$2,800Sale Price|20% Off
Yes It's Pink, Acrylic, Texas Artist. Contemporary Art, Abstract Art,
By Cheryl McClure
Located in Houston, TX
Yes It's Pink is an abstract painting by Texas artist Cheryl McClure on a wooden panel so there is no need for a frame.. Like a lot of artists, McClur...
Acrylic, Wood Panel
$3,200Sale Price|20% Off
Thicket, , Acrylic, Texas Artist. Contemporary Art, Abstract Art
By Cheryl McClure
Located in Houston, TX
Thicket is a painting on a wooden panel so there is no need for a frame.. “Art gives me a personal sense of who I am. Most of the rest of my life has been as a wife and mother. My paintings are for me,” states local artist, Cheryl McClure...
Acrylic, Wood Panel
Highways and Byways, Acrylic, Texas Artist. Contemporary Art, Abstract Art
By Cheryl McClure
Located in Houston, TX
Highways and Byways is painting on a wooden panel so there is no need for a frame.. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional Artists, Longview Museum of Fine Arts, Longview Texas (4 person) Mississippi Art Colony Fall Travel Show, Jenene Nagy, juror (Mary C. O’Keefe Center for the Arts, Ocean Springs, Miss., Meridian Museum of Art, Meridian, Miss., Wm. Carey College, Hattiesburg, Miss.) 2013 Texas Rugged and Shiny. LuminArte Gallery, Dallas, Texas SEVEN, International Encaustic Conference, Provincetown, Mass., Shawn Hill, juror RED, A Gallery, Provincetown, Mass. Texas Women with Brushes, Jack Meier Gallery, Houston, Texas (2 person) 2012 EncaustiCon 2012, Gallery Nord, San Antonio, TX, Paula Berg Owen, juror WAX: Contemporary Art Works, Pajaro Valley Arts Council, Watsonville, CA Wise Earth: Land and Art, Wise Earth Gallery, Denton, TX, curator, Katy Crocker Continuum 2012, VamArt, Inc., Metuchen, NJ 2011 One Foot of Wax, North Lake College, Irving, TX Mississippi Art Colony Travel Show, Guild Hardy Architects Purchase Award, Sheri Fleck Rieth, juror Hunting Art Prize Finalist *Paintings, DCL, Tyler, TX 2010 Fusion, PFAMily Arts Gallery, Plano, TX Melting Point, Arts Centre of Plano, Plano, TX *Influenced by the Land, Encaustic Center, Richardson, TX Hive, Cole Art Center, Nacogdoches, TX 2009 Uncommon Composites, Cerulean Gallery, Dallas, TX Meltdown, Art Hotel Gallery, Dallas, TX Global Swarming, TX Discovery Gardens Gallery, Dallas, TX Encaustic Methods, Tarrant County Community College, Arlington, TX The Alchemy of Encaustic, Ann Dean Turk Gallery, Kilgore College, Kilgore, TX 2008 Coming Home, Longview Museum of Fine Arts, Longview, TX Some Like It Hot, Bath House Cultural Art Center, Dallas, TX Texas Artists Museum, Port Arthur, TX, Firehouse Gallery, Fort Worth, TX 2007 Landscapes, Longview Museum of Fine Arts, Longview, TX *Little Pieces of Land, Joyous Lake Gallery, Pinetop-Lakeside, AZ Mississippi Art Colony Travel Show, Meridian Art Museum, Meridian, MS East – West, Meeting in the Middle, Hilligoss Galleries, Chicago, IL 2006 Artist Residency, Centre d’Art Contemporain (Cat’Art) Sainte Colombe sur lâ Hers, France Mixed Media Invitational, Longview Museum of Fine Arts, Longview, TX 2005 Dance with the Imagination, 3 artists, West End Gallery, Winston-Salem, NC Southwestern Water Society Signature Members Show, Irving Art Center, Irving, TX, Marcie Inman juror of awards, Honorable Mention 2004 East Texas Regional Exhibit, Longview Museum of Fine Art, Longview, TX; juror, David Band Traveling the Carolinas, National Association Of Women Artists Mississippi Art Colony Travel Show, Spring, Joseph A Smith, juror Artist Career Training 1st National Juried Exhibition, 2nd place Award, jurors, Geoffrey Gorman...
Acrylic, Wood Panel
Another Hot Day, Contemporary abstract painting, Texas artist
By Cheryl McClure
Located in Houston, TX
I live and work in rural northeastern Texas. Painting seriously for over thirty years, I have a passion for abstraction, color and surface quality. I have a long history of producing...
