Andre Hambourg Landscape Paintings

Signed and titled oil on canvas seascape circa 1970 by French modernist painter Andre Hambourg. The work depicts two figures walking along a sandy beach on Deauville, France as the waves crash in the sea and seagulls circle over the water in the grey, cloudy sky. Signature: Signed: Signed lower left / further signed and titled verso Dimensions: Framed: 17"x22" Size: 9"x14" Provenance: Private French collection André Hambourg studied sculpture with Niclausse at the École des Arts Décoratifs in Paris from 1926 to 1930. He then entered the studio of Lucien Simon at the École des Beaux-Arts, before leaving to work in studios in Montparnasse. In 1931 he visited Normandy and Honfleur. In 1933, Albert Brabo and Jean Launois put him forward for the Villa Abd-el-Tif prize and he then lived in Algeria and Morocco for nearly ten years. Called up in 1939 in Morocco, he was demobilised in 1940. Between 1942 and 1945, under the pseudonym André Hache, he became a reporter and draughtsman for the newspaper of the French army, under Colonel Raoul Salan. He took part in the liberation of France and in the German campaign, was decorated with the Croix de Guerre and produced two works about the campaign, Berchtesgaden Party ( Berchtesgaden-Party) and From Algiers to Berchtesgaden ( D'Alger à Berchtesgaden), in 1947. From 1946 he took up his career as a painter again, painting portraits, nudes, landscapes, still-lifes and compositions, spending much time in Normandy. In 1948 he married Nicole Rachet, the grand-daughter of Eugène Boudin's doctor and friend. From 1961 the Galerie Paul Pétridès represented him in France, and the Wally Findlay Gallery represented him in the USA from 1962. At that time he set up a studio in a Normandy farm, and in 1972 he set up another studio in St-Rémy-de-Provence, in the middle of an olive grove once painted by Van Gogh. His large output includes Civilisation 37 (1937), Refugees from St-Dié (1944), Sunday in the Great Courtyard (1956), Breakfast (1957), Venetian Bedroom...

A charming oil on canvas circa 1970 by modern French painter Andre Hambourg. The piece depicts blue boats with red sails out at sea - the orange setting sun beyond and a seagull flying overhead. Signature: Signed lower right & titled verso Dimensions: Framed: 15"x20" Unframed: 9"x14" Provenance: Private French collection André Hambourg studied sculpture with Niclausse at the École des Arts Décoratifs in Paris from 1926 to 1930. He then entered the studio of Lucien Simon at the École des Beaux-Arts, before leaving to work in studios in Montparnasse. In 1931 he visited Normandy and Honfleur. In 1933, Albert Brabo and Jean Launois put him forward for the Villa Abd-el-Tif prize and he then lived in Algeria and Morocco for nearly ten years. Called up in 1939 in Morocco, he was demobilised in 1940. Between 1942 and 1945, under the pseudonym André Hache, he became a reporter and draughtsman for the newspaper of the French army, under Colonel Raoul Salan. He took part in the liberation of France and in the German campaign, was decorated with the Croix de Guerre and produced two works about the campaign, Berchtesgaden Party ( Berchtesgaden-Party) and From Algiers to Berchtesgaden ( D'Alger à Berchtesgaden), in 1947. From 1946 he took up his career as a painter again, painting portraits, nudes, landscapes, still-lifes and compositions, spending much time in Normandy. In 1948 he married Nicole Rachet, the grand-daughter of Eugène Boudin's doctor and friend. From 1961 the Galerie Paul Pétridès represented him in France, and the Wally Findlay Gallery represented him in the USA from 1962. At that time he set up a studio in a Normandy farm, and in 1972 he set up another studio in St-Rémy-de-Provence, in the middle of an olive grove once painted by Van Gogh. His large output includes Civilisation 37 (1937), Refugees from St-Dié (1944), Sunday in the Great Courtyard (1956), Breakfast (1957), Venetian Bedroom (1958), Bosphorus in December (1966), Western Wall in Jerusalem (1970), and Outdoor Market in Abidjan (1973). He painted crowds and scenes with people in Paris and Trouville, and Maghreb, Jerusalem and Abidjan markets, and also took inspiration from the special light emanating from the large expanses of water under the skies of Honfleur, London, Venice and Istanbul. From 1952 he was the official painter of the Navy and, from 1963 onwards, he undertook many voyages, some aboard vessels of the French Navy, to Venice, the Soviet Union, Israel and Britain; to Ivory Coast (1971-1972); to the USA (1973, 1978 and 1979); and to Mexico (1978). He joined round-the-world missions aboard the Commandant Bourdais and Jeanne d'Arc (1983-1985), and visited Venice again in 1989. From these travels he brought back many sketches and preparatory drawings for subsequent paintings and for use as illustrations in collectors' editions of books.In 1951 President Vincent Auriol bestowed on him the insignia of Chevalier of the Légion d'Honneur, and in 1960 he was made Officer of the Légion d'Honneur, in 1986 Commandeur des Arts et Lettres and Commandeur of the Légion d'Honneur, and in 1996 Grand Officier de l'Ordre National du Mérite. He held many other French and foreign distinctions. He was also a lithographer and engraver and, above all, an illustrator of collectors' books, including Georges Duhamel's La Pierre d'Horeb ( La Pierre d'Horeb) (1953), Kipling's The Return of Imray (1956), Léo Larguier's St-Germain-des-Prés (1958), Henri de Régnier's Venetian Life ( La Vie Vénitienne) (1959), Sully Prudhomme's Private Diary ( Journal Intime) (1960), Honfleur Lights ( Lumières de Honfleur) by Lucie Delarue-Madrus (1964), Joseph Kessel's Land of Love and Fire ( Terre d'Amour et de Feu) (1967), Henry de Montherlant's Gypsum Flower ( La Rose des Sables...

