Amanda Pratt Art

Lambda print in colors, on Fuji color photographic paper dry-mounted to PVC (as issued). Hand signed and numbered in black marker on the reverse. Edition of 25/50. Published by Ala...

60 x 40 inches Archival Pigment Print Mounted and Framed - Black Matt Frame. Frame Profile 0.75 x 2 inches (see images) Non-glare Large-scale photograph from the Equine Beauty serie...

Hadar takes euphoric moments and try to generate a three dimensional feeling with every image inviting the viewer to jump into the game and to be part of it. There's a hidden message...

No title (No 36) Ballet Photography 36x36 in Ed of 28 by Yevgeniy Repiashenko Photography Edition of 28 (36" x 36" inch) by Yevgeniy Repiashenko Year photo was taken: 2017 Unframe...

No Title (No 62) Ballet Photography 60 x 60 in Ed of 8 by Yevgeniy Repiashenko Photography Year photo was taken: 2021 Unframed - ships in a tube This picture is a part of Spiri...

Beautiful woman floating in water wearing pink gown. "Sleep Me a Dream" is underwater photography created by Katheeen Wilke. C Print on Fuji Pe...

Howard Kanovitz The People, 1971 3-5 Mixed Media Silkscreen on Plexiglas and aluminum base Signed: Artist's Signature etched on the work and annotated A.P., Edition of 1 (an Artists Proof, aside from the regular edition of 75) 15 × 16 × 1 1/2 inches Signatured etched on the work and annotated A.P. , aside from the limited edition of 75. This excellent 1971 3-D photo realist work "The People" is a multiple based upon a larger work the artist did of people beholding a work of art. Here, we see them only from behind, because they are busy looking at art - a clever photorealist work - art about art - catching people in the process of looking at art. Howard Kanovitz Biography Howard Kanovitz was a leader of Photo Realism: a documenter of style and fashion, depicting members of the art scene at openings, or superimposing known critics and curators onto images of board room meetings. In his particular style, he explored the intersections of painting, photography, fiction, and fact. Kanovitz studied at the Rhode Island School of Design and The Art Studenst League in Woodstock where he worked with Yasuo Kyniyoshi before moving to New York an apprenticing with Franz Kline. As a member of New York’s downtown art scene, Kanovitz painted abstract paintings, which he exhibited at Tenth Street Galleries early in his career. Following his father’s death in 1963, Kanovitz went through family photos, an experience which prompted him to interrogate the relationship between images and perception. At this time, Kanovitz abandoned abstraction in favor of a figurative style and worked arduously in this new direction. These efforts culminated in a 1966 solo exhibition at the Jewish Museum, securing his place as a leader of Photo Realism among artists such as Larry Rivers, Alex Katz, and Chuck Close. His photo based, representational paintings exhibited at the Jewish Museum show were the first to be called “photo-realist” and shocked many in the art community prompting a symposium which was held at the New York Studio School for “downtown artists” to weigh in on this perennial “hot topic”, newly addressed by one of their own. Kanovitz first began using airbrush in 1967, giving his paintings a feeling of photographic perfection. Cut out figures created using this precisionist technique were placed in the viewers space, often in front of Kanovitz’s painted canvas depicting the luminaries of the art world of the time. This type of installation was the centerpiece in the first of several Waddell Gallery shows. Kanovitz has been the subject of many solo museum shows internationally and his work is collected by institutions such as the Whitney Museum of American Art, Metropolitan Museum of Art, Tate Britain, London, and Museum Moderner Kunst, Vienna. -Courtesy Eric Firestone...

Lambda print in colors, on Fuji color photographic paper dry-mounted to PVC (as issued). Hand signed and numbered in black marker on the reverse. Edition of 34/50. Published by Ala...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Luc Tuymans (Belgian, b. 1958) Altar (documenta 11 edition), 2002 Medium: Frame box with 3D-collaged digital print behind sand blasted opaque plexiglass Dimensions: 60 x 80 x 5 cm (2...

"Feather" is an underwater female swimmer with red hair, dropping a yellow feather. C Print on Fuji Pearl, Perspex mounted 30H x 32L x 1W inches Edition of 10 Kathleen Wilke blurs the lines of poetry and fiction through her underwater photography...