Bernard Pothast Interior Paintings

Oil on canvas, signed upper left. Provenance: Sothebys Amsterdam, Private collection London, Private collection Palm Beach. His working period was from about 1894 to 1973, successively in Rotterdam, Heeze (Heeze-Leende), Hilversum and Laren. He was educated at the Craft School for decorative painters and received evening lessons at the Rotterdam Academy under the direction of A. van Maasdijk. He was a member of the Vereeniging Sint Lucas...

Jacob Ochtervelt (Workshop) The Grape Seller oil on canvas unframed: 80.7 x 61 cm.; 31 ¾ x 24 in. framed: 109.5 x 89 cm.; 43 1/8 x 35 in. Essay: Th...

ARTIST: Unsigned 17th Century Dutch School TITLE: 'Butchers With Hanging Pig" MEDIUM: oil on panel SIZE: 71cm x 55cm inclusive of frame, the panel alone is 56cm x 40cm CONDITION: h...

Marcel Dyf Claudine Signed lower right Oil on canvas 25 1/2 x 21 1/2 inches Marcel Dyf, born Marcel Dreyfus in Paris, was a French painter whose work carried forward the traditions...

Pair of 19th Century "Gambling" Oil Paintings After Adriaen van Ostade Each painting shows men gambling in a cellar Original oil on canvas Dimensions 10" wide x 12" high The orna...

American, Late 20th Century In the Manner of Lucio Ranucci Signed: Ramsey (Lower, Left) " The Red Balloon " Oil on Canvas 36" x 24" Housed in a 3" Wood Frame with a 5/8" Linen...

This 18th-century painting, attributed to Christian Wilhelm Ernst Dietrich (1712–1774), depicts a rustic inn interior, a subject frequently explored by Dutch and German genre painter...

Impressive early American modernist opera view interior oil painting by Dorothy Van Loan (1904 - 1999). Framed. Oil on canvas. Signed. Image size,...

Lovely painting - Unframed

Léon Émile Caille Merville 1836 – 1907 Paris French Painter 'The Apple of Care' Signature: signed lower right and dated 'Léon Caille 1873' Medium: oil on panel Dimensions: image si...

Bernard de Hoog was born in Amsterdam in 1866. He studied under J.F. Hulk and J.C. van Essen at the Quellinus School in Amsterdam. Mainly a genre and portrait painter, he occupies a distinguished place among the masters of Dutch modernism. He was associated with The Hague School, primarily a movement of realism, a reaction against Romanticism. He lived and worked in Laren, Haarlem, Bussum, and The Hague enjoying much commercial success. His paintings were readily exported to the United State, Canada, and England. De Hoog advocated the simple country life and produced many endearing interior scenes inspired by compassion for the impoverished existence of the Dutch peasantry. Set within a quiet domestic interior space, our painting catches a meditative moment of a woman in the midst of her sewing. A large window illuminates this intimate interior. de Hoog’s delicate brushwork captures the sunlight reflected in the woman’s red dress...

Signed and dated 92 lower left. Oil on canvas. Frank Bramley British, 1857-1915 Frank Bramley is considered one of the most important artists of the Newlyn School, the group of artists who settled in Newlyn, Cornwall during the 1880s and 1890s, drawn by the light, lifestyle and the example of Alexander Stanhope Forbes, and were at the forefront of 'British Impressionism'. He was particularly ‘in the news’ when his painting of a woman reading in a garden made the astonishing price of $590,000 at Sotheby's New York in late May 1996. As the seminal catalogue of the famous Newlyn School exhibition states, Bramley's reputation has rested for some time on Hopeless Dawn, his major RA exhibition of 1888, and which in recent years has been hung almost constantly at the Tate Gallery. Bramley was born in Lincolnshire and trained at Lincoln Art School, later at Verlat's Academy in Antwerp, from where he went to Venice in 1882-83, where our painting was executed. He first showed at the Royal Academy in London in 1884 (both paintings were Venetian scenes), and it was in the winter of 1884/5 that Bramley settled in Newlyn. He was a quiet and reserved figure, prone to bouts of melancholy. He worked on his own in a tiny studio in an old thatched cottage - the cottage consisted of two rooms, one at ground level (which was the studio) and one which was below ground which was inhabited by a woman who'd lost her arms and who managed to look after a set of tiny children as well as a small potato and turnip shop. Bramley moved to a purpose-built glass studio in 1889. He is known as the master of the so-called 'square-brush technique' which characterizes much of the best Newlyn School work and he used this until 1893, later than most of his colleagues. Bramley was friendly with the great artist Sargent and with him was elected an associate of the Royal Academy in 1894, being elected a full member in 1911. In 1891 he had married, and 4 years later they moved to the Midlands where his work became less socially orientated and more purely decorative. His last years were spent in a London flat...