Beth Secor Prints and Multiples

Raul Cordero (Cuba, 1971) '32 hrs 53 min kcal: 783 fat: 35%', 2005 photo engraving and screenprint on paper Guarro Biblos 250g. 26.8 x 33.3 in. (68 x 84.5...

Artist: Theo Tobiasse Title: Un homme je Conte les Matins Lointain de sa Famille Title: A man tells me the morning of his distant family  Print - Lithograph on Japanese vellum   Si...

Artist: Theo Tobiasse Title: "L'enfant habille de lumiere mystique" The child dressed in mystic light Lithograph on Japanese vellum Size: 25.25'' x 30.5'' In Edition: signed, ...

Signed, titled, and numbered from the edition of 15. Image of a young girl i Kimono. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whi...

This delicate composition in black and tan features layers of sheer brushwork, inky daubs, and thin lines. Mark Tobey, one of the founders of the American Mystical school of painting...

Etching realized by Franco Marzilli in 1980s. Hand signed in pencil. Artist proof. Excellent condition.

"Puppet Man, 1960. By Alexander Calder. "E.A" Written in pencil by the artist The "E.A." designation on the print likely indicates it's an artist's proof, o...

"Valerio Adami (Italy, 1935) 'Moments musicaux de six a huit', 1976 Original poster from 1976 lithograph on paper 26 x 18.2 in. (66 x 46 cm.) Unframed Ref: ADA100-202 Valerio Adami ...

Skiing girls by Anne Storno [2021] This work is inspired by collage and surrealist artworks. I like combining images removed from their original narrative c...

Title: Rueckenakt Medium: Etching Edition: 50 Signed and numbered by hand Size: 21.5 × 17.6 on 25.0 × 19.9 inches COA provided Claude Garache is a French artist. He has worked in pa...

Full-page, colour pochoir of costume designs after Sonia Delaunay-Terk's original drawings. Edition 331/500 copies on Velin Aussedat Dimensions: 28.5 x 19.5 cm. From 27 Living Paint...

Full-page, colour pochoir of costume designs by Sonia Delaunay Edition 331/500 copies on Velin Aussedat Dimensions: 28.5 x 19.5 cm. From 27 Living Paintings. [Milano, Edizioni del Naviglio, 1969]. Jacques Damase. Robes Poèmes, Introduction. Text by Guillaume Apollinaire and Blaise Cendrars. Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer and printmaker. Born Sarah Stern on November 14, 1885 in Gradizhsk, Ukraine, she was adopted in 1890 by her maternal uncle, Henri Terk, a lawyer in St. Petersburg, where she grew up, exposed to music and art, and learning several foreign languages. In 1903, she moved to Germany to study drawing with Ludwig Schmidt-Reutler (1863–1909) at the Karlsruhe academy of fine arts; Arnold Schoenberg (1874–1951), composer-to-be, was among her classmates there. In 1905, she traveled to Paris where she attended art classes at the Académie de la Palette, learned printmaking from Rudolf Grossman (1889–1941), and met Amédée Ozenfant (1886–1966), André Dunoyer de Segonzac (1884–1974), and Jean-Louis Boussingault (1883–1943). Sonia spent much of her time at exhibitions and galleries in Paris, which showed works by Paul Cézanne, Vincent Van Gogh, Pierre Bonnard, and Edouard Vuillard, as well as Les Fauves, Henri Matisse and André Derain. She did, however, maintain contact with Germany, exhibiting at the Galerie Der Sturm, Berlin, in 1913, 1920 and 1921. During her first year in Paris, Sonia met the German collector and art-dealer, Wilhelm Uhde (1874–1947), whom she married on December 5, 1908, and whose Montparnasse gallery, the Galerie Notre-Dame des Champs, showed her first solo exhibition. Through Uhde, Sonia encountered many painters, including Pablo Picasso, Georges Braque, Maurice de Vlaminck, and Robert Delaunay (1885–1941). In 1910, Sonia divorced Uhde by mutual agreement, married Delaunay that same year, and gave birth to their son, Charles, in January 1911. Together Sonia and Robert Delaunay pursued the study of color, influenced by theories of Michel-Eugène Chevreul (1786–1889). Sonia’s interest in simultaneous contrast, as evidenced in her early collages, book bindings, small painted boxes...