Chelsea Gibson Art
to
10
6
4
3
2
4
1
Overall Height
to
Overall Width
to
10
9
7
3
3
1
1
1
1
1
1
10
10
6,856
3,188
2,516
1,217
10
10
6
3
3
Artist: Chelsea Gibson
"Joint II" - Contemporary Figurative Oil Painting
By Chelsea Gibson
Located in East Quogue, NY
"Joint II" - Contemporary figurative oil painting of a couple lying together on a bed by Chelsea Gibson
Medium: Oil on linen
Size 32 x 48 inches. Offered unframed.
"Joint II" i...
Category
2010s Contemporary Chelsea Gibson Art
Materials
Oil, Wood Panel
"Succulent" - Contemporary Figurative Oil Painting on paper
By Chelsea Gibson
Located in East Quogue, NY
"Succulent" - Contemporary figurative oil painting of male figure by Chelsea Gibson
Medium: Oil on paper
Size 43 x 42 inches. Offered unframed.
"Succulent" is part of Chelsea G...
Category
2010s Contemporary Chelsea Gibson Art
Materials
Wood Panel, Oil
"Feelers" - Contemporary Figurative Oil Painting
By Chelsea Gibson
Located in East Quogue, NY
"Feelers" - Contemporary figurative oil painting of a man's torso by Chelsea Gibson
Medium: Oil on linen
Size 25 x 20 inches. Offered unframed.
"Feelers" is part of Chelsea Gib...
Category
2010s Contemporary Chelsea Gibson Art
Materials
Linen, Oil
"Tidal Bodies" - Contemporary Figurative Oil Painting
By Chelsea Gibson
Located in East Quogue, NY
"Tidal Bodies" - Contemporary figurative oil painting of a man's torso by Chelsea Gibson
Medium: Oil on panel
Size 39.5 x 35 inches. Offered unframed.
"Tidal Bodies" is part of...
Category
2010s Contemporary Chelsea Gibson Art
Materials
Oil, Wood Panel
"High Self, Lower Body" - Contemporary Figurative Oil Painting
By Chelsea Gibson
Located in East Quogue, NY
"High Self, Lower Body" - Contemporary figurative oil painting of a pair of female legs by Chelsea Gibson
Medium: Oil on linen
Size 25 x 20 inches. Offered unframed.
"High Self...
Category
2010s Contemporary Chelsea Gibson Art
Materials
Oil, Linen
"Idol" - Contemporary Figurative Oil Painting
By Chelsea Gibson
Located in East Quogue, NY
"Idol" - Contemporary figurative oil painting of a foot by Chelsea Gibson
Medium: Oil on canvas
Size 22 x 24 inches. Offered unframed.
"Idol" is part of Chelsea Gibson's latest...
Category
2010s Contemporary Chelsea Gibson Art
Materials
Panel, Oil
"Fawn" Contemporary Figurative Painting
By Chelsea Gibson
Located in East Quogue, NY
"Fawn" - Oil on panel. Size 19.5 x 24 inches. Offered unframed.
"Fawn" is part of Chelsea Gibson's latest painting series, in which the artist invites viewers into an intimate and e...
Category
2010s Contemporary Chelsea Gibson Art
Materials
Panel, Oil
"Caress" - Contemporary Figurative Abstract Oil Painting
By Chelsea Gibson
Located in East Quogue, NY
"Caress" - Contemporary figurative abstract oil painting of a male reclined with his phone by Chelsea Gibson
Medium: Oil on paper
Size 23.5 x 34.5 inches. Offered unframed.
"Ca...
Category
2010s Contemporary Chelsea Gibson Art
Materials
Paper, Oil
"Peace, Panic" - Contemporary Figurative Oil Painting
By Chelsea Gibson
Located in East Quogue, NY
"Peace, Panic" - Contemporary figurative oil painting by Chelsea Gibson
Medium: Oil on panel
Size 19.5 x 24 inches. Offered unframed.
"Peace, Panic" is part of Chelsea Gibson's...
