clarence Hinkle and had his first solo show with Los Angeles’ Dalzell Hatfield Gallery in 1929. During the 1930s, Sheets was invited to exhibit at almost every major American Museum and in many ways, his work came to represent the California watercolor school...

This masterfully executed painting by Emerik Stenberg (1873–1927) captures an intimate and atmospheric moment. The composition features a seated man, engrossed in his daily chores, b...

Gail Chase Bien has created a wonderful and mysterious work that includes oil, gouache, and pastel collage on board. Professionally framed in a thin warm silver wood. The artist is ...

Mount Desert Island, Maine, likely Thunder Hole Oil on paper mounted on board 10 x 14 inches (25.4 x 35.6 cm) Framed dimensions: 16 3/4 x 20 11/16 inches Signed lower middle: F. S. F...

Swedish Mountain Landscape with Lake oil on canvas laid on masonite 18 x 27 cm (7 1/8 x 10 5/8 in) 28 x 37 cm (11 x 14 5/8 in) Provenance: Acquired...