André Jacquemin Art

Buen Viage is a black and White aquatint, drypoint, and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886. 6th Edition.  Tit...

Todos Caeran is a black and White aquatint, drypoint, and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886. 6th Edition.  T...

Color etching and aquatint, 1978. Signed by the artist in pencil, lower right margin. Numbered XXVII/L in pencil, lower left margin. Published by ZWR, London. Sheet size: 46.38 x...

This is a drypoint and aquatint artwork by Jacques Villon. The artist signed in pencil on the lower right. As well as signed in plate at the top right of the image. This is a wonderful artwork of different intaglio processes being brought together in a beautiful almost seamless harmony. The thin pencil like markings and hair detailing are made using the Drypoint printmaking method. Whilst the color details around the girls are made using the Aquatint etching method. Jacques Villon shows his skills as a printmaker with the way these pieces line up perfectly and with how clean the rest of the plate is around the girls. An unnumbered impression, apart from the numbered edition of 50. Catalogue Raisonne E101, pg. 66-67 (Ginestet & Pouillon. It depicts two young girls. 15" x 11 1/2" art 25 1/8" x 20" frame French painter, printmaker and illustrator. The oldest of three brothers who became major 20th-century artists, including Raymond Duchamp-Villon and Marcel Duchamp, he learnt engraving at the age of 16 from his maternal grandfather, Emile-Frédéric Nicolle (1830-94), a ship-broker who was also a much appreciated amateur artist. In January 1894, having completed his studies at the Lycée Corneille in Rouen, he was sent to study at the Faculty of Law of the University of Paris, but within a year he was devoting most of his time to art, already contributing lithographs to Parisian illustrated newspapers such as Assiette au beurre. At this time he chose his pseudonym: Jack (subsequently Jacques) in homage to Alphonse Daudet’s novel Jack (1876) and Villon in appreciation of the 15th-century French poet François Villon...

Color etching and aquatint, 1974. Signed by the artist in pencil, lower right margin. Numbered 51/75 in pencil, lower left margin. Printed by Il Cigno, Rome. Published by Albra, T...

Toilettes de Mme Bréant-Castel, from La Mode Illustrée is a modern artwork realized in 1876. Mixed colored etching and collages on paper. Fabric miniatures of dresses were added to ...

Sarcelles is a black and white etching realized by Félix Bracquemond (1833–1914) in 1870s. Titled in the lower. Image size: 29cmx22.5cm. Very Good condition. Signed in the late i...

Soldier is an Original Etching realized by Nicolas Toussaint Charlet in mid-19th century. The artwork is in very good condition on a white cardboard. Hand-signed by the artist on the lower margin. Nicolas Toussaint Charlet (20 December 1792 – 30 October 1845) was a French painter and printmaker, more especially of military subjects. It was only towards 1822, however, that he began to be successful in a professional sense. Lithographs (about 2000 altogether), watercolours, sepia drawings, numerous oil...

The Skeleton is an etching realized by Juste Madeline Rousselet in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Go...

The Physiognomy - The Profile is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the...

Anatomy of a Monkey is an etching realized by Juste Madeline Rousselet in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower rig...

Fetus - Squirrel is an artwork realized  by Jacques de Seve in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboar...