Ayandare Adeniran Ayanmuyiwa Art

Gabriel Mendoza Burner Girl or Dripping Woman, 2019 Acrylic on canvas 39 x 31 inches This one-of-a-kind acrylic painting on canvas is stretched across wooden stretcher bars. Years ...

Signed (on verso): AF/2021

America Martin Untitled, 2026 Oil & Acrylic on Canvas 69 x 67.5 in (175.26 x 171.45 cm) America Martin is an internationally represented Colombian-American fine artist based in ...

Queen in Me, 2026 Acrylic on canvas 150 x 120 cm 59 x 47 1/4 in

Portrait of Dave Winfield Edward Avedisian 20 x 14 inches, acrylic on stretched canvas Armenian-American artist, Avedisian was best known for his work made in New York City during the 1960s: brilliantly colored, boldly composed canvases that combined Minimalism’s rigor, Pop’s exuberance and the saturated tones of Color Field painting. He was largely recognized for a series of Beach Ball paintings that emerged in the early 1960's and into the later 1960's the artist began painting larger horizontal paintings, featuring vertically intersecting beacon-like stripes that highlighted characteristics from both the Post-Painterly and Color Field movements. In this portrait, Avedisian using his signature use of color, combining bright rusty reds and oranges against a metallic green gold backdrop. A major work from Avedesian's color-stripe series was featured on the cover of Artforum's January 1969 issue (pictured here). Also pictured are photographs of the artist c. 1970 in his studio in New York City and catalog pages from Avedisian's inclusion in the American Painting Now Expo at the Institute of Contemporary Art in Boston, MA in Dec 1967 - Jan 1968. The exhibition, organized by art critic Alan Solomon, featured one of Avedisian's signature Beach Ball paintings alongside large works by Robert Motherwell and Jim Rosenquist. About the subject: Dave Winifield is American former Major League Baseball right fielder born in 1951 and who played for six teams (San Diego Padres, New York Yankees, California Angels, Toronto Blue Jays, Minnesota Twins, and Cleveland Indians) during his 22 year long career. He had the winning hit in the 1992 World Series with the Blue Jays over the Atlanta Braves. Winfield retired in 1996 and was elected to the Baseball Hall of Fame in 2001, in his first year of eligibility. About the Artist: In the 1960’s, Edward Avedisian was one of the youngest of those luminaries producing a grand new abstract painting. Shown first at Ivan Karp and Dick Bellamy’s Hansa Gallery and then at Robert Elkon, Avedisian’s insouciant mix of pop playfulness, color field cool and high formalist style put his art in a unique, and at the time generously rewarded, position. Paintings made it onto the cover of Artforum, were purchased by all the major museums, were among the few abstract works shown as representative of America’s post-war achievement at Expo 67 in Montreal and comprised a cornerstone in histories of the period written by Barbara Rose, among others. The artist was largely influenced by his Color-Field predecessors, Mark Rothko and Barnett Newman. Throughout the 1960's and into the mid 1970's the artist was celebrated in the Manhattan art scene, contributing to the Post-Painterly Abstraction movements with contemporaries Helen Frankenthaler, Andy Warhol, Jules Olitski, and Larry Poons. Museum Collections: Albright-Knox Art Gallery, Buffalo, New York Brooklyn Museum, New York Chrysler Art Museum, Norfolk, Virginia Denver Art Museum, Colorado Flint Institute of Arts, Michigan Jack S. Blanton Museum of Art, Austin, Texas The Larry Aldrich Museum, Ridgefield, Connecticut Metropolitan Museum of Art, New York Minneapolis Institute of Arts Minneapolis Society of Fine Arts Neuberger Museum of Art, State University of New York, Purchase Los Angeles County Museum, California Neuberger Museum, SUNY, Purchase, New York Parrish Art Museum, Water Mill, New York Solomon R. Guggenheim Museum *above description text is supported by Alexandra C. Anderson's article on Edward Avedesian in Artforum's January 1969 issue. NY Times Obituary, published Aug 23, 2007 by Roberta Smith: Mr. Avedisian was best known for his work in the 1960s: brilliantly colored, boldly composed canvases that combined Minimalism’s rigor, Pop’s exuberance and the saturated tones of Color Field painting. A frequent motif was a cluster of bright seedlike orbs corralled at the center of a vibrant monochrome field by larger rings of color, creating an image that could resemble a buoyant cross-section of some unknown fruit. Mr. Avedisian was born in Lowell, Mass., in 1936 and studied art at the Boston Museum School. By the late 1950s he was living in New York, part of a generation of promising young painters that included Frank Stella, Larry Poons and Darby Bannard. From 1958 to 1963 Mr. Avedisian had six solo shows in New York galleries, including two at the Robert Elkon Gallery, where he continued to show almost every year until 1975. By the early 1960s Mr. Avedisian was a rising star. During that decade, his work appeared on the cover of Artforum, in “The Responsive Eye” exhibition of Op Art at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought by collectors and acquired by major museums in New York and elsewhere. In the mid-1970s Mr. Avedisian moved to Hudson and became less visible. His paintings soon began shifting toward representation; he took to calling his abstract paintings “a period style.” But he continued to be well served by his feeling for color, scale and surface. His landscapes described his surroundings in blunt, flat shapes and singing hues reminiscent of those of Marsden Hartley and Paula Modersohn...

This contemporary figurative painting, "The Simple Things in Life," by French artist Nataya Mougenot, is part of her ongoing series dedicated to women. It captures a woman sitting at...

