Arman Drawings and Watercolor Paintings

The dawn chorus is the outbreak of birdsong at the start of a new day. This series pays homage to the mundane moments in nature that we often take for granted. Dawn Chorus No. 30 is...

11 color screen print Signed, dated, titled and numberedin pencil Edition: 150 (9/150) Provenance: Estate of the Artist By Decent

Light and airy pastel and ink still life of books and a candlestick by French artist Madeleine Scali (1911- 2000), circa 1960. Original one-of-a-kind artwork on paper displayed on a...

Landsape Klee, Paul 1879–1940. Landschaft bei Pilamb, 1934,23 (K 3). From Original : Aquarell und Feder über Bleistift auf Papier, auf Karton, 63,6/64 × 48,2 cm. Düsseldorf, Kuns...

Highly detailed rendering of a kimono by Patricia A. Pearce (American, b. 1948). The ribbons in this piece have a metallic quality to them. Signed "Patricia A Pearce" in the bottom r...

An abstracted composition containing a kneeling figure . this is a stamped print, woodcblock most likely artfully combined with moody watercolor. Stefan Alexander, born Czechoslovak...

Gail Norfleet earned her BFA at The University of Texas at Austin, and her MFA at Southern Methodist University. She has had solo exhibitions at The McKinney Avenue Contemporary and ...

This is one-of-a-kind, unframed colored pencil & collage on archival pigment print. See image gallery for example of framing possibilities. These pieces work particularly well as a s...

This 27.5" x 39" silkscreen print by artist David Mladjovic explores a vibrant colorful composition of lines and shapes providing the composition with an interesting rhythm. Mladjovi...

Yookan Westfield Dancing Pears (art about food), 2024 Ink drawing done with pigment liner on Saunders Waterford 300 GSM Cold Press Watercolor paper Signed in ink on the front Unique ...

This is one-of-a-kind, unframed colored pencil & collage on archival pigment print. See image gallery for example of framing possibilities. These pieces work particularly well as a s...

ALBERT RUTHERSTON, RWS (1881-1953) Tailpiece – Illustration for The Tragedie of Cymberline Signed with initials l.r. AR; also signed with initials and inscribed beneath the mount: Tailpiece for end/of play {Cymberline}/No Reduction unless/”lay out”should make/necessary AR Pen and ink Unframed 6 by 10 cm., 2 ½ by 4 in. (mount size 36.5 by 25.5 cm., 14 ½ by 10 in.) Provenance: Estate of the artist Exhibited: London, Sally Hunter Fine Art, Albert Rutherston, Drawings, Theatre Designs and other Treasures, 2016, no.66 The present work was illustrated in Cymbeline, published by Ernest Benn in 1923. The series was a collaboration between Rutherston and Harley Granville-Barker following on from their work together 11 years earlier at the Savoy Theatre and celebrating the quatercentenary of the Shakespeare Folio edition. Born Albert Daniel Rothenstein, he was the youngest of the six children of Moritz and Bertha Rothenstein, German-Jewish immigrants who had settled in Bradford, Yorkshire in the 1860s. He and his siblings proved to be a hugely talented and artistic family, his elder brother became Sir William Rotherstein (1872-1945), the artist and director of the Royal College of Art; two of his other siblings, Charles Rutherston and Emily Hesslein, both accumulated major modern British and French art collections and his nephew Sir John Rothenstein was direct of the Tate Gallery. He was educated at Bradford Grammar School before moving to London in 1898 to study at the Slade School of Art where he became close friends with Augustus John and William Orpen. He met Walter Sickert during a painting holiday in France in 1900 and by introducing Sickert to Spencer Gove became instrumental in the beginning of the Camden Town Group. He was one of Sickert’s most frequent companions and was one of the original members of the Fitzroy Street Group. Rutherston had a sociable and attractive personality, he frequently travelled abroad with other artists including Max Beerbohm, Spencer Gore, Walter Russell and Edna Clarke...