Antonio Jacobsen was a Danish-born American maritime artist known as the Audubon of Steam Vessels. Jacobsen's Painted Ships on Painted Oceans, includes some 100 color pictures of the artist's ship paintings. The public rooms of The Griswold Inn in Essex, Connecticut, the oldest continuously run tavern in the United States, features the largest privately held collection of Jacobsen's paintings. John McMullen, a naval architect and marine engineer, had a collection that included 75 paintings by Jacobsen, the first two of which were found in the 1940s in the offices of the family ship repair business. On February 19, 2006, Fetching The Mark, an unsigned painting of the racing yacht Dreadnought attributed to Jacobsen, was sold at auction for $281,000, more than triple the highest price previously paid for one of Jacobsen's works. The piece had been brought to an Antiques RoadShow event in Tampa, Florida, and had originally been thought to be a work of Jacobsen's contemporary James E. Buttersworth, until further research led to a conclusion that it was by Jacobsen.
$16,500
American Clipper Ship at Sea by Antonio Jacobsen, Signed and Dated 1917
By Antonio Jacobsen
Located in Jacksonville, FL
American Clipper Ship at Sea by Antonio Jacobsen, Signed and Dated 1917 This stunning maritime oil painting by renowned marine artist Antonio Jacobsen (1850–1921) captures a majesti...
Oil
$18,500
THINGVALLA
By Antonio Jacobsen
Located in Saratoga Springs, NY
Signed lower right & dated 1879. Antonio Jacobsen’s painting of the Thingvalla (a shipping line between Scandinavia and the United States) is a masterclass in maritime artistry, showcasing his signature crisp brushwork and dynamic composition. Jacobsen’s strokes are precise yet expressive, capturing the texture of the ship’s hull and the shimmering movement of the water. The fine detailing in the rigging and smokestack demonstrates his meticulous approach. • The Thingvalla appears to surge forward, cutting through the waves with a palpable sense of momentum. The artist’s use of diagonal lines and the tilt of the vessel enhances the illusion of motion. Jacobsen’s ability to balance realism with artistic flair ensures that the Thingvalla feels alive, as if caught mid-voyage. Bio: Antonio Jacobsen, America's folk art hero recognized for his unsurpassed contributions to America's maritime history, recorded domestic and international ships as they passed through the age of sail to steam. He was a prolific painter and throughout his life painted an estimated 6000 paintings. Jacobsen was born in Copenhagen, Denmark, on 2 November 1850, where, for generations his family had been violin makers. His father encouraged him to practice a similar craft. At an early age he enrolled at the Royal Academy of Design in Copenhagen, however, reversed family fortunes forced him to withdraw. At the age 18 it was compulsory for him to join the Danish military forces, but he decided instead, to sail for America. He left his family behind and arrived in New York in the early 1870's. Like many other immigrants, he went to New York City's Battery Park looking for work. He passed his days sketching the ships that sailed in and out of the harbor. Not before long a representative from Marvin Safe Company noticed his drawings and offered him a job decorating safes. His ability as an artist was further recognized as he began to receive commissions from sea captains and ship owners and eventually Steamship companies, to record their entire fleet. The Old Dominion Line, The Fall River Line and The White Star Line are some of the steamship companies that commissioned him to paint portraits of all the ship in their respective fleets. In addition, the Clyde Line, the Black Ball Line...
Canvas, Oil
$2,000
H 17.5 in W 23.5 in D 0.8 in
Moonlight, Seascape, Original oil Painting, Handmade, Canvas Art, One of a Kind
By Karen Darbinyan
Located in Granada Hills, CA
Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2023 Style: Impressionism Title: Moonlight Size: 17.5" x 23.5" x 0.8'...
Canvas, Oil
$5,000
H 29 in W 39.5 in D 0.8 in
South Bay, Seascape, Original oil Painting, One of a Kind
By Karen Darbinyan
Located in Granada Hills, CA
Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2023 Style: Impressionism Title: South Bay Size: 29" x 39.5" x 0.8'' ...
Canvas, Oil
$2,000
H 16 in W 21 in D 0.8 in
Waves, Seascape Original oil Painting, One of a Kind
By Karen Darbinyan
Located in Granada Hills, CA
Seascape Original oil Painting, One of a Kind Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2023 Style: Impressioni...
