Börje Claes Furniture

A pair of adjustable brass wall lights designed by Börje Claes and produced by Norlett, Sweden, c. 1970s. Overall Dimensions (inches): 11.75” H x 9.5” W x 13.75” D Back Plate Dimens...

Whether placed on a bedside table, a desk, or a living room console, this vintage table lamp stands out as both a functional lighting solution and a statement piece. Its enduring des...

Table lamp by Börje Claes for Norelett, Sweden, 1960s.

Swedish Modern, with its simplified lines and lack of excessive ornamentation, was a counter reaction to the earlier, more decorative design movements such as Art Deco. In comparison, as this pair of wall lamps demonstrates, the mid-century era brought streamlined modernism to Sweden as well. Börje Claes designed this polished brass wall lamp model with both table and floor lamp versions. In these wall lamp versions he combined a classical shape with carefully thought out proportions and Swedish craftsmanship. Similarly to the other versions, the necks’ characteristic curve holding the brass shades define this model. To accompany the defined curves, the backplates have a circular shape that mirrors the shape of the shade. The inside of the shade has a patinated metal look to enhance the light the lamp emits with a beautiful effect. While there is a clear attention on the design elements, functionality was of equal importance in the classic “Svensk design” manner, in which form must follow function in order for something to be considered ‘god design’ (sic.). As such, the lamps’ trumpet shades can be adjusted freely on the vertical axis through a so-called knee joint by the German company OMI. In line with the Functionalist trend of the time, the designer abandoned ornamentation in favour of form. Nonetheless, the warmth and beauty inherent in Swedish design is maintained, as well as high-quality craftsmanship provided by Swedish manufacturer, Norlett Elit...

Swedish Modern, with its simplified lines and lack of excessive ornamentation, was a counter reaction to the earlier, more decorative design movements such as Art Deco. In comparison, as this floor lamp demonstrates, the mid-century era brought streamlined modernism to Sweden as well. Börje Claes designed this lamp model with both table and floor lamp versions. In this floor lamp version he combined a classical shape with carefully thought out proportions and Swedish craftsmanship. The neck’s characteristic curve holding the brass shade defines this model. To counterbalance the defined curve, the rod is straight and stands on a circular base that mirrors the shape of the shade. The inside of the shade is reflective, enhancing the light the lamp emits with a beautiful accompanying effect. While there is a clear attention on the design elements, functionality was of equal importance in the classic “Svensk design” manner, in which form must follow function in order for something to be considered ‘good design’. As such, the lamp’s trumpet shade can be adjusted freely on the vertical axis through a so-called knee joint by the German company OMI. In line with the Functionalist trend of the time, the designer abandoned ornamentation in favour of form. Nonetheless, the warmth and beauty inherent in Swedish design is maintained, as well as high-quality craftsmanship provided by Swedish manufacturer, Norlett Elit...