Charles Thomas Burt Landscape Paintings

William Thornley was a painter of coastal scenes whose work is very similar to Hubert and Charles Thornley, who may have been members of the same family. He painted scenes of genre, architecture, and landscapes as well. A number of the landscapes were of Belgium, Holland, Italy, and Norway. However, it is for his seascapes that he is best remembered. Thornley’s works are beautifully detailed and show a masterful understanding of the moods of both weather and sea. They are often small in size and put together with fine detail and great artistic merit. Thornley’s fishing scenes are spirited and similar in style to those of “Jock” Wilson, and are often painted in pairs. Thornley’s works have always been popular when they appear on the art market. He was believed to have first exhibited marines at the Royal Academy in 1859 from an address in Paddington, London and also at the British Institution from 1861 until it closed in 1867. He continued to exhibit at the Royal Academy until 1898. Thornley also exhibited at the Paris Salon and the Salon of French Artists, receiving an honorable mention in 1881 and a third-place medal in 1888. William Thornley also went by the names Georges William and William...

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 26.25 INCHES X 37.25 INCHES** Frederick Henry Howard Harris British, (1829-1901) Volunteer Rifl...

William Raymond Dommersen Dutch, 1850–1920 Fishing Boats at the Shoreline, circa 1890 Oil on canvas Signed lower right A charming late 19th-century Dutch coastal scene by William Ra...

This artworl "Landscape" c. 1935 is an oil painting on hardboard by renown California artist Frank Joseph Girardin, 1856-1945. It is signed at the lower right corner. The hardboard size is 20 x 30 inches, framed size is 30.5 x 40.5 inches. Framed in a wooden beige frame, with fabric liner. It is in excellent condition. About the artist: Born in Louisville, Kentucky in 1856, Frank joseph Girardin began his art instruction in 1870 under Frank Noble and later Frank Duveneck at the Cincinnati Art Academy. A semi-pro baseball player in Cincinnati, he was best known for his beautiful landscapes of both Indiana and California. An extremely active participant in the development of the Art Association of Richmond and original member of the local Sketch Club, he served on the Board of Directors of Art Association for several years. He was considered ranked next to the late John E. Bundy in talent and skill by the former Art Association Director, Mrs. Ella Bond Johnston. It was during his time in Indiana, that he received the most recognition for his work. In 1903, he won first prize for his painting, "Lingering Snow" at the Cincinnati Art Club Show. This would be one of numerous prizes and awards the he would receive during his time in Indiana, including the coveted Mary T...

A beautiful circa 1920 Colorado landscape by renowned American artist John Edward Thompson (1882–1945), one of the most influential figures in the development of modern art in the Ro...

David Horatio Winder English, Early 20th Century River Landscape with Swans at Sunset, circa 1907 Oil on board Signed lower left A beautifully tranquil Edwardian river landscape by...

Outstanding English Victorian 19th century Harvest landscape. Thomas Simon Dingle was the son of Thomas Dingle (1818-1904), known as a London landscape painter, but who, according t...

Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2025 Style: Impressionism Title: Seascape Size: 17.5" x 23.5" x 0.8''...

Attributed to John Nost Sartorius (1759–1828) Fox Hunter and Hounds Oil on canvas, circa 1810 Provenance: Ackermann & Johnson, London A fine and spirited example of early 19th-centu...

Henry Shayer (1787–1844) & Charles Shayer (1826–1914) Figures by a River in a Woodland Landscape, circa 1860 Oil on canvas Signed centre bottom ⸻ A beautifully executed mid-19th-c...

David Horatio Winder English, Early 20th Century River Landscape with Cows Crossing a River, circa 1907 Oil on board Signed lower left A tranquil and beautifully observed Edwardian...

Arthur Kemp Tebby (1866–1935) English Rose Arbor, circa 1890 Oil on wooden panel, signed lower right. Arthur Kemp Tebby was among the finest English painters of gardens and floral landscapes working during the late Victorian and Edwardian periods. A gifted colourist and accomplished plein air painter, Tebby became celebrated for his depictions of English country gardens in full bloom, capturing the fleeting beauty of the seasons with remarkable delicacy and atmosphere. Influenced by both the French Impressionists and the rich tradition of British landscape painting, his works possess a freshness and luminosity that have made them enduringly sought after by collectors. This enchanting painting portrays a magnificent rose-covered arbor in the height of summer, inviting the viewer along a quiet garden path beneath cascades of climbing roses in shades of crimson, blush pink and ivory. Dappled sunlight filters gently through the foliage, illuminating the gravel walkway and creating a harmonious interplay of light and shadow. The abundance of flowering shrubs, carefully observed botanical detail and softly diffused background combine to evoke the tranquillity and romance of an English country garden at its seasonal peak. Executed with Tebby’s characteristic sensitivity, the composition demonstrates his mastery of colour and texture. Delicate brushwork captures the profusion of blooms without sacrificing spontaneity, while subtle tonal transitions lend remarkable depth and atmosphere. The artist’s restrained palette of soft greens, warm earth tones and vibrant floral highlights creates an elegant balance that is both decorative and naturalistic. Painted around 1890, this work belongs to a period when Tebby was producing some of his most accomplished garden scenes, subjects that remain among his most desirable. His paintings celebrate the Victorian passion for cultivated gardens while embracing the increasingly Impressionistic handling of light and colour that distinguished progressive British artists of the era. Beautifully presented in an elegant gilt frame, this charming painting is a quintessential example of late nineteenth-century English garden painting...