Canvas, Oil
$5,000
H 29.5 in W 39.5 in D 0.8 in
Ocean Cliffs, Seascape, Original oil Painting, One of a Kind
By Karen Darbinyan
Located in Granada Hills, CA
Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2023 Style: Impressionism Title: Ocean Cliffs Size: 29.5" x 39.5" x 0...
Canvas, Oil
$2,750
H 26 in W 48 in D 1 in
“Penobscot” Ship Portrait Sidewheeler Steamboat Paddle Steamer Oil on Canvas
Located in Yardley, PA
A wonderful realistic portrait of the Penobscot, a mid-19th century coastal sidewheel steamer, rendered in Cameron’s hallmark marine portrait style - technically meticulous, historically informed, and visually serene. Executed with crisp linework and a soft, luminous palette, the ship is shown in profile navigating calm Atlantic waters under both steam and sail, her red paddle box emblazoned boldly with her name. Commissioned in 1843 by Menemon Sanford’s Steamship Line and constructed in New York, the Penobscot was a near twin to her sister ship, the Kennebec, but became especially prized for her seaworthiness. Measuring 228 feet in length with a 48-foot beam and twin 14-foot paddlewheels, she carried schooner rigging fore and aft, providing the added stability necessary for coastal and offshore passages. Initially assigned to the Maine coastal excursion routes, she would later be reassigned to the elite New York–Philadelphia line and eventually sold and renamed Norfolk for pre-Civil War service along the southern coast. This work is oil on canvas and is signed in the lower right. It is housed in its original black frame and retains the artist’s description of the ship on the reverse. Size: 22 inches tall by 44 inches wide (painting) 26 inches tall by 48 inches wide by 1 inch deep (frame) Provenance: Private collection; Acquired from the above About the artist: A Delaware artist, Scott Cameron paints the simple elegance of the America’s Cup races, serene coastal marsh scenes, timeless landscape vistas and historic steamboats in a style reminiscent of the era in which they reigned. An admirer of Andrew Wyeth and the Brandywine School of painters, Scott has combined the detail and quiet stillness of that School in his landscapes with the Luminist School’s sense of light glowing from within. A soft gentle atmosphere seems to fall over each scene adding to the peacefulness of the setting, and a sense of a time gone by. His America’s Cup scenes capture the action at a moment in time, allowing the beauty of the wind-filled sails to become the central design element of each painting. Scott Cameron has exhibited his oil paintings in numerous national and regional shows from the Mystic Seaport Museum to solo and group shows in some of the foremost galleries throughout the Northeast and Mid-Atlantic states. Favorite painting locations are the waterways and coastal inlets of Martha’s Vineyard and Maryland’s Eastern Shore and the gentle rolling landscapes of rural Pennsylvania, Delaware and Maryland. Meticulous research is behind every historic steamboat and America’s Cup painting...
Canvas, Oil
$3,200
H 16 in W 24 in D 2 in
Realist Landscape Original Oil Painting- Small Green Tonal Midwestern Scene
Located in Marco Island, FL
This is a great American landscape painting by the artist, Clyde Singer. Gorgeous tonal shades of green and grey depict a stormy midwestern landscape. Framed 16 x 24 inches Canva...
Canvas, Oil
$50,000
H 41 in W 36 in D 4 in
Snow in the City, American Winter Scene Painting, Ornate Frame, Mid-Century Oil
Located in Marco Island, FL
American life is captured in this Clyde Singer painting, Snow in the City (1954), where he depicts an everyday moment in the city. An ordinary scene, of a group of women making thei...
Oil, Board
$13,000
H 20 in W 24 in
Along Central Park. New York City Street Scene Original Oil Painting.
Located in Marco Island, FL
New York City scene of two women walking down a sidewalk with a park in the background, in the foreground a man is walking a small dog. American life is captured in this Clyde Sing...
Masonite, Oil
$16,000
H 31 in W 36 in
"3rd Avenue EL" NYC American Scene Ashcan WPA Modern 20th Century Social Realism
By Bernard Gussow
Located in New York, NY
"3rd Avenue EL" NYC American Scene Ashcan WPA Modern 20th Century Social Realism Bernard Gussow (1881-1957) 3rd Avenue El 28 1/8 x 30 1/4 inches Oil on canvas Signed lower left Fram...
Canvas, Oil
$9,500
H 10.2 in W 20.2 in
The Day's Catch. American Indian Mid-Century Scene Painting with Canoe.
