Bette Ridgeway Abstract Paintings

A large, dramatic abstract oil painting by Contemporary artist Bill Hewes. William (Bill) Hewes is an American self-taught artist. Hewes was born in Easthampton, Massachusetts in 19...

All of us can change the past. We cannot take back what has happened, who we love, what we have done. Just like we cannot change our current situation. I think life is a funny thing,...

shipped in roll “Spring Flowers” is built around a memory of early spring days, when the grass turns vivid and saturated, full of life. It captures that moment when everything begins...

"AD 181" Abstract Painting 47" x 31" inch by Ahmed Dafrawy Medium: Mixed Media on Canvas Dafrawy’s fine arts academic background started in 2014 when he received the certificate of...

Textured Abstract Expressionist Composition in Plaster and Acrylic on Canvas Brightly colored and deeply textured abstract composition by an unknown artist (20th century). Layers of...

"It's All I Ask of You" is a contemporary abstract painting of oranges, blues and greens. Acrylic on canvas, 2016. The artist signed the painting on the verso. 36" x 54" canvas De...

Original water based acrylic on canvas. Hand signed and dated on verso by the artist. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers w...

Original water based acrylic on canvas. Hand signed and dated on verso by the artist. Can be hung vertically or horizontally. Artwork is in excellent condition. Certificate of authe...

Contemporary blue toned gestural abstract expressionist painting by Houston based artist Kristi Haines Herman. The work features layers of swirling brushwork in tones of blue and white. Signed, titled, and dated on the reverse. Currently unframed, but options are available. Artist Biography: As an abstract painter, Kristi Haines Herman, uses her artwork to execute ideas and two-dimensional environments that create an emotional experience for the viewer. Her paintings are inspired by personal involvements and reactions to them. Phrases and words ruminate in her mind and slowly turn into abstracted figures that convey her inner thoughts. Haines Herman is highly influenced by movement as her artistic expression due to many years in dance. Movement is depicted through various gestural lines, shapes, and texture which allow the audience to venture through the canvas; thus a visual dance from one edge to another on the painting’s surface. Ballet was Haines Herman’s first love in the art world, starting at age five. She learned to use body movement as an outward expression which allowed her to explore various audience reactions. This would later correlate with her artwork. In her late teens, dance and visual art would intertwine with time on stage as well as painting for expression. Gradually, visual art became her primary artistic avenue. Haines Herman attended Mary Baldwin College in Staunton, Virginia, where she majored in studio art under professors Frank Hobbs...

This large-scale abstract painting, executed circa 1970 and signed “Zoragozo”, is a dynamic example of postwar abstract expressionist–influenced painting. The standard board is mount...

A contemporary abstract expressionist acrylic painting by American female artist Rebecca Allan. Rebecca Allan is a New York-based visual artist known for her richly layered and chro...

Phenomena like Byron by PAUL JENKINS (1923-2012) Acrylic on canvas 74 x 60 cm (29¹/₈ x 23⁵/₈ inches) Signed lower left, Paul Jenkins Signed, titled and dated on the reverse and on the stretcher Executed in 1990, Saint Paul Provenance Waterhouse & Dodd Fine Art, London/New York Private collection, Europe, acquired from the above in 2012 Private collection, Austria Artist biography Born in Kansas City, the multi-media artist, poet and playwright Paul Jenkins began his studies at Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past thirty years, numerous retrospectives have been curated across the globe and Jenkins’ work can found in national collections from Europe and the United States to Israel, Australia and Japan. The diversity of Jenkins’ work springs from a wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes", influenced by ancient natural forms. Frequent student visits to the Frick Collection in New York fostered a love of the great masters, and lingering student visits to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful sympathy for a monumental Chinese fresco...