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Charles Meryon Prints and Multiples

French, 1821-1868

Charles Méryon was a French engraver, painter, draftsman and poet. He lived an adventurous life and traveled often as a Marine before dedicating himself exclusively to engraving from 1848. He engraved 72 plates on Paris, some of which, like Tour de l’Horloge, published by the important Parisian magazine L’Artiste. He realized mainly architectures, seascapes, scenes with ornithological subjects and some portraits. His prints are characterized by a rigorous game of intersecting lines, by a precision deserving of a naval draftsman, by a bold chiaroscuro with dramatic effects and romantic fantasies. He often included captions in verses in his engravings.

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Artist: Charles Meryon
The Pump House, Notre Dame, Paris
The Pump House, Notre Dame, Paris

The Pump House, Notre Dame, Paris

By Charles Meryon

Located in Plano, TX

La Pompe Notre Dame. (The Pumphouse, Notre Dame). Schneiderman catalog 26.x. 1861. Etching. Image 6 3/4 x 10. Edition of 30 in this state. Series: Eaux-Fortes sur Paris . Initial...

Category

Mid-19th Century Old Masters Charles Meryon Prints and Multiples

Materials

Etching

"Tourelle rue de L'Ecole de Medicine 22" original etching

"Tourelle rue de L'Ecole de Medicine 22" original etching

By Charles Meryon

Located in Henderson, NV

Medium: original etching. Printed on chine-collé paper by Pierron Montfaucon and published in Paris in 1861 by Gazette Beaux-Arts. Plate size: 8 1/2 x 5 inches (213 x 132mm). Signed ...

Category

1860s Charles Meryon Prints and Multiples

Materials

Etching

Tourelle, Rue de la Tixéranderie démolie en 1851
Tourelle, Rue de la Tixéranderie démolie en 1851

Tourelle, Rue de la Tixéranderie démolie en 1851

By Charles Meryon

Located in Middletown, NY

Etching and drypoint on watermarked Hudelist laid paper, 9 5/8 x 5 inches (245 x 129mm) full margins. Second state (of five) after lettering. A superb condition with a pencil inscrip...

Category

Mid-19th Century French School Charles Meryon Prints and Multiples

Materials

Laid Paper, Etching, Drypoint

The Pavilion de Mademoiselle and Part of the Louvre
The Pavilion de Mademoiselle and Part of the Louvre

The Pavilion de Mademoiselle and Part of the Louvre

By Charles Meryon

Located in Middletown, NY

A fine and early state impression from an almost unparralled 19th century Parisian collection curated by Loys Delteil. Etching, drypoint, and roulette on buff laid Japon paper, 5 7/16 x 9 13/16 inches (137 × 249 mm) full margins. In very good condition with light and unobtrusive scattered foxing. Some pencil inscriptions in the margins, recto, as well as the Alfred Beurdeley collection stamp (Lugt 421) in black ink in the lower left margin on the recto. There are some light scattered inscriptions in pencil on the verso, as well as a numerical stamp in blue ink, which we believe is the lot number from part III of a well-known series of sales of Beurdeley's collection organized by Loys Delteil. This portion of the sale of Beurdeley's massive collection focused on Modern Prints, and took place on May 19 – 20, 1920, in Paris. In regard to the content of the sale, Fritz Lugt states "Meryon's work included all the beautiful pieces about Paris." A rich and tonal impression. [Delteil & Wright 9; Schneiderman 12]. A note on the provenance: Alfred Beurdeley (1847-1919) was the son of one of the first antique dealers in Paris...

Category

Mid-19th Century French School Charles Meryon Prints and Multiples

Materials

Handmade Paper, Laid Paper, Etching

Rue De Toiles, Bourges
Rue De Toiles, Bourges

Rue De Toiles, Bourges

By Charles Meryon

Located in Middletown, NY

Etching with drypoint in blackish brown ink on antique cream laid paper with a large crown and crescent moon watermark, 8 1/2 x 4 3/4 inches (215 x 119 mm); sheet 14 1/2 x 10 3/4 inc...

Category

Mid-19th Century French School Charles Meryon Prints and Multiples

Materials

Laid Paper, Drypoint, Etching

Le Ministere De La Marine
Le Ministere De La Marine

Le Ministere De La Marine

By Charles Meryon

Located in New York, NY

Charles Meryon (French, 1821-1868), "Le Ministere De La Marine", Landscape Etching, 7 x 6.38 Interior Matte ( 20.25 x 16.25 In Matted Frame), Mid 19th Cen...

