Cheryl McClure Art
American
“Art gives me a personal sense of who I am. Most of the rest of my life has been as a wife and mother. My paintings are for me,” states local artist, Cheryl McClure. I have personally experienced McClure’s work at different art exhibitions, and I am drawn to their energy and life. Like many abstract works so much of the non-representational elements connect on a visceral response to what it is to be human. It is hard to explain but when you experience it you know it, standing in front of a large abstract piece composed of lines, shapes, and colors and then thinking ‘yeah, I’ve felt like that.’
McClure explains, “I hate being pinned down about style. It is always slowly changing. However, abstraction has always been it for me. I seek to compose my work so it will stand out and speak to me first and viewers second. Gesture and mark making are important components in my paintings. Surface quality is also important to me. Although I have never sought to paint landscapes, that is what people sometimes see when they look at my work. I can understand why since I have always lived in small towns and now, I live on a small ranch outside New London, TX. Our home and my studio are perched on a hill in the middle of a lot of pastureland. As far as what I want people to experience, each painting will be different. Hopefully, they suggest something from the viewers’ personal experiences I never intended. Since I am not an angsty person, I do not seek to do work that has some message of dread or political point of view.”
McClure has no formal art education through a university or art school. Rather, she planned her own path of seeking out great instructors whose work she liked. She spends her time with books about art, artists’ lives, technique, and color. She describes, “One thing I regret is not knowing, at a young age, I would want the college experience, both for the advantages of an art education and for the other edification and experiences. I spent a lot of time volunteering at a local art museum and spent five years as the adult education coordinator, bringing in artists to teach workshops. Spending so much time in a museum is an education. I highly recommend it.to
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Artist: Cheryl McClure
Highways and Byways, Acrylic, Texas Artist. Contemporary Art, Abstract Art
By Cheryl McClure
Located in Houston, TX
Highways and Byways is painting on a wooden panel so there is no need for a frame..
Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.”
If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there.
Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art.
2020
University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX
Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX
Stable, Cerulean Gallery, Dallas, TX
2019
Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth
Small Works, Gallery Mack, Seattle, WA
2017
Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass.
Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss.
You Name It, Cerulean Gallery, Amarillo, Texas
2016
N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass.
2015
One + One, Invitational, A Gallery Art, Provincetown, Mass.
2014
East Texas Regional Artists, Longview Museum of Fine Arts, Longview Texas (4 person)
Mississippi Art Colony Fall Travel Show, Jenene Nagy, juror
(Mary C. O’Keefe Center for the Arts, Ocean Springs, Miss., Meridian Museum of Art, Meridian, Miss., Wm. Carey College, Hattiesburg, Miss.)
2013
Texas Rugged and Shiny. LuminArte Gallery, Dallas, Texas
SEVEN, International Encaustic Conference, Provincetown, Mass., Shawn Hill, juror
RED, A Gallery, Provincetown, Mass.
Texas Women with Brushes, Jack Meier Gallery, Houston, Texas (2 person)
2012
EncaustiCon 2012, Gallery Nord, San Antonio, TX, Paula Berg Owen, juror
WAX: Contemporary Art Works, Pajaro Valley Arts Council, Watsonville, CA
Wise Earth: Land and Art, Wise Earth Gallery, Denton, TX, curator, Katy Crocker
Continuum 2012, VamArt, Inc., Metuchen, NJ
2011
One Foot of Wax, North Lake College, Irving, TX
Mississippi Art Colony Travel Show, Guild Hardy Architects Purchase Award, Sheri Fleck Rieth, juror
Hunting Art Prize Finalist
*Paintings, DCL, Tyler, TX
2010
Fusion, PFAMily Arts Gallery, Plano, TX
Melting Point, Arts Centre of Plano, Plano, TX
*Influenced by the Land, Encaustic Center, Richardson, TX
Hive, Cole Art Center, Nacogdoches, TX
2009
Uncommon Composites, Cerulean Gallery, Dallas, TX
Meltdown, Art Hotel Gallery, Dallas, TX
Global Swarming, TX Discovery Gardens Gallery, Dallas, TX
Encaustic Methods, Tarrant County Community College, Arlington, TX
The Alchemy of Encaustic, Ann Dean Turk Gallery, Kilgore College, Kilgore, TX
2008
Coming Home, Longview Museum of Fine Arts, Longview, TX
Some Like It Hot, Bath House Cultural Art Center, Dallas, TX
Texas Artists Museum, Port Arthur, TX, Firehouse Gallery, Fort Worth, TX
2007
Landscapes, Longview Museum of Fine Arts, Longview, TX
*Little Pieces of Land, Joyous Lake Gallery, Pinetop-Lakeside, AZ
Mississippi Art Colony Travel Show, Meridian Art Museum, Meridian, MS
East – West, Meeting in the Middle, Hilligoss Galleries, Chicago, IL
2006
Artist Residency, Centre d’Art Contemporain (Cat’Art)
Sainte Colombe sur lâ Hers, France
Mixed Media Invitational, Longview Museum of Fine Arts, Longview, TX
2005
Dance with the Imagination, 3 artists, West End Gallery, Winston-Salem, NC
Southwestern Water Society Signature Members Show, Irving Art Center, Irving, TX, Marcie Inman juror of awards, Honorable Mention
2004
East Texas Regional Exhibit, Longview Museum of Fine Art, Longview, TX; juror, David Band
Traveling the Carolinas, National Association Of Women Artists
Mississippi Art Colony Travel Show, Spring, Joseph A Smith, juror
Artist Career Training 1st National Juried Exhibition, 2nd place Award, jurors, Geoffrey Gorman...