Acrylic
$1,425
H 20.87 in W 32.68 in D 1.19 in
Urban Abstraction (ripped off posters) Italian Expressionist Painting on Canvas
By Andrea Spinelli
Located in Firenze, IT
The present work of art titled "Urban Abstraction (ripped off posters)" is part of a series of paintings that the artist composed in the 1980s and 1990s inspired by the observation of the urban reality of those years. The artist take the cue from his walks in Florence, both in the center and in the suburbs, and by the observation of billboards and posters scattered throughout the city. The mass of information, colors, messages and words were carried on the canvas with acrylic colors, ideally reconstructing the tears and overlaps of all the information and advertising contained on these huge sheets of paper that invade our cities. The geometric lines are overlaid with jagged lines, overlaps and color dripping and also the choice in the color palette, with different shades of white, gray, rose, orange red and blue helps in rendering the result of the tears and ripped paper. The result is a beautiful multicolored modern abstract canvas, both aesthetically and ethically, with many rich layers of color, texture and expression in which the artist leaves his own message. The painting is housed in a simple modern white lacquer wood frame. Andrea Spinelli...
Canvas, Acrylic
$623
H 15.75 in W 15.75 in D 0.79 in
"White Landscape", Blue Abstract Acrylic Painting on Canvas
By Anne Revol
Located in Clermont-Ferrand, Auvergne-Rhône-Alpes
This artwork named "White landscape" is an abstract painting on canvas by French artist Anne Revol. Through her abstract artworks, Anne Revol likes to expr...
Canvas, Acrylic
$5,547
H 47.25 in W 31.5 in D 1.19 in
Aigua Viva - 21st Century, Abstract Art, Cement on Wood, Earth Tones
By Núria Guinovart
Located in Barcelona, Catalonia
"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...
Concrete
$1,004
H 15.75 in W 20.87 in D 0.79 in
Clouds 15 May 16:45 - Modern Landscape Minimalism Painting, Sky View
By Robert Motelski
Located in Hallein, AT
Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...
Canvas, Acrylic
$768
H 19.69 in W 19.69 in D 0.79 in
"Mist ", Nuanced Light Yellow Navy Blue Abstract Landscape Acrylic Painting
By Anne Revol
Located in Clermont-Ferrand, Auvergne-Rhône-Alpes
This artwork named "Mist " is an abstract painting on canvas by French artist Anne Revol. Through her abstract artworks, Anne Revol likes to express trips,...
Canvas, Acrylic
$1,417
H 25.6 in W 31.89 in D 0.79 in
"Drizzle", Turquoise, Blue, Grey & White Abstract Marine Acrylic Painting
By Françoise Duprat
Located in Clermont-Ferrand, Auvergne-Rhône-Alpes
This abstract artwork by artist Françoise Duprat is titled "Boucaille", which in French means a fine rain with some fog. Part of the artwork is plain...
Acrylic, Canvas
$4,300
H 43.31 in W 43.31 in D 1.78 in
Georgian Contemporary Art by Giorgi Kavelashvili - Expand
By Giorgi Kavelashvili
Located in Paris, IDF
Acrylic, tempera on wood panel Giorgi Kavelashvili is a Georgian artist born in 1994 who lives and works in Tbilisi, Georgia. He is graduated from the Tbilisi State Academy of Arts,...
Canvas, Acrylic, Tempera, Wood Panel
$2,078
H 31.5 in W 31.5 in D 1.5 in
Red Golden Black and White Abstract Acrylic Painting
By Philippe Saucourt
Located in Clermont-Ferrand, Auvergne-Rhône-Alpes
In his artworks, the French painter Philippe Saucourt seeks the harmony of opposites between movement and flatness, between transparency and opacity,...
Canvas, Acrylic
Sickness and Obsession
Located in Santa Monica, CA
Fantastic original artwork
Acrylic
$4,135
H 15.75 in W 31.5 in D 1.19 in
Abraçada - 21st Century, Abstract Art, Cement on Wood, Earth Tones
By Núria Guinovart
Located in Barcelona, Catalonia
Title: Abraçada means "hug" in Catalan. "The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cem...
