André Lafond Art

Signed "Nell Blaine" upper left in pencil. Signed, titled, dated verso on sheet. Signed, titled, dated verso on backing panel. The artist. Exhibited at Fischbach Gallery, NYC, in 1994 (Gallery label verso, and wall label affixed verso). Purchased by private collectors c.1994. By descent. Tibor de Nagy Gallery, NYC (the artist's estate representative), exhibited 2020 (label verso). Exhibited at Fischbach Gallery, NYC, in 1994 (Gallery label verso, and wall label affixed verso). Tibor de Nagy Gallery, NYC (the artist's estate representative), exhibited 2020 (label verso). From her November 15, 1996 NYT obituary: Nell Blaine, a widely respected New York landscape painter and watercolorist, died yesterday at Mount Sinai Hospital. She was 74 and had homes in Manhattan and Gloucester, Mass. Ms. Blaine, who had been hospitalized since July, had been confined to a wheelchair since 1959, when she contracted polio. Ms. Blaine was born in Richmond, Va., in 1922, and first studied at the Richmond School of Art, now part of Virginia Commonwealth University. She moved to New York in 1942 to study painting with Hans Hofmann and later studied etching and engraving at Atelier 17 with Stanley William Hayter. During her first years in New York, her work, which had previously been tightly realist, turned abstract, inspired by Mondrian, Leger and Jean Helion. At one time she was the youngest member of the American Abstract Artists. She was also a founding member of the Jane Street Gallery, one of Manhattan's earliest artists' cooperatives, and had her first solo show there in 1945. Just as Ms. Blaine was becoming known as a promising abstract painter, and gaining the admiration of such critics as Clement Greenberg, she started to shift back to representation. Inspired in part by a trip with Larry Rivers in 1950 to Paris, where she was especially impressed by the work of Vuillard and Bonnard, she immersed herself in the tradition of 19th-century European painting. From the mid-1950's, she cultivated an increasingly painterly and colorful style, usually working directly from nature, or still life, with particular emphasis on the forms and hues of flowers. Her work retained a sense of all-over structure and pulsating energy that she nonetheless credited to abstract art. ''It all goes back to Mondrian,'' she would say. In the 1950's, Ms. Blaine was prominent among a circle of New York artists and poets that included John Ashbery, Frank O'Hara, Kenneth Koch, Mr. Rivers, Jane Freilicher, Leland Bell, Louisa Matthiasdottir, Robert De Niro Sr. and Rudy Burckhardt. She had her first solo show of representational work at the Tibor de Nagy Gallery in 1953 and was represented by the Poindexter Gallery until it closed in 1978, and, in recent years, by the Fischbach Gallery. During the 1950's she supported herself as a commercial artist, designing brochures for art galleries. In 1955, she designed the original logo, column heads and layout for The Village Voice. In 1957, Ms. Blaine was featured in Life magazine as one of five leading young female artists in America. In 1959, after several months of traveling and painting in Greece, she contracted severe bulbar polio on the island of Mykonos. ''To Nell Blaine,'' an exhibition organized at Poindexter to raise money for her hospital bills, included the work of 79 artists, including Saul Steinberg, Robert Motherwell, Elaine and Willem de Kooning, Philip Guston, Mr. Rivers, Ms. Freilicher and Robert Rauschenberg. After eight months in a New York hospital, including five months in an iron lung...

Andrea Biondetti (1851-1946) Canal in Venice Watercolor painting on paper Size: 24x15 cm (48x39 cm including the frame) Last Quarter 19th Century Signed lower right The painting wa...

Andrea Biondetti (1851-1946) Canal with gondola in Venice Watercolor painting on paper Size: 24x15 cm (48x39 cm including the frame) Last Quarter 19th Century Signed lower right Th...

In the summer of 1910, Marin spent a number of weeks in the Austrian Alps. The subject of his second solo exhibition at Alfred Stieglitz’s 291 Gallery located in NYC, in February 191...

Ranulph Bye (American, 1916-2003) Strunk Family Farm, Coatesville, PA Watercolor, 18 1/4 x 28 inches (sight) FRAMED: 27 x 37 inches (approx.) Signed at lower right: "Ranulph Bye" Co...

Southern Landscape with View of a Castle and Ships passing by Pen and brush in brown and black over pencil, brown and grey wash, 17,5 x 22,7cm Plain black moulding with golden pearl ...

George Cochran Lambdin (American, 1830–1896) Among the Roses, 1879 Watercolor on paper 16 x 20 inches FRAMED: 26 x 30 inches (approx) Signed and dated at lower right: “Geo. C. Lambd...

George Emerick Essig (American, 1838-1923) Jersey Shore Watercolor on paper, 12 3/4 x 26 x 1/2 inches FRAMED: 22 x 35 1/2 inches (approx.) Signed at lower right: "Geo. E. Essig" Ge...

David Hall McKewan (English, 1817-1873) Raglan Castle Watercolor on paper, 9 x 13 inches (sight) David Hall McKewan studied watercolor painting under David Cox (the elder) and exhib...

Unknown Artist (Bowman) (early twentieth century) Girl with Roses Watercolor on paper, 5 x 8 inches Framed: 13 x 16 inches Signed and dated at lower right: “Bowman/.06”

'Ebren Ha Dor, September, Softening'. Contemporary landscape painting, Cornwall Original Artwork. Framed ready to hang _________________ The dancing light and rapidly changing skies,...

Painting measures 22" x 28" and framed 26" x 32" x 2" Hand-signed "J.E. Costigan NA 1952" lower left. About this artist: John Costigan was a self-taught painter distinguished by h...