Category
2010s Contemporary Chelsea Gibson Art
Materials
Panel, Oil
"Analyzing, Not Napping 1" - Contemporary Figurative Oil Painting
By Chelsea Gibson
Located in East Quogue, NY
"Analyzing, Not Napping 1" - Contemporary figurative oil painting by Chelsea Gibson
Medium: Oil on canvas.
Size 25 x 39 inches. Offered unframed.
"Analyzing, Not Napping 1" is ...
Category
2010s Contemporary Chelsea Gibson Art
Materials
Canvas, Oil
Related Items
Baiser passionné (Passionate kiss)
Located in PARIS, FR
Circular oil and acrylic painting by artist Wenyu Zhu. This work shows a passionate kiss of two people interwoven together by many red threads. The symbol of red thread can be traced...
Category
21st Century and Contemporary Contemporary Chelsea Gibson Art
Materials
Linen, Oil, Acrylic, Canvas
No Pasaran - Lone Soldier Symbolizing the Human Desire for Equality and Freedom
By William Blake (b. 1991)
Located in Chicago, IL
Hugh Goffinet stares out from the canvas in the dress of a soldier, without being one. He is a reenactor of an African American volunteer in the Abraham Lincoln Battalion. His inspiration is the Lincolns—the battalion’s volunteers—but they are pictured only symbolically, in his dress. Their inspiration was Lincoln, who many decades earlier helped give meaning to the American Civil War, but who is invisible in the painting except by implication—the pose of Hugh Goffinet—which carefully emulates Lincoln’s pose in the celebrated presidential portrait by George Healy. Entirely hidden, at the deepest layer of history, is the true source of inspiration: the human desire for equality and freedom. To understand, honor, and preserve it requires remembrance, in this case with history animating reenactors who animate art that animates memory.
"No Pasaran" - an expression of determination to defend a position against an enemy - channels the spirit of Winslow Homer's war imagery, bringing it into the contemporary world, asking us to reflect upon the decisions forced to be made in wartime, some of which will never leave us. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This piece is unframed. Please contact the gallery for framing options.
William Blake
No Pasaran
oil on linen
48h x 30w in
121.92h x 76.20w cm
WIL047
Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war.
The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision.
For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines at the Gettysburg National Military Park. A Great Battlefield, takes its title from Lincoln’s Gettysburg Address which poetically looks to the battlefield as a site of rebirth. Following the tradition of nineteenth-century American history painting...
Category
2010s Contemporary Chelsea Gibson Art
Materials
Linen, Oil
Portrait - rich, dark, expressive, figurative abstract, oil on linen
By Mel Davis
Located in Bloomfield, ON
As William Shakespeare is reputed to have said, ‘The eyes are the windows to your soul.” In this classic portrait, Montreal born artist Mel Davis has captured dark eyes framed by dar...
Category
2010s Contemporary Chelsea Gibson Art
Materials
Linen, Oil
Ramparts - Inspiration Portrait of a Lone Soldier Staring Out at Viewer, Oil
By William Blake (b. 1991)
Located in Chicago, IL
William Blake’s oil painting asks us to perceive the powerful layers of history that shape both art and memory. In Blake’s painting is a man, but what Blake painted is an idea. Hugh Goffinet stares out from the canvas in the dress of a soldier, without being one. He is a reenactor of an African American volunteer in the Abraham Lincoln Battalion. His inspiration is the Lincolns—the battalion’s volunteers—but they are pictured only symbolically, in his dress. Their inspiration was Lincoln, who many decades earlier helped give meaning to the American Civil War, but who is invisible in the painting except by implication—the pose of Hugh Goffinet—which carefully emulates Lincoln’s pose in the celebrated presidential portrait by George Healy. Entirely hidden, at the deepest layer of history, is the true source of inspiration: the human desire for equality and freedom. To understand, honor, and preserve it requires remembrance, in this case with history animating reenactors who animate art that animates memory.
Artist, William Blake channels the spirit of Winslow Homer's war imagery, bringing it into the contemporary world, asking us to reflect upon the decisions forced to be made in wartime, some of which will never leave us. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This piece is unframed. Please contact the gallery for framing options.
William Blake
Ramparts
oil on linen
24h x 30w in
60.96h x 76.20w cm
WIL048
Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war.