By Herbert Herget
Located in Marco Island, FL
A Native American scene entitled, The Day's Catch, shows a man fishing the river from his canoe with a net. Though mostly tonal, the sky and distant landscape pop with blue blue-gr...
Canvas, Oil
$25,000
H 27 in W 60 in
Industrial Mural Study, Veterans Memorial Building, Santa Barbara WPA American
Located in New York, NY
Industrial Mural Study, Veterans Memorial Building, Santa Barbara WPA American Joseph Edward Knowles (1907-1980) "Study for Industry Mural, Veterans Memorial Building, Santa Barbara, CA" 19 1/2 x 50 1/2 inches Oil on board, c. 1930s. Estate stamp verso Framed: 27 x 60 inches The completed mural is currently hanging on the wall, part of the building actually, at the Veterans Memorial Building in Santa Barbara. A photo of the work insitu is included in the attached photos. BIO Joseph Edward Knowles was born in Kendall, Montana, on June 15, 1907. He grew up in San Diego, California. At age twenty, two years before the beginning of the Great Depression, he moved north to another town on the coast of California---Santa Barbara. There he began studying fine art at the Santa Barbara School of the Arts* (1927-1930), under the supervision of Frank Morley Fletcher, previously director of the Edinburgh College of Art. Fletcher, who was trained in portraiture, landscape painting, and woodblock* printing, was a great influence on young Knowles. It was there that Knowles learned the art of color woodblock printmaking, a medium in which he showed great skill. Not long after completing his studies with Fletcher, Knowles began teaching art. For a period of thirty years, from 1930 to1960, he taught at the Cate School in Carpinteria, California. In 1934-1935, Knowles traveled throughout Europe, further developing his artistic skills in England, France, and Italy. Upon his return, he continued to teach art at various schools and institutions: Cate School, Crane Country School, extension classes at the University of California at Santa Barbara (UCSB), and at the Santa Barbara Museum of Art (SBMA). Knowles also served as an art education consultant for the County of Santa Barbara. In addition, he was founding co-director and president of the Santa Barbara Fine Arts Institute (1969-1972), which later developed a specialization in photography and became the Brooks Institute of Photography. Knowles died at his home in Santa Barbara on September 8, 1980. Much of Knowles' watercolor work is associated with what has been termed the "California School*," a loose grouping of artists throughout the state that included such figures as Millard Sheets, Phil Dike, Dong Kingman, George Post, and the Santa Barbara painters Dan Lutz and Standish Backus, Jr. The California School artists, including Knowles, were known for their fresh, direct, spontaneous style of watercolor painting. Knowles and other members of the school found inspiration in nature and the built environment alike, emphasizing elements of design in their exuberant, boldly stated, colorful scenes from everyday life. While painting in a representational* manner, Knowles generally avoided photographic realism, preferring subjective interpretation of his subjects. In this, as well as in his experimental approach and vigorous brushwork, he displayed a strongly modern sensibility. Knowles often used the wet-on-wet watercolor technique as he painted seascapes and landscapes, mostly along the California coast. He also employed dry-brush* techniques in many of his paintings, often leaving some of the white of the watercolor paper exposed. Some of the latter depict trees and other forms in a broken and airy manner that recalls Cezanne. Knowles' colored woodblock prints are more reserved and exact in their draftsmanship than his paintings. Spare, clean, lyrical lines are drawn to illustrate floral motifs and boat scenes with a touch of asymmetry conjuring Japanese woodblock prints. His murals from the post-World War II period are considerably more modern in their approach and show an emphasis on design and color. PROFESSIONAL ORGANIZATIONS California Watercolor Society (1940 - 1955) Santa Barbara Art Association (Vice President - 1952) ONE-MAN EXHIBITIONS Golden Gate International Exposition (GGIE) - San Francisco, California San Diego Fine Arts Gallery (SDMA) - San Diego, California Santa Barbara Museum of Art (SBMA) - Santa Barbara, California Cowie Galleries - Los Angeles, California Gallery de Silva - Santa Barbara, California Bradley Galleries - Santa Barbara, California MURALS Westmont College - Ellen Porter Hall Mural - Santa Barbara, California Safeway Grocery (now Vons Grocery on West Victoria Street) - Exterior Tile Mosaic - Santa Barbara, California Santa Barbara Bank & Trust - Interior Mosaic Panels, Santa Barbara, California Santa Barbara Girls Club - Interior Mosaic Mural - Santa Barbara, California Ernest Righetti High School - Mosaic Mural - Santa Maria, California Shell Oil Company - Mosaic Panel - California Beckman Instruments, Corporate Headquarters - Mosaic - Fullerton, California STAINED GLASS WINDOWS, WALLS and PANELS Katherine Thayer Cate Memorial Chapel - Cate School, Carpinteria, California William S. Porter Memorial Chapel - Cottage Hospital, Santa Barbara, California La Rinconada Building - Santa Barbara, California ILLUSTRATIONS "California's Wonderful Corner: True Stories for Children from the History of the Santa Barbara Region," by Walter A. Tompkins (1962 & 1975) China Designs: Two sets of dinnerware for Winfield China...
