Blair Tate Sculptures

Indigo 2 is a meditation on depth, movement, and the quiet drama of form. Created with hand-dyed linen on linen, this work embodies the physicality and elegance of Hedden’s Fold Seri...

Karen Schiff is an artist and wordsmith based in New York; she has always been a reader as well as a visual artist. Her drawings, paintings, installations, and performances combine t...

Original monochrome wall sculpture exploring texture, repetition and organic growth through densely intertwined sculptural forms. This unique wall sculpture belongs to Elizabeth Art...

TAKI-KASURI FOLDS from Chloe Hedden’s Fold Series explores the tension between softness and structure through the poetic manipulation of handmade Japanese fabric on linen. In this sc...

Karen Schiff is an artist and wordsmith based in New York; she has always been a reader as well as a visual artist. Her drawings, paintings, installations, and performances combine t...

Minimal Biomorphic Abstract Sculpture in Hemp Fiber, Contemporary Organic Art By Silvana Ilieva This work was selected for the curated exhibition Artists in Focus at Sofia Art Fair...

Karen Schiff is an artist and wordsmith based in New York; she has always been a reader as well as a visual artist. Her drawings, paintings, installations, and performances combine t...

In Indigo 1, Chloe Hedden invites us into a meditative field of texture, movement, and hue. Part of her Fold series, this work uses hand-dyed linen in deep, inky indigo tones that ri...

Andra Samelson’s work explores the relationship of microcosm and macrocosm, the celestial and terrestrial. Her imagery is often associated with molecular and galactic systems. Combin...

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. While typically, King Ferguson paints both sides of the canvas and cuts a flap on the the frontside to reveal the color of the back of the canvas, she unexpectedly does the opposite here. The painting is hung from the "frontside" of the canvas, revealing to us the raw edges of her linen canvas, stapled to the stretchers. Two oblong shapes of pink and red dominate the center of the painting. A thin semioval cut has been made inside of both of these shapes. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...

Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires tha...

My Mother's Tears Inundation is a deeply emotive work from Chloe Hedden’s Fold Series, composed of hand-dyed linen in soft, stormy tones. A pale, silvery veil of fabric envelops the ...