Chelsea Gibson Art

Circular oil and acrylic painting by artist Wenyu Zhu. This work shows a passionate kiss of two people interwoven together by many red threads. The symbol of red thread can be traced...

Manuel Soto-Muñoz (1913-2000), Puerto Rican born American painter. Recipient award of merit Florida Southern College, 1958; prize Art Students League New York, 1950; 1st prize Salón ...

Original painting on handmade paper. Hand signed and dated on front by the artist. Artwork sheet size 19.75 x 15 inches. Frame size approx 30 x 26 inches. Artwork is in excellent...

Original oil paint on handmade paper. Hand signed on front by Alexander Gore. Artwork sheet size 13.25 x 10.25 inches. Frame size approx 22 x 18 inches. Artwork is in excellent c...

Original oil painting on handmade paper. Hand signed on front by Alexander Gore. Artwork sheet size 15 x 10 inches. Frame size approx 23 x 19 inches. Artwork is in excellent cond...

Original oil painting on handmade paper. Hand signed on front by Alexander Gore. Artwork sheet size 13.5 x 10.5 inches. Frame size approx 23.5 x 19.5 inches. Artwork is in excell...

Original oil pigmentation on wooden pulp. Hand signed on front by Alexander Gore. Artwork sheet size 20 x 16 inches. Frame size approx 23 x 19 inches. Artwork is in excellent con...

As William Shakespeare is reputed to have said, ‘The eyes are the windows to your soul.” In this classic portrait, Montreal born artist Mel Davis has captured dark eyes framed by dar...

Michael Pemberton (b. 1974, England) is an emotive abstract painter, focussing on the energy and form of the human subject. Michael was educated at Chelsea School of Fine Art in London and later studied at Slade School of Fine Art, University College London and The Ruskin School of Art, University of...

Original oil paint on canvas. Hand signed on front by Alexander Gore. Artwork sheet size 18 x 13 inches. Frame size approx 23.75 x 19.75 inches. Artwork is in excellent condition...

Hugh Goffinet stares out from the canvas in the dress of a soldier, without being one. He is a reenactor of an African American volunteer in the Abraham Lincoln Battalion. His inspiration is the Lincolns—the battalion’s volunteers—but they are pictured only symbolically, in his dress. Their inspiration was Lincoln, who many decades earlier helped give meaning to the American Civil War, but who is invisible in the painting except by implication—the pose of Hugh Goffinet—which carefully emulates Lincoln’s pose in the celebrated presidential portrait by George Healy. Entirely hidden, at the deepest layer of history, is the true source of inspiration: the human desire for equality and freedom. To understand, honor, and preserve it requires remembrance, in this case with history animating reenactors who animate art that animates memory. "No Pasaran" - an expression of determination to defend a position against an enemy - channels the spirit of Winslow Homer's war imagery, bringing it into the contemporary world, asking us to reflect upon the decisions forced to be made in wartime, some of which will never leave us. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This piece is unframed. Please contact the gallery for framing options. William Blake No Pasaran oil on linen 48h x 30w in 121.92h x 76.20w cm WIL047 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines at the Gettysburg National Military Park. A Great Battlefield, takes its title from Lincoln’s Gettysburg Address which poetically looks to the battlefield as a site of rebirth. Following the tradition of nineteenth-century American history painting...

Liseth Visser Dance me to the end of love 80 x 60 cm (Frame is included, framed 85 x 75 cm) Oilpaint on wood panel Dutch Female Artist Lis...