Antonio Sanfilippo Art

Rainbow shades shine in this abstract, color field print. Vibrant red, yellow, orange, purple, and green lines take on the organic quality of handmade paper, resulting in this subtle...

This proof is one of just a few printed in this color combination: the edition of 110 is printed with an orange background, while this copy is a muted yellow with the central, scribb...

Chryssa Chinatown Portfolio II, Plate Three, ca. 1978 Silkscreen on thick wove paper 40 × 30 1/2 inches (Ships rolled in a tube measuring 35 x 5 x 5) Pencil signed and numbered 36/150 on the front; bears printers stamp on the back Unframed from the Chinatown Portfolio Printed by Atelier Arco in Paris (with stamp on the back of the print) from the Chinatown Portfolio Renowned Greek-American artist Chryssa was preoccupied with the concept of Chinese letters as art forms, which she explores in her Chinatown silkscreen series. Her deliberate experimentations yield an elegant and compelling result. Chryssa Biography Chryssa Vardea...

Alexander Calder (American, 1898-1976), 'Albi', 1969 Lithograph in colors Pencil signed lower right Edition 94/100 Sheet: 35.25 x 25 inches In a vintage acrylic box...

A very good impression of this color screenprint on Arches. Signed, dated and numbered 125/150 in pencil by Gottlieb. Printed by Kelpra Studio, London, with the ink stamp verso. Publ...

Edition of 150 104.1 x 71.7 cms (41 x 28 1/4 ins)

Set of 10 colour screenprints by Josef Albers. Edition of 250 copies on Mohawk Superfine Bristol. Sheet dimensions each: 43 x 43 cm Illustrations each: 28 x 28 cm All works labell...

A very good, richly-inked impression of this color screenprint on Japon nacré. The deluxe, Roman numeral edition of 60 on Japon nacré, aside from the regular edition of 100. Signed a...

Andre Lanskoy (French / Russian 1902-1976) Untitled from the portfolio La Genese, 1966 Color lithograph on wove paper Signed 'Lanskoy' lower right Edition 11 of 30. Numbered lower ri...

Artist: Sam Francis Title: Untitled (SF-329) Year: 1988 Medium: Lithograph on PTI #120 Waterleaf paper; deckled edges Edition: 50; signed and numbered in pencil Sheet: 45 x 28 inches...

This color lithograph is part of my private collection since the 1970's. Marie Raymond was a pioneer post WWII painter of her generation. She was a lyrical abstractionist of her time...

This work is NOT to be confused with a separate poster edition, which is on different quality paper and bears a printed signature. This is the much-coveted HAND SIGNED and numbered edition. Josef Albers Large: Munich 1972 Olympic Games (Danilowitz 213), 1970 Color silkscreen on 250-gram Schöllers Hammer paper. Signed, dated and numbered 63/200 in graphite pencil on the front 40 inches (vertical) × 25 1/2 inches (horizontal) Catalogue Raisonne Reference: Danilowitz, 213 Unframed Pencil signed and numbered 63/200 - silkscreen from the Deluxe, hand signed edition on Schollers hammer paper (aside from the unsigned regular edition of 4000 on wove paper) Printed by Sirocco Screenprints, New Haven. Published by Ives-Sillman, Inc., New Haven, for Edition Olympia 72 By Josef Albers - famous color theorist and longtime influential head of the Yale University Art Department. It features Albers signature ‘cinetic window’, and is an impressive piece of art and sports history. This is one of only 200 hand signed, dated and numbered prints - (NOT to be confused with the open poster edition of the same image on different paper, which, unlike the present work, only bears the artist's printed signature.) The present work was created in 1970 for the 1972 Munich Olympics. In anticipation of hosting the 1972 summer Olympics, Germany sought to create a positive image for itself. As Arnold Schwarzenegger would write in his memoir "Holding the Olympic Games in Munich was meant to symbolize West Germany's transformation and reemergence in to the community of nations as a modern democratic power". The Munich Olympics were billed as "the happy games" - a term that would become tragically ironic. In spite of, or rather because of, the ruthless killing of Israeli athletes by terrorists during the Munich Olympics, prints like this Albers silkscreen have become a powerful symbol of the enduring power of art to bring cultures together and promote peace. This Josef Albers Olympic...

This artwork is a screenprint titled Let It Be Your Privilege to Have No Privilege (1979) by the American artist and educator Sister Mary Corita Kent (Sister Corita). Artwork Details...

104.1 x 71.8 cms (41 x 28.25 ins) Edition of 150 Paper: J.B. Green Paper Signed "RM" in pencil lower right; signed "Motherwell" in screen lower right Inscriptions: Numbered in ...

In 1983, Hodgkin was asked by Andy Warhol to contribute to the official art portfolio of the Olympic Winter games to be held in Sarajevo in 1984. He produced this striking print, wit...