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1860s Other Art Style Charles Meryon Prints and Multiples

Materials

Etching

Le Petit Pont
Le Petit Pont

Le Petit Pont

By Charles Meryon

Located in Roma, IT

Signed on plate with the Monogram of the artist “CM”. Original Prints. State III/III Passepartout included : 60 x 40 cm Image Dimensions : 24.5 x 18.5 cm

Category

1850s Realist Charles Meryon Prints and Multiples

Materials

Etching

"Passerelle du Pont au Change" original etching

"Passerelle du Pont au Change" original etching

By Charles Meryon

Located in Henderson, NV

Medium: original etching. The complete title is "Passerelle du Pont au Change apres l'incendie de 1621". Catalogue reference: Delteil/Wright 50. This is a view of the footbridge whic...

Category

1860s Charles Meryon Prints and Multiples

Materials

Etching

Un Coin de Cuisine - Etching by Charles Meryon - 1870s

Un Coin de Cuisine - Etching by Charles Meryon - 1870s

By Charles Meryon

Located in Roma, IT

Un Coin de Cuisine is an artwork realized by Charles Meryon in the 1870s. Etching. Image size:24x31. Good conditions. Realized for the "Société des Aquafortistes. Born on the i...

Category

1870s Modern Charles Meryon Prints and Multiples

Materials

Etching

La Pompe Notre Dame

La Pompe Notre Dame

By Charles Meryon

Located in Roma, IT

This original etching is titled and dated on plate. Monogram of the artist "MC" on higher right margin. Edition of 30 prints, 9 State. Very good conditions. Charles Méryon was a Fre...

Category

1850s Old Masters Charles Meryon Prints and Multiples

Materials

Etching

Tourelle de la Rue de la Tixeranderie - Etching by C. Meryon - 1852
Tourelle de la Rue de la Tixeranderie - Etching by C. Meryon - 1852

Tourelle de la Rue de la Tixeranderie - Etching by C. Meryon - 1852

By Charles Meryon

Located in Roma, IT

Tourelle de la rue de la Tixeranderie is an original Modern Artwork realized in the half of the 19th Century by Charles Meryon (sometimes Méryon, 23 November 1821 – 14 February 1868). Original Etching. Fine impression printed by the artist. II/III state on V. Total dimensions: 24 x 12 cm. Passepartout is included. Excellent conditions of sheet. Reference: Salimbeni no.163; Schneiderman n. 24; Delteil n. 29. Charles Meryon (sometimes Méryon, 23 November 1821 – 14 February 1868). He was a French artist who worked almost entirely in etching, as he suffered from color blindness. Although now little-known in the English-speaking world, he is generally recognized as the most significant etcher of 19th century France. His most famous works by him are a series of views powerfully conveying his distinctive Gothic vision of Paris. He also suffered from mental illness, dying in an asylum. Meryon had sketched in Athens, Algiers and other exotic places he had visited, and by late 1840 decided to take lessons in drawing from the Toulon...

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1850s Modern Charles Meryon Prints and Multiples

Materials

Etching

Bain-Froid Chevrier; Chevrier's Cold-Bath Establishment, "School Baths", Paris
Bain-Froid Chevrier; Chevrier's Cold-Bath Establishment, "School Baths", Paris

Bain-Froid Chevrier; Chevrier's Cold-Bath Establishment, "School Baths", Paris

By Charles Meryon

Located in Middletown, NY

Etching with engraving on cream laid Hudelist paper with a large indicative watermark, 5 1/8 x 5 5/8 inches (130 x 143 mm), full margins. From the edition of only 50 impressions prin...

Category

Mid-19th Century French School Charles Meryon Prints and Multiples

Materials

Laid Paper, Etching, Engraving

René de Laudonnière Sablais (de Burdigale). After Crispjin van de Passe I
René de Laudonnière Sablais (de Burdigale). After Crispjin van de Passe I

René de Laudonnière Sablais (de Burdigale). After Crispjin van de Passe I

By Charles Meryon

Located in Middletown, NY

Paris: 1861 Etching, drypoint, and engraving on cream laid paper, 6 x 4 1/4 inches (152 x 108 mm), full margins. Dog-eared left corner, extending 3-inches into the sheet, but well ou...

Category

Mid-19th Century French School Charles Meryon Prints and Multiples

Materials

Laid Paper, Engraving, Drypoint, Etching

François Viète
François Viète

François Viète

By Charles Meryon

Located in Middletown, NY

François Viète, Seigneur de la Bigotière (1540–1603), is known by mathematicians as the “Father of Algebra.”. Paris: 1861. Etching on tissue-thin Japon paper, 8 1/4 x 5 1/2 inches (...

Category

Mid-19th Century French School Charles Meryon Prints and Multiples

Materials

Handmade Paper, Etching

LE STRYGE
LE STRYGE

LE STRYGE

By Charles Meryon

Located in Portland, ME

Meryon, Charles. LE STRYGE. D.23, S.27. Etching, 1853. 6 3/4 x 5 1/4 inches; 171 x 130 mm., with wide margins. Schneiderman's Seventh, Delteil's Sixth state (of 10), or possibly an i...

