Ann Aspinwall Art

This abstract ink work by Ann Aspinwall exemplifies her refined, process-driven exploration of line, rhythm, and perception. Created in 2024 and issued in a limited edition of 10, th...

Ann Aspinwall, Alba Gem I, Linocut This hand-pulled linocut by Ann Aspinwall features subtle, rhythmic linework that evokes the meeting of earth and sky. In Alba Gem I, horizontal ba...

This work is emblematic of Ann Aspinwall’s ongoing exploration of movement, perception, and natural systems through abstraction. Using finely calibrated, hand-drawn lines, Aspinwall ...

Ann Aspinwall’s Helios is a striking large-scale work that exemplifies her mastery of minimal color and intricate mark-making. Known for her precise printmaking and deep understandin...

Ann Aspinwall creates prints that reference a combination of historic and modern styles. Her most recent works invoke landscape, seascape and mapmaking, as well as the color block. S...

In Alba Gems IV, Ann Aspinwall continues her exploration of light, movement, and material nuance through a refined abstract language. The work balances spontaneity and control, with ...

Ann Aspinwall — Caligo III, This serene screenprint by Master Printer Ann Aspinwall captures the tranquil expanse of sea and sky through delicate tonal shifts and rhythmic linearity....

Printmaker Ann Aspinwall made this etching in 1999, while living in Venice. During those years she did several etchings that adhered to a certain principle. She drew a freehand line, as straight as possible; and beneath that line drew another, following as closely as possible the one above. Each successive line followed the line directly above, imitating all the curves and shakes. These imperfections, or deviations from the original line, became more and more prominent, each line being an interpretation of what came before it. Around that time, Aspinwall discovered the writing of John Dewey on the subject of rhythm in his Art as Experience (1934): Rhythm, writes Dewey, is an “ordered variation of changes.” There is no rhythm “when there is a uniformly even flow, with no variations of intensity or speed,” when “variations of pulse and rest do not occur.” “Variations of intensity are relative to the subject matter directly experienced. Each beat, in differentiating a part within the whole, adds to the force of what went before while creating a suspense that is a demand for something to come. It is not a variation in a single feature but a modulation of the entire pervasive and unifying qualitative substratum.” Ten years later Aspinwall returned to this plate. Looking at it again after a long time she perceived the strong influence of Venice; the texture calls to mind water and fabric. The artist was unable to decide on one color for an edition, so after printing many color proofs, she chose ten combinations of colored lines on colored Japanese papers. The prints evoke the light and surfaces of Venice. The title of the series, Tessuto Veneziano, means Venetian textile...

"Alba Gem II" is a striking abstract linocut by Ann Aspinwall, known for her meditative, minimalist approach to printmaking. This work explores the quiet power of repetition, color, ...

Each made with only two colors, the prints are masterful marriages of vibrant autumn leaves and crystalline sky. Titled Eklat (German for éclat) these works are a stunning display of...

Aspinwall adhered to a certain principle. She drew one freehand line as straight as possible. Under that line she drew another, following as closely as she could the one above it. Ea...

This work from Ann Aspinwall’s Eklat series presents a luminous field of deep indigo and saturated violet tones, subtly energized by fine linear tracings of warm coppery ink. Measuri...

This two-color screenprint by Ann Aspinwall exemplifies the artist’s refined exploration of perception, rhythm, and chromatic restraint. Known for her meticulous approach to printmak...

This two-color screenprint exemplifies Ann Aspinwall’s refined approach to abstraction, where line, rhythm, and restraint work in quiet harmony. Composed of delicately undulating lin...

In Crepe de Chine II, Aspinwall continues her recent exploration of line as both structure and sensation. Working with a deliberately restrained palette and a singular formal vocabul...

In Crepe de Chine III, Ann Aspinwall transforms the quiet language of line into a meditation on movement, surface, and depth. Composed of hundreds of hand-drawn, undulating lines ren...

Eklat I is a striking abstract composition that evokes the vast, meditative expanse of a sunlit landscape, rendered through a refined interplay of color, rhythm, and texture. Measuri...

Printmaker Ann Aspinwall draws a freehand line, as straight as possible; and beneath that line drew another, following as closely as possible the one above. Each successive line foll...

This striking screenprint by Ann Aspinwall is defined by a rich red palette and finely calibrated linear abstraction that conveys both movement and depth. Crepe de Chine IV is compos...