Bernadette Kelly Prints and Multiples
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Artist: Bernadette Kelly
Femme Nue Allongée - Original Lithograph by B. Kelly - 1980s
By Bernadette Kelly
Located in Roma, IT
Femme Nue Allongée is a sensual color lithograph realized by Bernadette Kelly (1933-) in the 20th century.
Dimensions: cm 32 x 24. Very good conditions.
This suggestive artwork is ...
Category
1980s Bernadette Kelly Prints and Multiples
Materials
Lithograph
La Ville - Original Lithograph by B. Kelly - 1980s
By Bernadette Kelly
Located in Roma, IT
La Ville is an original print realized by Bernadette Kelly (1933-) in the 20th century.
Suggestive color lithograph representing a nocturnal urban landscape.
Dimensions: cm 32 x 24...
Category
1980s Bernadette Kelly Prints and Multiples
Materials
Lithograph
Femme Nue Allongée sur Canapé - Original Lithograph by B. Kelly - 1980s
By Bernadette Kelly
Located in Roma, IT
Femme Nue Allongée sur Canapé is a sensual color lithograph realized by Bernadette Kelly (1933-) in the 20th century.
Dimensions: cm 32 x 24. Very good conditions.
Category
1980s Bernadette Kelly Prints and Multiples
Materials
Lithograph
Landscape - Original Lithograph by B. Kelly - 1980s
By Bernadette Kelly
Located in Roma, IT
Landscape is an original print realized by Bernadette Kelly (1933-) in the 20th century.
Color lithograph representing a urban landscape.
Dimensions: cm 32 x 24. Very good conditions.
Category
1980s Bernadette Kelly Prints and Multiples
Materials
Lithograph
Femme Nue Recroquevillée - Original Lithograph by B. Kelly - 1980s
By Bernadette Kelly
Located in Roma, IT
Femme Nue Recroquevillée is a beautiful color lithograph realized by Bernadette Kelly (1933-) in the 20th century.
Dimensions: cm 32 x 24. Very good conditions.
This touching artwo...
Category
1980s Bernadette Kelly Prints and Multiples
Materials
Lithograph
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'Lieutenant Crovers Despatch – Return of Governor Stevens to Fort Benton'
By John Mix Stanley
Located in Milwaukee, WI
In the mid-nineteenth century, the United States government set out to survey and document its newly acquired lands and territories west of the Mississippi. The goals of these surveys were manifold: to produce topographical maps, to document flora and fauna, and to document natural resources to build the emerging US economy. These surveys, and the images from them, also functioned to build the new sense of American identity with the landscape, condensing vistas into the 'picturesque' tradition of European image making. Thus, the entire span of US territory could be seen as a single, cohesive whole.
This lithograph comes from one of six surveys commissioned by the Army's Topographic Bureau in 1853, which sought to find the best route to construct a transcontinental railroad. The result was a thirteen-volume report including maps, lithographs, and technical data entitled 'Explorations and Surveys to ascertain the most practicable and economical route for a Railroad from the Mississippi river to the Pacific Ocean.' In particular, the print comes from the northern survey, commanded by Isaac Stevens, which explored the regions between the 47th and 49th parallels.
5.75 x 8.75 inches, image
6.5 x 9.25 inches, stone
17 x 20 inches, frame
Artist 'Stanley Del.' lower left
Entitled 'Lieutenant Crovers Despatch – Return of Governor Stevens to Fort Benton' lower center margin
Publisher 'Sarony, Major & Knapp. Lith.s 449 Broadway N.Y.' lower right
Inscribed 'U.S.P.R.R. EXP. & SURVEYS — 47th & 49th PARALLELS' upper left
Inscribed 'GENERAL REPORT — PLATE XXXVII' upper right
Framed to conservation standards using 100 percent rag matting with French accents; glazed with UV5 Plexiglas to inhibit fading; housed in a gold reverse ogee moulding.
Print in overall good condition; some localized foxing and discoloration; minor surface abrasions to frame.
John Mix Stanley...
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Women Seated (Edition 1/1)
By Cathy Migliaccio
Located in New York, NY
Cathy Migliaccio (American 1950-2003), "Women Seated" Edition 1/1, Abstract Figurative Lithograph numbered and signed in Pencil, 12.75 x 9.50 In Matte (18.63 x 15.50 In Frame), Late 20th Century, 1972
Colors: Black and White
Cathy Miglaccio was an artist originally hailing from New Jersey and later the Bronx, New York City. Having graduated with a Masters in Art Education, she later taught Art respectively in Baltimore, MD and Fredonia, NY and later at The Holy Cross School in Rumson, NJ. While there, she also served as Chairwoman for the Holy Cross Antique...
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Singing in the Bath, Tenakee Springs
Located in San Francisco, CA
This artwork titled "Singing in the Bath, Tenakee Springs" 1996 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 1077/1100 in pencil by the artist. The image size is 13.5 x 10 inches, sheet size is 16 x 12.35 inches. It is in excellent condition, has never been framed.
About the artist:
Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska.
Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau.
Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play.
Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast.
For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps.
Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine.
In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints.
From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250.
Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C.
Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...
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Mother and Child Before Notre Dame
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Artist: Marc Chagall
Medium: Lithograph
Title: Mother and Child before Notre Dame
Portfolio: Verve Vol VII No. 27-28
Year: 1952
Edition: 6000
Signed: Unsigned
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Le Jarre II, from The Last Works of Henri Matisse
By (after) Henri Matisse
Located in Washington, DC
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Title: Le Jarre II
Portfolio: The Last Works of Henri Matisse
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Year: 1958
Edition: 2000
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Located in Paonia, CO
Velasquez Le Reddition De Breda is one of six graphics from the series Changes in Great Masterpieces published by Sidney Lucas, 1974. Mas...
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Steam Bath, Aniak
Located in San Francisco, CA
This artwork titled "Steam Bath, Aniak" 1995 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 38/950 in pencil by the artist. The image size is 6.75 x 10 inches, sheet size is 10.5 x 14 inches. It is in excellent condition..
About the artist:
Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska.
Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau.
Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play.
Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast.
For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps.
Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine.
In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints.
From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250.
Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C.
Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...
Category
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Salvador Dali - Dawn - Original Lithograph
By Salvador Dalí
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - Dawn - Original Lithograph
Joseph FORET, Paris, 1957
PRINTER : Guillard
SIGNATURE : plate signed by Dali.
LIMITED : 233 copies.
SIZE : 41 x 33 cm
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By Édouard Chimot
Located in FR
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Located in San Francisco, CA
This artwork titled "Cul de Sac" is an original color lithograph by French artist Alexandre Minguet, 1937-1996. The image size is 7 x 11 inches, framed size is 17.35 x 21.5 inches. I...
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Bernadette Kelly prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Bernadette Kelly prints and multiples available for sale on 1stDibs. You can also browse by medium to find art by Bernadette Kelly in lithograph and more. Not every interior allows for large Bernadette Kelly prints and multiples, so small editions measuring 10 inches across are available. Customers who are interested in this artist might also find the work of Paulette Humbert, Alain Bonnefoit, and Jacques Monory. Bernadette Kelly prints and multiples prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $99 and tops out at $357, while the average work can sell for $334.