Concrete
$9,600
H 42 in W 60 in D 2 in
Jack Reilly, Primary Unit with Double Diagonals, Acrylic on Shapped Canvas, 2012
By Jack Reilly 1
Located in Santa Monica, CA
Painting on stretched canvas over sculpted stretcher bars, constructed by the artist. The work has been painted to give the illusion that it is a raised cube when in fact it is a 2-dimensional shaped canvas. Multiple acrylic paints and acrylic pigments have been used in each 'Stripe' of this work. Many are semi transparent or metallic pigments, causing a nice nuance in color depending on the lighting of the work. After receiving his MFA from Florida State University, in 1978 Jack Reilly moved to Los Angeles. His paintings were soon discovered by prominent Los Angeles art dealer Molly Barns, who offered him a solo exhibition with her gallery. Donald Brewer, curator of the Fisher Museum at the University of Southern California, introduced Reilly’s paintings in 1979 in a major museum exhibition entitled The Reality of Illusion, which opened at the Denver Art Museum and traveled for two years to the Oakland Museum, USC Fisher Museum, Johnson Museum at Cornell, Honolulu Academy of Arts, among other institutions nationwide. This series of museum exhibitions, along with numerous solo shows and reviews, established Reilly as one of the original artists of the Abstract illusionism painting movement. In 1979 Reilly received a National Endowment for the Arts Grant. Although he is best known for his abstract paintings on shaped canvas, he also works in representational imagery and mixed-media. By the early 1980s, Reilly's paintings were represented by galleries in major American cities including the Molly Barnes Gallery in Los Angeles, Aaron Berman Gallery in New York, Foster Goldstrom Fine Arts in San Francisco, Marilyn Butler gallery in Scottsdale and numerous others. Articles and reviews on Reilly's paintings were subsequently published in Arts Magazine, Art Week, the Los Angeles Times, New York Artworld, and in books including American Art Now by noted author and art critic Edward Lucie-Smith, and Inside the L.A. Artist by Marva Marrow. Such notable collectors of the era, including Fred and Marcia Weisman, Steve Martin...
Canvas, Acrylic, Stretcher Bars
$738
H 15.75 in W 15.75 in D 0.71 in
" Imaginary Landscape" Green Blue Yellow and Red Abstract Painting
By Philippe Saucourt
Located in Clermont-Ferrand, Auvergne-Rhône-Alpes
In his artworks, the painter Philippe Saucourt seeks the harmony of opposites between movement and flatness, between transparency and opacity, between density and emptiness, and betw...
Canvas, Acrylic
More By-Ways, Acrylic, Texas Artist
By Cheryl McClure
Located in Houston, TX
More By-Ways is painted on a wooden panel so there is no need for a frame. It is acrylic on panel. The sides are finished. SEE ARTIST BIO To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT. If I only used influences, I would consider my work not much more than a mimetic copy or totally derivative of someone else’s work. If I only used intuition, I would wonder (and rightly so) if I left too much to chance or mood. It is important to have a consistency of quality and meaning in my work. If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional Artists, Longview Museum of Fine Arts, Longview Texas (4 person) Mississippi Art Colony Fall Travel Show, Jenene Nagy, juror (Mary C. O’Keefe Center for the Arts, Ocean Springs, Miss., Meridian Museum of Art, Meridian, Miss., Wm. Carey College, Hattiesburg, Miss.) 2013 Texas Rugged and Shiny. LuminArte Gallery, Dallas, Texas SEVEN, International Encaustic Conference, Provincetown, Mass., Shawn Hill, juror RED, A Gallery, Provincetown, Mass. Texas Women with Brushes, Jack Meier Gallery, Houston, Texas (2 person) 2012 EncaustiCon 2012, Gallery Nord, San Antonio, TX, Paula Berg Owen, juror WAX: Contemporary Art Works, Pajaro Valley Arts Council, Watsonville, CA Wise Earth: Land and Art, Wise Earth Gallery, Denton, TX, curator, Katy Crocker Continuum 2012, VamArt, Inc., Metuchen, NJ 2011 One Foot of Wax, North Lake College, Irving, TX Mississippi Art Colony Travel Show, Guild Hardy Architects Purchase Award, Sheri Fleck Rieth, juror Hunting Art Prize Finalist *Paintings, DCL, Tyler, TX 2010 Fusion, PFAMily Arts Gallery, Plano, TX Melting Point, Arts Centre of Plano, Plano, TX *Influenced by the Land, Encaustic Center, Richardson, TX Hive, Cole Art Center, Nacogdoches, TX 2009 Uncommon Composites, Cerulean Gallery, Dallas, TX Meltdown, Art Hotel Gallery, Dallas, TX Global Swarming, TX Discovery Gardens Gallery, Dallas, TX Encaustic Methods, Tarrant County Community College, Arlington, TX The Alchemy of Encaustic, Ann Dean Turk Gallery, Kilgore College, Kilgore, TX 2008 Coming Home, Longview Museum of Fine Arts, Longview, TX Some Like It Hot, Bath House Cultural Art Center, Dallas, TX Texas Artists...
Acrylic, Wood Panel
Sold
H 40 in W 30 in D 1.5 in
More By-Ways, Acrylic, Texas Artist. Contemporary Art, Abstract Art, Women Artist
By Cheryl McClure
Located in Houston, TX
More By-Ways is painted on a wooden panel so there is no need for a frame. It is acrylic on panel. The sides are finished. SEE ARTIST BIO To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT. If I only used influences, I would consider my work not much more than a mimetic copy or totally derivative of someone else’s work. If I only used intuition, I would wonder (and rightly so) if I left too much to chance or mood. It is important to have a consistency of quality and meaning in my work. If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional...
Acrylic, Wood Panel