Arthur Secunda Prints

A wonderfully designed, complexly composed abstract serigraph print by prominent African American artist William Tolliver (1951-2000) titled "Natural Beauty". The piece, featuring a...

A tranquil, gorgeously composed, quite large limited edition print by American artist Will Barnet. The print is pencil signed, titled, dated (1980) and numbered (256/300) by the artist. This is one of Barnet's most sought after images. Clearly, a standout work. The print has been professionally framed. Framed dimensions: 30" H, 45.5" W, 1.75" D Barnet studied at the Boston Museum of Fine Arts School and then at the Art Students League in New York. He is the recipient of the following awards: Artist's Lifetime Achievement Award Medal The College Art Association’s Lifetime Achievement Award The Philadelphia Academy of Fine Art’s Lippincott Prize The American Academy and Institute of Arts and Letters’ Childe Hassam Prize. His work can be found in many permanent collections including: Albright-Knox Art Gallery Art Institute of Chicago Corcoran Gallery of Art Solomon R. Guggenheim Museum Metropolitan Museum of Art Museum of Modern Art Museum of Fine Art, Boston National Gallery of Art Phillips...

Peter Max (German/American, B.1937) signed limited edition color serigraph, "Brown Lady with Vase," female figure on a patterned background in pastel tones....

Fabulous vintage Howard Behrens original large-scale limited-edition hand-signed “Hillside at Fira” fine art serigraph on paper #246 of 250. Beautiful condition, keeping in mind that this is vintage and not new so will have signs of use and wear. There was a nick in the lower left side of frame that we have filled and touched up. Please see photos and zoom in for details. We attempt to portray any imperfections. Circa, 1988. Fira Santorini, Greece… WOW!! If you’ve never been there, you’re about to feel as though you have. Howard Behrens has managed to preserve the magnificent, picturesque atmosphere and breathtaking scenic views of Fira Santorini Greece in this phenomenal original large-scale hand-signed limited edition fine art serigraph on paper called “Hillside at Fira.” This is #246 of 250 which was professionally matted and framed and is waiting to grace your home with fabulous panoramic cliffside views and charming hillside archeology from the island of Greece. At 44 x 53 this serigraph is large scale and the depth and detail in the buildings and distant mountains pulls you in… You’re standing on the edge of the hillside… you can feel the breeze in your hair, the warm sun on your face, and you can smell the salty air coming off the beach below. The tide is rolling in. Can’t you hear the crashing of the waves against the huge rocks and boulders in the distance? Fira Santorini is enchanting, relaxing, and a geographical treasure. Wouldn’t it be wonderful to travel in time...

A wonderful example of the "minimalist realism" by the celebrated Cincinnati modernist, depicting a bird and fall leaves.

Evans, C.S. (editor). Rackham, Arthur (illustrator). The Sleeping Beauty. London and Philadelphia: William Heinemann & J.B. Lippincott Co., 1920. F...

Known as God's own Pop artist, Sister Mary Corita Kent went straight from high school into Catholic convent life in 1936. While serving her order and teaching art at Immaculate Heart...

This elegant untitled serigraph by Italian artist Luigi Veronesi, created in 1976, is a fine example of his mastery in blending geometric abstraction with color theory. Hand-signed b...

Fabio Hurtado (Spanish, b. 1960), "Montreaux Crossing" is a limited edition serigraph on deckle edge paper, numbered 94/385. It is nicely framed and matt...