Category
2010s Abstract Cheryl McClure Art
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Yes It's Pink, Acrylic, Texas Artist. Contemporary Art, Abstract Art,
By Cheryl McClure
Located in Houston, TX
Yes It's Pink is an abstract painting by Texas artist Cheryl McClure on a wooden panel so there is no need for a frame..
Like a lot of artists, McClur...
Category
2010s Abstract Cheryl McClure Art
Materials
Acrylic, Wood Panel
$2,800 Sale Price
20% Off
Another Hot Day, Contemporary abstract painting, Texas artist
By Cheryl McClure
Located in Houston, TX
I live and work in rural northeastern Texas. Painting seriously for over thirty years, I have a passion for abstraction, color and surface quality. I have a long history of producing...
Category
2010s Abstract Cheryl McClure Art
Materials
Acrylic
Thicket, , Acrylic, Texas Artist. Contemporary Art, Abstract Art
By Cheryl McClure
Located in Houston, TX
Thicket is a painting on a wooden panel so there is no need for a frame..
“Art gives me a personal sense of who I am. Most of the rest of my life has been as a wife and mother. My paintings are for me,” states local artist, Cheryl McClure...
Category
2010s Abstract Cheryl McClure Art
Materials
Acrylic, Wood Panel
$3,200 Sale Price
20% Off
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Previously Available Items
More By-Ways, Acrylic, Texas Artist
By Cheryl McClure
Located in Houston, TX
More By-Ways is painted on a wooden panel so there is no need for a frame. It is acrylic on panel. The sides are finished. SEE ARTIST BIO
To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT.
If I only used influences, I would consider my work not much more than a mimetic copy or totally derivative of someone else’s work.
If I only used intuition, I would wonder (and rightly so) if I left too much to chance or mood. It is important to have a consistency of quality and meaning in my work.
If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there.
Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art.
2020
University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX
Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX
Stable, Cerulean Gallery, Dallas, TX
2019
Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth
Small Works, Gallery Mack, Seattle, WA
2017
Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass.
Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss.
You Name It, Cerulean Gallery, Amarillo, Texas
2016
N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass.
2015
One + One, Invitational, A Gallery Art, Provincetown, Mass.
2014
East Texas Regional Artists, Longview Museum of Fine Arts, Longview Texas (4 person)
Mississippi Art Colony Fall Travel Show, Jenene Nagy, juror
(Mary C. O’Keefe Center for the Arts, Ocean Springs, Miss., Meridian Museum of Art, Meridian, Miss., Wm. Carey College, Hattiesburg, Miss.)
2013
Texas Rugged and Shiny. LuminArte Gallery, Dallas, Texas
SEVEN, International Encaustic Conference, Provincetown, Mass., Shawn Hill, juror
RED, A Gallery, Provincetown, Mass.
Texas Women with Brushes, Jack Meier Gallery, Houston, Texas (2 person)
2012
EncaustiCon 2012, Gallery Nord, San Antonio, TX, Paula Berg Owen, juror
WAX: Contemporary Art Works, Pajaro Valley Arts Council, Watsonville, CA
Wise Earth: Land and Art, Wise Earth Gallery, Denton, TX, curator, Katy Crocker
Continuum 2012, VamArt, Inc., Metuchen, NJ
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One Foot of Wax, North Lake College, Irving, TX
Mississippi Art Colony Travel Show, Guild Hardy Architects Purchase Award, Sheri Fleck Rieth, juror
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*Paintings, DCL, Tyler, TX
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Hive, Cole Art Center, Nacogdoches, TX
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Uncommon Composites, Cerulean Gallery, Dallas, TX
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Global Swarming, TX Discovery Gardens Gallery, Dallas, TX
Encaustic Methods, Tarrant County Community College, Arlington, TX
The Alchemy of Encaustic, Ann Dean Turk Gallery, Kilgore College, Kilgore, TX
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More By-Ways, Acrylic, Texas Artist. Contemporary Art, Abstract Art, Women Artist
By Cheryl McClure
Located in Houston, TX
More By-Ways is painted on a wooden panel so there is no need for a frame. It is acrylic on panel. The sides are finished. SEE ARTIST BIO
To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT.
If I only used influences, I would consider my work not much more than a mimetic copy or totally derivative of someone else’s work.
If I only used intuition, I would wonder (and rightly so) if I left too much to chance or mood. It is important to have a consistency of quality and meaning in my work.
If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there.
Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art.
2020
University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX
Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX
Stable, Cerulean Gallery, Dallas, TX
2019
Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth
Small Works, Gallery Mack, Seattle, WA
2017
Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass.
Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss.
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2015
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2014
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Category
2010s Abstract Cheryl McClure Art
Materials
Acrylic, Wood Panel
Cheryl Mcclure art for sale on 1stDibs.
Find a wide variety of authentic Cheryl McClure art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of red, blue and other colors. You can also browse by medium to find art by Cheryl McClure in acrylic paint, paint, synthetic resin paint and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the abstract style. Not every interior allows for large Cheryl McClure art, so small editions measuring 30 inches across are available. Customers who are interested in this artist might also find the work of Chloe York, Marthann Masterson, and Robert Ruello. Cheryl McClure art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $2,800 and tops out at $4,000, while the average work can sell for $3,650.