Charles Cousin Art

Conditions: Very good overall Conditions, oil on canvas framed. Signed lower left. Free US CONTINENTAL Shipping, incl Europe and Asia. Jean Pierre Dubord was born in Rouen in 1949, ...

Hans Zatzka (Austrian, 1859-1945) a very fine and charming oil on canvas ""Young Ladies Collecting Spring Flowers", depicting three young maidens picking flowers by a lake. The three...

Emile CHAUMONT (Perigueux 1877 - 1927) Summer landscape in Périgord Oil on panel H. 32 cm; L. 41 cm Signed lower left, dated 1912 Provenance: Private c...

Pluie a Venice is painted in Hambourg's preferred palette of muted blue-green, grey, and gold with splashes of ruby red, deep blue, and emerald green. The soft colors work well for beach scenes and rainy days such as the ones portrayed in this painting. The impressionistic scene shows multiple pedestrians strolling down the boardwalk, shielding themselves from the rain with colorful umbrellas that provide pops of color and balance the overcast sky. The background contains a three-masted ship and Piazza San Marco's famous bell tower and Basilica. Hambourg uses the minimum number of brushstrokes necessary to portray ships, seagulls, buildings and people as well as reflections on the glistening sidewalk. The brushstrokes in the sky have an interesting texture that is controlled yet carefree and there is heavy impasto throughout. His portrayal is both realistic and romanticized. Hambourg was clearly influenced by the great Impressionist artists of earlier generations, perhaps none more than the one with a direct connection to his family. Hambourg's wife, Nicole Rachet, was born into a family with a large collection of works by Impressionist master Eugene Boudin. Rachet's grandfather was a contemporary and friend of Boudin's, and a collector of his work. In their later years, Hambourg and Rachet donated over 300 canvases by Boudin and other artists to the Eugene Boudin Museum in Honfleur, France. It was such a large and important gift that the collection bears...

'Plaines de la Midjeda Blida'. Oil sketch on cardboard. Signed and titled on the back. This work will be recorded in the catalogue raisonné of the work of the artist currently in pre...

Large and expressive, this contemporary mid-century post-impressionistic Belgian oil painting is titled 'Moulin Flanders', signed and dated 1956. Painted with thick brushstrokes in shades of tan, brown, beige, conch, warm white, russet and sage green. The nearly impasto paint outlines the windmill, traditional house, sailboat and figures. Painted in trending brown and cinnamon tones in a perfect size over the sofa, living room focal point or entry. A true designer choice, mid century contemporary in an post impressionist expressive style of a classic landscape. Signed Alfred Van Neste...

Excellent condition. Never restored. Dimensions with frame 68 x 78 cm Jean Pierre Dubord was born in Rouen in 1949, and after spending years in the French countryside, he returned t...

Andrée KARPELES Paris 1885 - Cannes 1956 View of a mountain in Sonarmag, Kashmir region, Himalayan Range About 1910 Oil on canvas Signed on the reverse on the stretcher Titled “...

Vernon Southward was a mid-20th-century painter, born in 1913, associated with the post-Impressionist landscape tradition. Although details of his life remain limited, his body of wo...

View of Bou°_Sada. Oil sketch on cardboard. Signed and titled on the back. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. J...

Franck Bailleul is a French painter born in 1964 who lives & works in Abbeville, Normandy, France. He has exhibited nationally as well as in the United States and China. His works e...

Robert Antoine PINCHON (1886–1943) Bord de Seine, automnale Oil on canvas. Dimensions without frame: 27 × 35 cm Dimensions with frame: 45 x 53 cm Unsigned Provenance: Private collect...