ANTONIO JANNONE Figurative Paintings

A contemporary cowboy is rendered with the gravity of a classical male nude. Surdo treats the body with the care of an Old Master while layering in the mythology of American masculin...

18th Century Military portrait of a young officer in Napoleonic period military dress. The painting is not signed but the subject is Major Alexander Brown. The work is oil on canvas later mounted on board and presented in a fine 'Regence style' carved gilt frame. There are labels to the back referring to the subject, 'Major Brown of Trinity' and a framers trade label from Edinburgh. A magnificent and imposing portrait of a young military officer in the prime of his life. His red uniform adorned with fine buttons, fringed epaulettes and high gilt collar. His ruddy complexion offset by his stylish hair, a quiff and swept forward to the sides as was the fashion at the time. Sir David Wilkie RA (18 November 1785 – 1 June 1841) was a Scottish painter, especially known for his portraits, including formal royal ones, and scenes from his travels to Europe and the Middle East. He painted successfully in a wide variety of genres, including historical scenes. His main base was in London, but he died and was buried at sea, off Gibraltar, returning from his first trip to the Middle East. He was sometimes known as the "people's painter". He was Principal Painter in Ordinary to King William IV and Queen Victoria. Apart from royal portraits, his best-known painting today is probably The Chelsea Pensioners Reading the Waterloo Dispatch of 1822 in Apsley House. Sir David Wilkie was actually admitted in 1799 (despite only being 14) through the influence of the Earl of Leven...

In historical British portraiture, it's who the sitter is that drives the price. In the present work, the sitter is Mary Charlotte Anne Wellesley-Pole, eldest daughter of William, 4...

European master (17th–18th century) - Portrait of a Nobleman. 81 x 65 cm (without frame) - 100.5 x 83.5 cm (with frame). Oil on canvas, in a carved and gilded wooden frame (not sig...

17th century Flemish School, Saint Barbara This accomplished 17th-century Flemish oil painting depicts Saint Barbara, shown as a serene and powerful woman dressed in a luminous red gown, set against a warm, atmospheric background and proudly holding her traditional attribute; a tower. The invention of the present composition stems from 17th century Antwerp and was likely drawn by Theodoor van Thulden...

18th Century Austrian or South German School Portrait of a Cleric Holding a Book Oil on canvas, circa 1780 Presented in its original carved giltwood frame Not Signed A most engaging...

18th Century German or Austrian School, Portrait of a Lady with Coat of Arms, Original Frame, Circa 1780 Not signed A refined and highly decorative late 18th-century Continental por...

Circle of Jean Baptiste Vanmour (French, 1671–1737) Portraits of a Moorish Prince and Princess c. 1700 Pair of oil paintings on canvas, unsigned framed in carved gilt wood frames D...

18th Century Italian Portrait Credited to Maria Giovanna Battista Clementi The painting probably depicts a young nobleman of Savoy court ...

Luca GIORDANO (Naples 1634 – 1705) The Judgement of Solomon, circa 1670 Oil on canvas 38 × 48 cm - Unsigned Collection stamp on the reverse depicting a Roman intaglio. The same ma...

“Venus of America” by Bruno Surdo reimagines the classical goddess through the lens of modern glamour and pop iconography. A platinum blonde figure reclines in a cascade of soft pink...

Dreams of Hope Seen from behind, the winged figure hovers between child, fairy, and symbolic apparition. The painting is tender and wistful, allowing hope to feel fragile rather than...