The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision.
For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines at the Gettysburg National Military Park. A Great Battlefield, takes its title from Lincoln’s Gettysburg Address which poetically looks to the battlefield as a site of rebirth. Following the tradition of nineteenth-century American history painting...
Category
2010s Contemporary Chelsea Gibson Art
Materials
Linen, Oil
Portrait of Love- 21st Century Contemporary Four Panel Painting of a love couple
By Tania Rivilis
Located in Nuenen, Noord Brabant
Tania Rivilis
Portrait of Love
Four panels of 40x40 cm all together framed in one piece of 94x94 cm
Oilpaint on wood panel
Tania Rivilis (b. 1986) 2022 winner of the 'William Locke Price' ( £ 30.000 ) from the Royal Society of Portrait Painters UK.
Tania Rivilis began painting at the age of 27, after moving to Germany from Russia in 2012. Working hard on technique and creating her own signature style, just one year later Tania entered the art world with her first solo shows. Tania’s works range from classical to modern expressive style. For several years of working with painting and graphics, the artist held exhibitions in Germany, the Netherlands, and Russia.
In 2016 began a collaboration between Tania Rivilis and Russian jeweler Petr Axenov, which led to many special projects, both for private and state collections. Her two drawings based on “War and Peace” novel by Leo Tolstoy...
Category
2010s Contemporary Chelsea Gibson Art
Materials
Wood Panel, Oil
Free Shipping
H 37.01 in W 37.01 in D 1.97 in
Union - A Group of Uniformed Soldiers Standing in an Open Field, Oil on Linen
By William Blake (b. 1991)
Located in Chicago, IL
A group of uniformed soldiers gather in a grassy field. We see cannons yet must bring our own decisions about what is about to transpire. Painted in the loose style of Winslow Homer, "Union" by William Blake captures a scene in a Civil War Reenactment as the Union Army's Artist Reporter. Portraying Homer as an Artist-reporter, Blake has to be more than merely good draftsmen. He has to be an astute observer, have an instinct for story and drama, the ability to sketch quickly and accurately, and no small amount of daring, as he faces battles first hand. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. Please contact the gallery for framing options.
William Blake
Union, 2022
oil on linen
24h x 36w in
60.96h x 91.44w cm
WIL034
Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war.
The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision.
For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines...
Category
2010s Contemporary Chelsea Gibson Art
Materials
Linen, Oil
A Great Battlefield - A Lone Soldier Sanding in an Open Field, Oil on Linen
By William Blake (b. 1991)
Located in Chicago, IL
A solitary figure, head bowed, stands in a field in contemplation of what has just taken place or what is about to take place. "A Great Battlefield" channels the spirit of Winslow Homer's war imagery, bringing it into the contemporary world, asking us to contemplate the decisions forced to be made in wartime, some of which will never leave us. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This piece is unframed. Please contact the gallery for framing options.
A Great Battlefield
oil on linen
60h x 35w in
152.40h x 88.90w cm
WIL029
Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war.
The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision.
For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines...
Category
2010s Contemporary Chelsea Gibson Art
Materials
Oil, Linen
Young girl, Spring serie
Located in Sempach, LU
You will receive this painting stretched, with painted edges and completely ready for hanging. Framing is not obligatory and depends only on your preference.
The "Spring" series c...
Category
2010s Contemporary Chelsea Gibson Art
Materials
Acrylic, Canvas, Linen
Infanta - oil and gold leaf Contemporary Art
By Elena Zolotnitsky
Located in Burlingame, CA
'Infanta' is a contemporary portrait of a young woman created in oil and gold leaf on wood panel. from Russian American Elena Zolotnitsky who is Inspired by the concepts of beauty, a...
Category
21st Century and Contemporary Contemporary Chelsea Gibson Art
Materials
Gold, Gold Leaf
Aurora - Winslow Homer Inspired, Croquet and American Civil War, Oil on Linen
By William Blake (b. 1991)
Located in Chicago, IL
"Aurora" by William Blake is a tribute to the Civil War scenes painted by Winslow Homer depicting women playing croquet. Often thought of as paintings that were lacking in closure during war time, a haunting scene of the marriage between play and sadness. Here Blake takes that subject matter depicting Aurora with a croquet mallet. Her painterly style is beautifully rendered in broad brushstrokes and a deep color palette.
Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war.
The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War...
Category
2010s Contemporary Chelsea Gibson Art
Materials
Linen, Oil
Incredulity -American Civil War Soldier, After Caravaggio, Original Oil on Linen
By William Blake (b. 1991)
Located in Chicago, IL
Caravaggio painted "The Incredulity of St. Thomas" with Christ looking down as he pilots Thomas’ hand to his side. Not looking at Thomas or the others, but to his wound. He seems interested in the proof of his embodiment. He wants to know that this is real. He too, questions his body, his life and death. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This artwork is unframed. Contact the gallery for framing options.
Reenactment is a material culture where the feel of authentic wool has transformative power. The closer you can recreate the “kit” of the authentic soldier the closer you are to that past. In the pursuit of touching the past there are questions- Is this real? Did this happen? Is this me? Is this us? The gesture of piloting a finger into the side represents these repetitive questions. - William Blake
Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war.
The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War...
Category
2010s Contemporary Chelsea Gibson Art
Materials
Linen, Oil
Blue (Sepia Toned Figurative Oil Painting of Boys on Bikes with Blue Ball)
By Carl Grauer
Located in Hudson, NY
Blue (Sepia Toned Figurative Oil Painting of Boys on Bikes with Blue Ball)
Contemporary figurative painting based on a 1960's photograph, plays deeply on feelings of nostalgia and identity.
oil on wood panel
20 x 20 x 2 inches
Carl Grauer’s 'Blue' plays with the tension between memories, the “return to home”, and the actual experienced past through the renderings of the family unit. Inspired by images on found slides or old family photos, Grauer provokes mixed responses of delight and sadness, reminding us that unlike space, time cannot be returned. Grauer paints 'Blue' in black and white, sepia tones, and blue oil paint on wood to capture the nostalgia of a vintage 1950's photograph. Two young children ride bicycles in a charming landscape while one child holds a big blue ball. The blue ball beautifully contrasts with the sepia toned landscape. The brushstrokes are smooth, with little texture built upon the surface.
About the work:
Recollections, a series that plays with the tension between memories, the “return to home”, and the actual experienced past, is an idea that I explore through the renderings of the family unit. Nostalgia comes from the Greek word nostos, meaning “to return to home” and algos, meaning “pain”. Before the rise of pathological anatomy and bacteriology made it less credible, medically; nostalgia was considered a “disorder of the imagination. Through time, nostalgia’s meaning became a more generalized reaction to the sad fact that, unlike space, time cannot be returned. I initially began with source imagery of found slides and photos of people I find at flea markets, second hand stores or from my own family’s collection. I take the source imagery and change elements to signify specific moments that could be seen as memories that are remembered or forgotten. I aim to represent nostalgic scenes that may relay a tension, sorrow or humor that could be constructed memories or actual experienced events. The exact narrative may be forgotten or unknown, but the complex projection of an idealized story that I find intriguing may serve to reflect a feeling or memory for another person.
CV
1975 Born in Wilson, Kansas, USA
EDUCATION
1998 Bachelor of Arts – University of Kansas
2000 Mastor of Fine Arts – University of Michigan
2015 Portrait and Figure Painting – London Atelier of Representational Art
EXHIBITIONS
2016 "Petit: A Group Exhibition of Smaller Sized Art...
Category
2010s Contemporary Chelsea Gibson Art
Materials
Oil, Wood Panel
Chelsea Gibson art for sale on 1stDibs.
Find a wide variety of authentic Chelsea Gibson art available for sale on 1stDibs. You can also browse by medium to find art by Chelsea Gibson in oil paint, paint, panel and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the contemporary style. Not every interior allows for large Chelsea Gibson art, so small editions measuring 24 inches across are available. Customers who are interested in this artist might also find the work of Matthew Cook, Myron Stephens, and Omari Booker. Chelsea Gibson art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $2,000 and tops out at $3,000, while the average work can sell for $2,400.