Oil, Board
$14,000
H 52 in W 43 in D 3 in
London Round House-Mid-Century Industrial American Scene Oil Painting
By Jack Steele
Located in Marco Island, FL
A mid-century American Realist scene of children playing on the railroad entitled, London Round House. The chaotic scene of children rambunctiously playing is suspected to be set in...
Canvas, Oil
An American Clipper Ship
By Antonio Jacobsen
Located in Wiscasett, ME
An oil on artist board featuring an American clipper ship by Antonio Jacobsen. Signed and dated 1916 in the lower right corner. Measuring 23.5" x 35.5" including the frame. 1850 - 1...
Oil
Sold
H 29.5 in W 57.5 in
"The Bransford" Antonio Jacobsen, Marine Ship Portrait, Great Lakes Seascape
By Antonio Jacobsen
Located in New York, NY
Antonio Jacobsen The Bransford, 1903 Signed, inscribed "West Hoboken," and dated lower right Oil on canvas 22 x 50 inches Antonio Jacobsen was born in Copenhagen, Denmark, to a family of violin makers. He was an accomplished string player and throughout his life music was to remain an avocation. He studied at Copenhagen's Royal Academy, and emigrated to the the United States in 1871. He frequented the harbor around Battery Park, sketching, until he was hired by the Marvin Safe Company to decorate safes. Subsequently he received commissions from sea captains, ship owners, and steamship companies. The Old Dominion Line, the Fall River Line, and the White Star Line hired him to paint visual records of their entire fleets; he also received commissions from the Clyde, Black Ball, Mallory, Anchor, and the Red Star Lines. Jacobsen's style is often, though not exclusively, characterized by a flattened perspective. He had a complete understanding of ships and achieved great accuracy of detail in his works. In 1878 Jacobsen married; he remained in New York City until 1880, when he moved to Hoboken, New Jersey. His home became a gathering place for marine artists including James Bard, Fred Cozzens, Fred Pansing, James Buttersworth, Worden Wood...
Canvas, Oil
Sold
H 22 in W 36 in
S.S. Chateau Margaux - 19th Century Oil, Maritime Landscape by Antonio Jacobsen
By Antonio Jacobsen
Located in Marlow, Buckinghamshire
Oil on canvas by Antonio Jacobsen depicting a French ship sailing on a choppy sea. Signed, dated 1888 and inscribed with the artist's address lower ri...
Canvas, Oil
Sold
H 26 in W 40 in D 3 in
Antique Southern Nautical Seascape Oil Painting, "Creole" by Antonio Jacobsen
By Antonio Jacobsen
Located in Buffalo, NY
Antique nautical oil painting of the Creole by Antonio Nicolo Gasparo Jacobsen (1850 - 1921) . Oil on board, circa 1908. Signed. Disp...
Canvas, Oil
Sold
H 27 in W 41 in D 3 in
Antique Nautical Seascape Oil Painting, "Horatio Hall 1908" by Antonio Jacobsen
By Antonio Jacobsen
Located in Buffalo, NY
Antique nautical oil painting of the Horatio Hall by Antonio Nicolo Gasparo Jacobsen (1850 - 1921) . Oil on board, circa 1908. Signed....
Canvas, Oil
The Packet James Foster
By Antonio Jacobsen
Located in New York, NY
Built in 1854 for C.H. Marshall, by then the owners and operators of New York's famous Black Ball packet line, by William H. Webb, New York's premier ship builder. This powerful painting of the Packet James Foster by Jacobsen depicts the energy of the rolling waves as well as the wind rippling through the sails and flags of this ship. Among the flags are the American flag and various signal flags, which include the White Pennant flag...
Oil, Canvas