Carlo Ramous Sculptures

Bronze sculpture of female nude, not signed. Measures: Height 18 cm. Width 21 cm. Depth 22 cm. Weight 3 kg.

This bronze sculpture is an original piece created in 2004 by Raffaello Romanelli, whose aim was to represent a moment of internal reflection thanks to the position of the body. For the piece, Raffaello Romanelli used a live model...

This bronze sculpture is by François Stahly made circa 1960. This piece is a small model of the larger "Foret de Tacoma" sculpture, which was named aft...

Sculpture bull bronze all in patinated solid bronze, lost wax bronze technic.

Sculpture bronze discus with varnished finish, with embossed characters representing the joy of life and with embossed tribal symbols. Exceptional pie...

'Goat' bronze sculpture created by Studio Rinat Design, molded and cast in bronze in the lost wax process. The sculpture is available to order in other patinas and in gold finish. Li...

Figurative bronze sculpture of two lovers embracing. The sculpture has a coarse texture, a dark patina, and wood base. Measures Sculpture: 7.5" H x 7" W x 2.5" D Base: 1.75" H x...

Ivan Avoscan, French sculptor (1928-2012) Bronze sculpture, concrete composition. Made of reddish brown patinated bronze. Signed Avoscan. France, late 20th century.

Ceramic sculpture by Carlo Zauli from the series "Sphere" done in the circa 1970s. Stoneware and very abstract. Influences of Lucio Fontana are apparent. Exhibited large scale installations during Milan Design Week 2013. Carlo Zauli is indisputably considered one of the most important sculptors of the twentieth century. After having won the main awards in ceramics in the fifties, the early sixties saw him evolve towards a markedly sculptural interpretation of his Craft. In these years he developed his own artistic language, imbued with informal atmospheres intertwined with a harmonious but disruptive "naturalness": these are the years of growing international success. From 1958, the year in which the great high-reliefs were made for the Baghdad palace and the Kuwait State Printing Office, he saw his fame grow continually, up to the end of the seventies and eighties, throughout Europe, Japan , North America, where he realizes exhibitions and placed work permanently. Carlo Zauli was born in 1926 in Faenza, where he died in 2002. Instead of ornate platters and decorative vases, his work seemed to have emerged from the earth itself, with organic curves, jagged edges, cracks and fissures that reflected the artist’s keen connection with nature. It was this passion for the natural world that made his work revered in Japan. Zauli first showed in the Japan as well in 1964 with the International Exhibition of Contemporary Ceramic Art that toured several top museums. At the beginning of 1960s, Carlo Zauli enters an artistic period in which he could be defined 'a sculptor of vases.' He subjects his vases to a progressive process of geometrical synthesis that, combined with a sort of abnormal growth, turns them into true sculptures. His studio receives frequent visits from Arnaldo and Giò Pomodoro, Giuseppe Spagnulo...

An Neoclassical composition plaque, from the Tucker collection, made by British make-up artist Christopher Tucker. This decorative piece is a copy of a Georgian chimney piece, origi...

A free-form undulating sculpture in clear and moss green glass, by Carlo Nason for Mazzega, Murano.  

Ceramic sculpture by Carlo Zauli from the series "Sphere" done in the circa 1970s. Stoneware and very abstract. Influences of Lucio Fontana are apparent. Exhibited large scale installations during Milan Design Week 2013. Carlo Zauli is indisputably considered one of the most important sculptors of the twentieth century. After having won the main awards in ceramics in the fifties, the early sixties saw him evolve towards a markedly sculptural interpretation of his Craft. In these years he developed his own artistic language, imbued with informal atmospheres intertwined with a harmonious but disruptive "naturalness": these are the years of growing international success. From 1958, the year in which the great high-reliefs were made for the Baghdad palace and the Kuwait State Printing Office, he saw his fame grow continually, up to the end of the seventies and eighties, throughout Europe, Japan , North America, where he realizes exhibitions and placed work permanently. Carlo Zauli was born in 1926 in Faenza, where he died in 2002. Instead of ornate platters and decorative vases, his work seemed to have emerged from the earth itself, with organic curves, jagged edges, cracks and fissures that reflected the artist’s keen connection with nature. It was this passion for the natural world that made his work revered in Japan. Zauli first showed in the Japan as well in 1964 with the International Exhibition of Contemporary Ceramic Art that toured several top museums. At the beginning of 1960s, Carlo Zauli enters an artistic period in which he could be defined 'a sculptor of vases.' He subjects his vases to a progressive process of geometrical synthesis that, combined with a sort of abnormal growth, turns them into true sculptures. His studio receives frequent visits from Arnaldo and Giò Pomodoro, Giuseppe Spagnulo...