Carlo Ramous Furniture

An Neoclassical composition plaque, from the Tucker collection, made by British make-up artist Christopher Tucker. This decorative piece is a copy of a Georgian chimney piece, origi...

Abu Dhabi sculpture by Carlo Massoud Handmade Dimensions: D 22 x H 15 cm Materials: carrara marble Carlo Massoud’s work stems from his relentless questioning of social, polit...

Sculpture Lyra Bronze all in solid bronze in brown finish. Limited edition of 49 pieces.

Sculpture Idea Bronze all in solid bronze in old gold finish.

This bronze sculpture is by François Stahly made circa 1960. This piece is a small model of the larger "Foret de Tacoma" sculpture, which was named aft...

A black Scavo over clear glass Murano figure. Incised signature/date to underside.

Sculpture Adagio Bronze all in solid bronze in green finish and natural finish.

Sculpture feely bronze with all structure in casted and carved solid bronze in dark grey finish.

A free-form undulating sculpture in clear and moss green glass, by Carlo Nason for Mazzega, Murano.  

This very unusual alabaster abstract sculpture is a quintessential example of the American figurative arts in the 1970s, but will definitely be a great addition to any stylish interi...

Sculpture threshold bronze with frame in iron in oxydised finish and with body sculpture in solid bronze in brown finish.

Sculpture Walking Bronze all in solid bronze in brown bronze finish.

Sculpture loyalty bronze with all structure in solid bronze in brown finish.

Organic form alabaster sculpture on a stone base which allows the sculpture to rotate easily.

Ceramic sculpture by Carlo Zauli from the series "Sphere" done in the circa 1970s. Stoneware and very abstract. Influences of Lucio Fontana are apparent. Exhibited large scale installations during Milan Design Week 2013. Carlo Zauli is indisputably considered one of the most important sculptors of the twentieth century. After having won the main awards in ceramics in the fifties, the early sixties saw him evolve towards a markedly sculptural interpretation of his Craft. In these years he developed his own artistic language, imbued with informal atmospheres intertwined with a harmonious but disruptive "naturalness": these are the years of growing international success. From 1958, the year in which the great high-reliefs were made for the Baghdad palace and the Kuwait State Printing Office, he saw his fame grow continually, up to the end of the seventies and eighties, throughout Europe, Japan , North America, where he realizes exhibitions and placed work permanently. Carlo Zauli was born in 1926 in Faenza, where he died in 2002. Instead of ornate platters and decorative vases, his work seemed to have emerged from the earth itself, with organic curves, jagged edges, cracks and fissures that reflected the artist’s keen connection with nature. It was this passion for the natural world that made his work revered in Japan. Zauli first showed in the Japan as well in 1964 with the International Exhibition of Contemporary Ceramic Art that toured several top museums. At the beginning of 1960s, Carlo Zauli enters an artistic period in which he could be defined 'a sculptor of vases.' He subjects his vases to a progressive process of geometrical synthesis that, combined with a sort of abnormal growth, turns them into true sculptures. His studio receives frequent visits from Arnaldo and Giò Pomodoro, Giuseppe Spagnulo...