Materic silkscreen print “Ondate di gelo” (Frost Waves) by Mario Schifano. Signature and numbering in pencil on front side. Dry stamp of the artist on front. Edition F.C. (Not for sale) 23/30. Framed work. The artwork for sale is part of the collection 'Best Seller: 31 graphic works by Mario Schifano' edited by Edizioni Torcular Edition on handmade paper with Torcular watermark by Cartiera Magnani of Pescia Printer: Egiziano Piersantini This artwork, never before on the market, comes from a private collection and is beautified by an impressive original frame in natural wood, in almost perfect condition. The painting is also protected by glass Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Mario Schifano (Homs 1934 - 1998) was an Italian painter and filmmaker. Together with Franco Angeli and Tano Festa he represented a fundamental point of Italian and European Pop Art. Perfectly integrated in the international cultural scene of the 1960s, he was reputed to be a prolific, exuberant and drug-addicted artist. A keen student of new painting techniques, he was among the first to use computers to create works and was able to process images from the computer and transfer them onto emulsified canvases. Mario Schifano was born in Italian Libya and after the end of the war returned to Rome where, due to his restless personality, he left school early to follow in his father's footsteps who worked at the Etruscan museum of Villa Giulia as an archaeologist and restorer. Thanks to this experience, he approached art, initially producing works that were influenced by Informal Art. His first solo exhibition was at the Galleria Appia Antica in Rome in 1959. In the late 1950s, he participated in the artistic movement Scuola di Piazza del Popolo together with artists such as Francesco Lo Savio, Mimmo Rotella, Giuseppe Uncini, Giosetta Fioroni, Tano Festa and Franco Angeli. The group met at Caffè Rosati, a Roman café then frequented by Pier Paolo Pasolini, Alberto Moravia and Federico Fellini, among others, and located in Piazza del Popolo, from which they took their name. In 1960, the group's works were exhibited in a group show at Galleria La Salita. In 1961 he exhibited in a solo show at Galleria La Tartarugadi Plinio De Martiis in Rome. In the meantime, he had met, among others, his future lover Anita Pallenberg at the Caffè Rosati, with whom he made his first trip to New York in 1962, where he came into contact with Andy Warhol and Gerard Malanga at the Factory. During this period he participated in the New Realists exhibition at the Sidney Janis Gallery, a group show that included most of the young artists of Pop art and Nouveau Réalisme, including Andy Warhol and Roy Lichtenstein. He then had the opportunity to participate in the New York social scene, which led to his first experiments with LSD.[6] On his return from New York, after participating in exhibitions in Rome, Paris and Milan, he took part in the XXXII International Art Exhibition in Venice in 1964. During this period, his paintings defined as 'Anemic Landscapes', in which it is memory that evokes the representation of nature with small details or allusive inscriptions, and the reinterpretations of art history that later led to his famous pictorial works on futurism appear in embryo. In Rome, he met and frequented Marco Ferreri and Giuseppe Ungaretti to whom, already in his 80s, he offered an evening at Peyote. But one of the acquaintances of this period that most influenced him was that with Ettore Rosboch, with whom he formed a deep friendship, based on a shared passion for music. In those years, also thanks to their constant trips to London, the two became friends with the Rolling Stones, to whom they introduced Anita Pallenberg, who in 1965 began a relationship with Brian Jones, and years later became Keith Richards' partner. In 1969, the flat in Piazza in Piscinula in Rome that then belonged to Schifano was used by Ferreri as the set for the film Dillinger is Dead, on the walls of which some of the artist's paintings can be seen. In 1969, the Rolling Stones dedicated the song Monkey Man to Mario Schifano. In 1971 some of his paintings were included by Achille Bonito Oliva in the exhibition Vitalità nel negativo nell'arte italiana 1960/70. Many of his works, the so-called 'monochromes', present only one or two colours, applied on wrapping paper glued on canvas. The influence of Jasper Johns was manifested in the use of numbers or isolated letters of the alphabet, but in Schifano's way of painting analogies can be traced to the work of Robert Rauschenberg. In a painting from 1960, one can read the word 'no' painted with drips of colour in large capital letters, as in a wall graffiti. The influence of Pop art can be seen in all the artistic production of Mario Schifano, who was fascinated by new technologies, advertising, music, photography and experimentation. In particular, the artist's closest works to Pop Art are those of the 1980s. Among the most important works of this period are the Propagande, a series dedicated to advertising brands (Coca-Cola and Esso) in which we have a clear example of the conveyance of commonly used and easily recognisable images quoted in multiple ways or details of them, bicycles, flowers and nature in general (among the most famous series are the Paesaggi anemici, Vedute interrotte, L'albero della vita...

A limited edition, signed and embellished serigraph on paper titled "Just Sing to the Angels "by well listed English artist Roy Fairchild-Woodard (1953). This large scale piece depic...

This limited edition serigraph captures the spirit of a dynamic equestrian in abstract form. The artwork features a dynamic interplay of colors, with a predominantly blue sky backgro...