Bon Jane Art

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1 of 10 If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph This exhibition is a visual dance of contradictions. Whimsical and sophisticated. Stylistic and simple. Studied and carefree. That’s what emerges when you take a photojournalist by study, fashion photographer by trade and fine artist by instinct and leave him alone with his camera and a muse. Burris’ work is influenced by his early career spent working with fashion photographer Bill King and inspired by the decisive moment made known by the Henri Cartier Bresson. He defies the confines of either discipline. It is not fashion photography, which is by nature produced, but rather purely spontaneous. Todd left the world of fashion photography after building his own career in Milan and New York to go to LA and find his niche. He embraced his fascination with flea markets and penchant for discarded items that wouldn’t ever be chosen because they were trendy but because they were interesting. Burris packed his 1979 white Pontiac station wagon with his finds. When he came upon a stage that fit the props, he called on his muses and created a visual story on the spur of a moment. The collection of black and white images conveys a sense of effervescence and Élan. It includes photographs from Burris' time in Los Angeles as well as earlier experimental work in Milan and New York City. Anything but superficial, the invitational image, "Paget #1" challenges the traditional symmetry of beauty. We see a dramatic close up of a woman’s face, her intense eyes framed by the stark contrast between her porcelain skin and jet black hair. The lighting is such that her face is divided by shadow, one half dark and mysterious, the other half light and classically beautiful. The effect is deeply engaging. The viewer doesn’t know when the photo was taken but you want to know more. In “Mercer Street...

Street photography was a passion of Art's and it shows in this delightful shot taken at Brookfield Zoo in 1974. The photograph is signed on the bottom right hand corner. It is matted with a heavy white mat and framed in a simple black metal frame. Art Shay Two Leopards...

Published by Aperture in 1992, this portfolio includes three gelatin-silver prints and a cover page all in a cloth-covered clamshell case. Each of the 3 prints are hand signed, dated, titled and numbered on verso. The prints are 1. Christina, Misty Dawn...

About this work: “Untitled (Twins Holding Arms), c. 2008” by Bruce Weber (American, b. 1946). A wonderful example of Weber’s iconic exploration of youthful masculinity, sensuality, ...

Coming from an earlier interest in portraits and street photography, my Nudes in Water are less about eroticism and more about body as the human vessel for our multi-faceted but brie...

I Am the Spirit That Hovers Above the Shapeless Mass of Dreams 1991 Signed, titled, dated, and numbered in ink, recto Gelatin silver print (Edition of 5) 12.5 x 8.5 inches (31.8 x...

About this work: “Untitled (Nudes Climbing), 2007” by Bruce Weber (American, b. 1946). A wonderful example of Weber’s iconic exploration of youthful masculinity, sensuality, and emo...

About this work: “Untitled (Twins Seated I), c. 2008” by Bruce Weber (American, b. 1946). In this composition, two long-haired young men pose side by side, shirtless but with subtly...

About this work: “Untitled (Twins Holding Arms), c. 2008” by Bruce Weber (American, b. 1946). A wonderful example of Weber’s iconic exploration of youthful masculinity, sensuality, ...

This fine art print features actress and model Jane March, posed topless on the rooftop of the Hotel Le Bristol in Paris in 1992. This risqué iconic black and white photograph was sh...

“Irine with Lace Gloves, Los Angeles, 2001” by Guido Argentini captures the artist’s unmistakable visual language—sensual, refined, and sculptural. The composition presents a full-fi...

“Black Stockings, Hollywood, 1998” by Guido Argentini captures the artist’s unmistakable visual language—sensual, refined, and sculptural. The composition isolates the female form in...