Nice time on Trouville beach. 1980. Canvas, oil, 44.5x52 cm

Oil on canvas, signed lower right and inscribed on back. André Hambourg was born in Paris on May 5, 1909. Entering the Ecole Nationale Superieure des Arts Decoratifs in 1926, he studied sculpture under Paul Niclausse for four years. The young artist then entered the studio of Lucien Simon at the École nationale supérieure des Beaux-Arts. While in the middle of his academic studies, Hambourg had his debut solo exhibition at the Galerie Taureau in Paris in 1928. He was only 19 years old at the time. Because of the early recognition of his talent, Hambourg became active in the important Paris salons in the first stages of his developing career. In 1931, he was made a member of the Salon de l’Art Français Indépendant and the Salon de l’Oeuvre Unique. André Hamburg was demobilized in Casablanca in 1940, but then civilian by the regiment of engineers in 1943, then called by Raoul Salan and assigned to the 2nd Bureau where he became editor, draftsman, reporter of the newspaper "Combattant 1943" then "Combattant 1944 He was named in December 1944 war correspondent accredited to the US HQ (SHAPE), his military experience (being in the first to have reached the nest He wrote two books in 1947: "Berchtesgaden party" and "D'Alger à Berchtesgaden". In an interview he wrote an account of his experience in "La kermesse aux étoiles" in 1953 and 1954, of which he was the organizer, of cheap sales of works by renowned artists in front of the Kermesse public for 3 days and 3 nights. He wrote in the newspaper "Cols bleus" of the Navy souvenirs ("4 July 1943", whose oil on paper will be offered by President Mitterrand to President Reagan) or travel. The entire work of the artist will be the subject of numerous books, publications, articles, interviews of José Arthur, Michel Law, Jacques Chancel and Micheline Sandrel. In 1970 five hundred of his works formed a prestigious retrospective at the Maison de Culture in Bourges. Other notable shows include Drawings of Venice...

A marvelous oil depicting a beach scene with figures. One of France's most renowned artists, this piece is an excellent display of Hambourg's...