Brett Osborn Landscape Paintings

"Trumans Beach, East Marion 06.06.2022" is an almost-abstract palette knife landscape painting of a beach and beach shrubs. Off in the distance is a little white triangle of paint to emulate a sailboat...

Gorgeous seascape of Pacific Grove, California just north of Carmel by Marie Duncan (American, 20th Century), c. 1990. Signed lower right corner. Excelle...

Grazing cows on the California Big Sur coast, a farm landscape by J.W Ford (American, 20th Century). Signed "J.W Ford" lower right. Unframed. Image size, 16"H x...

Quaint pastoral landscape of a figure and dog walking down a country lane amongst tall autumn trees with beautiful fall foliage by Cal Donna Zell (American, 20th Century). Signed "Ca...

"The Beach at Stoupa" is a plein air painting depicting a popular beach in Stoupa, Greece. Stoupa (Greek: Στούπα) is a village on the coast of the southern Peloponnese peninsula in G...

An oil painting by American Impressionist painter, Nelson H. White (b. 1932, Connecticut) celebrating the colors of the the ocean and the sky above it, as seen in Nassau, The Bahamas...

Oil Painting of the Brooklyn Bridge, painted en plein air. A sailboat sails underneath. Painted in a thick, impressionist style. Painting dimensions: 4 x 11 inches Framed dimensions: 9 x 16 inches Framed in a handmade, Italian, custom gold leaf frame. Nelson H. White was born in New London, Connecticut in 1932. White has been surrounded by art and artists from the time he was born. He received his earliest art instruction from his grandfather, Henry Cooke White (1861-1952) and his father Nelson Cooke White (1900-1989), both important American artists. The family lived in Waterford, Connecticut and the elder White had been an early member of the art colony in Old Lyme, Connecticut. Known for his paintings of the Connecticut landscape and shoreline, Henry Cooke White became a teacher to his son, Nelson Cooke White. Living with his parents at the Florence Griswold house in Old Lyme, he met some of the most important and influential artists of the day, Childe Hassam, Will Howe Foote and Harry Hoffman. Later, Nelson White's father began to take his family to summer on Shelter Island and became friendly with many of the artists of the Peconic colony such as Irving Wiles, an important American impressionist. After graduating from the Tabor Academy in Marion, Massachusetts in 1951, Nelson H. White began to study at Mitchell College in Connecticut but left to pursue studies in the violin, musical theory and composition. At this time, he began to spend more time studying art with his father and grandfather. By 1955, Nelson H. White had decided to devote himself to a career as a painter and traveled to Florence, Italy to become an apprentice to Pietro Annigoni, the world-renowned Florentine master. Within two years, the young White had won two awards for his work. While in Florence he also studied with the great Italian teacher, Nerina Simi. Today, White divides his time between the United States and Florence. White is still actively involved with studies at The Florence Academy of Art in Florence, Italy. Although he has received instruction from some very important artists, White's work is highly individual. He paints with great spirit. Upon seeing his work one quickly senses White’s great love for nature and the outdoors. Through his eyes we are able to view and interpret nature in an intimate manner. Whether Nelson H. White is painting the Connecticut shore, a beach in Italy, a pond on Shelter Island or the hills of Vermont, he allows the observer to view a soft, yet dramatic side of nature. His ability to use color, coupled with rich brush work and a graduation of light, air and atmosphere allows one to enjoy a certain mood which is clearly conveyed in White's paintings. It is a mood that leaves us with a lasting impression. White has shown his work in numerous galleries across the globe since the 1950s, from the United States all the way to Italy and Russia. White's first museum restrospective was in the New Britain Museum of American Art in July 2012. His work can be found in many private and public collections, as well as several museums. Art Education 1999- present The Florence Academy of Art, Florence, Italy 1956-1987 Student of Ms. Nerina Simi, Florence Italy 1955-1980 Apprentice to Pietro Annigoni, Florence, Italy abd studied watercolor painting with Ogden Pleissner...

Lynn Gertenbach's "Ride at Golden Hills" is a remarkable oil painting that captures a serene moment of a lady riding a horse under a tree, surrounded by lush grass and vibrant scener...

Hayley Lever (1876 - 1958) Concarneau, Brittany, France, 1905 Oil on panel 6 3/4 x 9 1/2 inches Signed by the artist lower left Inscribed by another hand on the reverse Provenance: Clayton-Liberatore Galleries, Bridgehampton, New York Hayley Lever’s (1875-1958) versatility has worked against his posthumous reputation. He was never associated with a single artistic movement, instead producing impressionist, post-impressionist, and expressionist works. While best known as a painter of post-impressionist marine scenes, his subject matter included landscapes, urban scenes, and still lifes across his 60-year career. This lack of a singular style or subject has given him an amorphous place in U.S. art history despite his obvious accomplishments. [Richard] Hayley Lever was born in Bowden, South Australia in 1875. He excelled in painting classes at Prince Alfred College (1883-91) and Norwood Art School (1891-93) in Adelaide. In the 1890s, Lever moved to England, studying art in London and painting at St. Ives, a fishing port and popular artistic colony on the Cornish coast. In St. Ives, Lever shared a studio with Frederick Waugh, and studied painting with Albert Julius Olsson and Algernon Talmage. Lever was a plein air painter particularly interested in the effect of sunlight on the sea. He painted in a distinctive style, strongly influenced by the works of Vincent van Gogh, that might now be called post-impressionism. He used a limited palette to paint the St. Ives harbor, particularly at dusk or in the moonlight. His strong contrasting colors and thick use of paint created a crisp and physical surface that earned him acclaim in Europe. Lever’s many St. Ives seascapes are among his most popular works. In 2017, his painting entitled “The Old Lighthouse and Fleets of St. Ives” sold at auction for $162,500. In 1912, Lever moved to New York to test the art market in the United States. In Manhattan, Lever met prominent U.S. painters such as Ernest Lawson, Robert Henri, William Glackens, John Sloan, and George Bellows. Lever exhibited with this group regularly in New York City, painting parks, streets, bridges and the Manhattan waterfront. However, he soon discovered the scenic potential of Gloucester, Rockport, and Marblehead in the Cape Ann area of Massachusetts...

Reynolds Beal Old Mystic, Connecticut, 1900 Estate stamp on the reverse Oil on artist board 6 3/8 x 9 3/8 inches Provenance The artist Estate of the artist Royal Galleries, New Jers...

Walter Elmer Schofield Sketch, circa 1880s Oil on panel 12 x 14 inches Walter Elmer Schofield is regarded as a leader of the Philadelphia Impressionists and central to the broader ...

A charming Impressionist summer pastoral scene depicting the New Hope town near the lake in Bucks County, Pennsylvania. This piece is executed in an intimate yet energetic manner. Ch...