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1850s Charles Meryon Prints and Multiples

Materials

Etching

La Tour de L’Horloge (The Clock Tower, Paris)

La Tour de L’Horloge (The Clock Tower, Paris)

By Charles Meryon

Located in New York, NY

Charles Meryon (1821-1868), La Tour de L’Horloge (The Clock Tower, Paris), 1852, etching with engraving. Reference: Schneiderman 23, Delteil 28. Third state (of 10). On very thin Jap...

Category

1850s Realist Charles Meryon Prints and Multiples

Materials

Engraving, Etching

Ministère de la Marine - Etching by Charles Meryon - 1870s

Ministère de la Marine - Etching by Charles Meryon - 1870s

By Charles Meryon

Located in Roma, IT

Ministere de la Marine is an artwork realized by Charles Meryon in the 1870s. Etching. Image size: 17x14 Good conditions. Realized for the "Société des Aquafortistes. Born on th...

Category

1870s Modern Charles Meryon Prints and Multiples

Materials

Etching

LE PONT AU CHANGE
LE PONT AU CHANGE

LE PONT AU CHANGE

By Charles Meryon

Located in Portland, ME

Meryon, Charles. LE PONT AU CHANGE. S.40(v), DW.34. Etching with drypoint, 1854. Fifth State of twelve, with the inscriptions in cursive, "C. Meryon del. sculp. mdcccliiii," lower l...

Category

1850s Realist Charles Meryon Prints and Multiples

Materials

Drypoint, Etching

Pierre Nivelle, Bishop of Lucon

Pierre Nivelle, Bishop of Lucon

By Charles Meryon

Located in New York, NY

Charles Meryon (1821-1868), Pierre Nivelle, Bishop of Lucon (1584-1660), 1861, etching on tin, after an engraving by Michel Lasne (1590-1667). Reference: Schneiderman 76, (fifth stat...

Category

1860s Old Masters Charles Meryon Prints and Multiples

Materials

Etching

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H 16 in W 45.25 in D 2 in

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Located in Plano, TX

San Francisco. 1855-56. Etching on steel, based upon photographs. Delteil-Wright catalog 73; Schneiderman catalog 54 state iv (with lettering). 9 1/2 x 39 1/4 (sheet - sight size 8 1/8 x 38 1/2). frame 16 x 45 1/2). Printed by A. Delâtre in an edition of 100. A rich lifetime impression printed on laid japan paper. A rich, bright impression in good condition. Provenance: Property from the Credit Suisse Americana Collection. Signed and dated in the plate. Annotated in the plate, "Imprimée chez A. Delâtre, rue du Fbg Poissonnièr 145, Paris." The etching is elegantly presented in a silk mat with a gold liner and a 16 x 45 1/2-inch gold leaf frame. In the spring of 1856 from François Louis Alfred Pioche (1818-1872), a banker, investor and art collector, who traveled between his native Paris and his adopted home of San Francisco. Pioche had made his fortune in San Francisco, but was back in Paris seeking investors for his rapidly growing American business interests. Poiche asked Meryon to create a panoramic landscape of San Francisco, although the artist had never been there. For inspiration, he was given a five-daguerreotype panorama of the city (now in the Art Institute of Chicago), from which five large paper photographs were made for his use. While much of the landscape was copied directly from the photographs, Meryon added a cartouche to the center foreground with allegorical figures of Abundance and Labor, as well as portrait medallions of Pioche and his partner Jules B. Bayerque. The etching took nearly a year to complete. Meryon pulled the first proofs in September and finished some time that winter. San Francisco was a point of interest in Europe after the gold rush of 1848, as people from within America and abroad rushed to California to seek their fortune. The population grew rapidly, forcing the city to expand haphazardly with narrow streets that survive to this day. The large title cartouche is supported by river gods who appear to be holding sieves, a reference to the activity that was making the city rich. Meryon depicts San Francisco as a bustling yet still growing metropolis, rife with opportunity for the investor. There is almost empty farmland in the foreground, followed by a jam-packed cityscape, and ending with a busy port-scene densely populated with cargo ships. The symbols of California's wealth, gold mining equipment...

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Le Petit Pont (the Small Bridge, Paris).
Le Petit Pont (the Small Bridge, Paris).

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Charles Meryon prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Charles Meryon prints and multiples available for sale on 1stDibs. You can also browse by medium to find art by Charles Meryon in etching, engraving, paper and more. Much of the original work by this artist or collective was created during the 19th century and is mostly associated with the Old Masters style. Not every interior allows for large Charles Meryon prints and multiples, so small editions measuring 5 inches across are available. Customers who are interested in this artist might also find the work of Félix Hilaire Buhot, Michel Brosseau, and Maurice Denis. Charles Meryon prints and multiples prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $400 and tops out at $61,186, while the average work can sell for $4,522.