America Martin "Wishing Star" Oil & Acrylic on Canvas 45 x 92 in (114.3 x 233.68 cm) Framed 46.5 x 93.5 in America Martin is an internationally represented Colombian-American f...

Affen Segun 1993 - Current It's not Over Until it's Over, 2026 Acrylic and Ankara fabric on canvas 50.8 x 40.6 cm 20 x 16 in

America Martin "Apples & Earth", 2014 Oil & Acrylic on Canvas 57 x 39 in (144.78 x 99.06 cm) Framed 58 x 40 in America Martin is an internationally represented Colombian-Am...

"THE DREAM CATCHER" is a one-of-a-kind original work by Amanda Marie (Mando), created using acrylic and aerosol on canvas. The piece measures 32.75”h x 24.75”w framed, and is shipped...

Iqi Qoror's surreal figurative paintings are arresting in their earthy palettes offset by pops of fluorescent textile embroidery. His artworks revolve around questions of trust, interspersed with fragments of modernity set against his own social experience. Qoror's blend of portraiture, pop-textiles, and surrealistic imagery invokes curiosity, confusion, and a playfully honest connection with our contemporary world. Each artwork represents a point of self-reflection: "We live in a catastrophic world...I express my response through my works and I'm constructing a question of our madness." • One-of-a-kind mixed media painting created with acrylic paint and wool embroidery • Measures 59 inches high by 43 inches wide • Signed and dated by the artist on the front lower left corner • Certificate of authenticity is included • Free local Los Angeles area delivery • Affordable U.S. and international shipping available A native of Indonesia, Iqi Qoror started his career as a professional Visual Artist with a Master’s Degree in Fine Art. Qoror's combination of different media merges not only different art practices such as painting and embroidery but past and present as well. The combination of modern expressionistic style of portraits without faces with pops of color render his artworks unforgettably visceral. Qoror constantly challenges himself to be more experimental and versatile in his art practice, from installation to mixed media painting. Through this innovation-fueled journey, Qoror has established himself as one of the fastest rising stars of the Indonesian art scene. He has been labeled an emerging artist to watch who knows how to move distinctly between representational, figurative, and surrealist imagery. His artworks have been exhibited in international hot spots such as Singapore, Hong Kong, New York, and Los Angeles and have been collected worldwide. Artplex Gallery has been representing and exhibiting Iqi Qoror's original artworks since 2018. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of original artworks from established and emerging international artists with diverse backgrounds at high standards. Artplex Gallery is known to provide accurate descriptions, images, reliable services, communication, and delivery. The gallery's commitment to customer satisfaction means that clients can invest in art with confidence, knowing they have a reputable and established art gallery backing their acquisition. Artplex Gallery prioritizes our clients' peace of mind by ensuring a seamless and worry-free art-buying experience. REPRESENTATION Artplex Gallery, Los Angeles, USA SOLO EXHIBITIONS 2025 Still Life, SAL Project, Jakarta, Indonesia 2023 Sub-Value, Galeri RJ Katamsi, Yogyakarta Institute of Art, by Srisasanti Gallery 2022 “Perception In Tow,” Artplex Gallery, Los Angeles, CA 2020 “OUT OF PLACE: DE-stereotyping Iqi’s Arabism,” Jogja Galeri, Yogyakarta, Indonesia 2019 “I Would Prefer Not to Do Anything,” Hatch Art Project, Singapore 2018 Solo Show at Artstage Singapore 2015 “Authority of Madness” Graffik Gallery, London 2014 “Black Bourgeois” Artfront Gallery, Singapore 2012 “Family Gray Diary”, Bentara Budaya, Yogyakarta 2011 “Love/Lie/Laugh/Lust”, CCCL Gallery, Surabaya 2009 “Wood Mood”, ORE-ARTSPACE, Surabaya GROUP EXHIBITIONS 2026 Forms of Becoming, Artplex Gallery, Los Angeles, CA Then & Now, Baik Art, Jakarta, Indonesia 2025 LAH! Stories from the Neighborhood, Cuturi Gallery, Singapore Portraits of Paradox, Artplex Gallery, Los Angeles, CA Art Jakarta Gardens, Kendy’s Gallery, Jakarta, Indonesia 2024 Bridging Realities, Artplex Gallery, Los Angeles, CA Closed Alpha Testing, Kendy’s Gallery, Jakarta, Indonesia AAF New York, USA (SMS) Stop Making Sense, Hatch Art Project, Singapore Yogya Annual Art, Sangkring Art Space, Yogyakarta, Indonesia Art OMG? RED! ^ D^, Kendy’s Gallery, Jakarta, Indonesia Warta Project, Sarang, Yogyakarta, Indonesia Simulation: Presenting, Removing, and Reappear, Semarang Gallery, Indonesia Sign System, Yuan Gallery, Jakarta, Indonesia Art Jakarta, Kiniko Art, Jakarta, Indonesia GBK Unfolds, Artotel Senayan, Jakarta, Indonesia Jakarta Gardens, Kendy’s Gallery, Jakarta, Indonesia 2023 Art Garden with Andi’s Gallery, Jakarta, Indonesia The Big Picture, Andi’s Gallery, Ashta District 8, Jakarta, Indonesia Seni Agawe Sentosa, Semarang Gallery, Semarang, Indonesia Flex: Art at Sphere, Hatch Art Project, Singapore Yogya Annual Art, Sangkring Art Space, Yogyakarta, Indonesia Smoke ’Em If You Got ’Em, presented by John Wolf...

This contemporary figurative painting with a modern touch of expressionism and brut art depicts a scene of two women, one of them wearing a red dress holds a bowl of fruits. This pie...