Christina McPhee Art

BLUE JAY WAY, 2012 ink and graphite on Arches cold press paper 44.5 x 75 inches / 1130 x 1905 mm  unframed Christina McPhee’s expansive abstract paintings, drawings, photographs, and videos test or query how can we know, and who is we? Moving from within a matrix of measurement, observation and contingent effects, her work resists characterization as product, and continually accesses fields outside itself. For her, process equals trial. Her work emulates potential forms of life, in various systems and territories, from a perspective of the non-self– a world beyond identity. McPhee’s dynamic, performative, physical engagement with materials, in both her analogue and digital works, is a seduction into surface-skidding calligraphic gestures and mark-making. The tactics of living are in subterfuge, like the ‘dazzle ships...

Venus 8 (Lung), 2009 ink on synthetic paper 30 x 22 in / 762 x 558 mm unframed drawing Christina McPhee’s expansive abstract paintings, drawings, photographs, and videos test or query how can we know, and who is we? Moving from within a matrix of measurement, observation and contingent effects, her work resists characterization as product, and continually accesses fields outside itself. For her, process equals trial. Her work emulates potential forms of life, in various systems and territories, from a perspective of the non-self– a world beyond identity. McPhee’s dynamic, performative, physical engagement with materials, in both her analogue and digital works, is a seduction into surface-skidding calligraphic gestures and mark-making. The tactics of living are in subterfuge, like the ‘dazzle...

SWAN IN LOVE (TEOREMA 50), 2012  ink, watercolor, airbrush paint, graphite on paper  37.5 x 52 inches / 952 x 1320 mm unframed Christina McPhee’s expansive abstract paintings, drawings, photographs, and videos test or query how can we know, and who is we? Moving from within a matrix of measurement, observation and contingent effects, her work resists characterization as product, and continually accesses fields outside itself. For her, process equals trial. Her work emulates potential forms of life, in various systems and territories, from a perspective of the non-self– a world beyond identity. McPhee’s dynamic, performative, physical engagement with materials, in both her analogue and digital works, is a seduction into surface-skidding calligraphic gestures and mark-making. The tactics of living are in subterfuge, like the ‘dazzle ships...

MATRIXIAL (ORANGE DRESS), 2014 digital chromogenic print / sintra back mount / acrylic face mount 96 x 44 inches / 2438 x 1183 mm edition of 3 plus AP a...

Carbon Cycle Model (Pulse), 2009 chromogenic light jet print , aluminum back mount, acrylic face mount 48.5 x 48.5 inches / 1232 x 1232 mm edition of 3 plus AP available: print 3...

Purple Haze (Glyph), 2012 ink, watercolor, colored pencil, marker ink and fluid ink on synthetic paper 25 x 38 inches / 635 x 965 mm Christina McPhee’s expansive abstract paintings, drawings, photographs, and videos test or query how can we know, and who is we? Moving from within a matrix of measurement, observation and contingent effects, her work resists characterization as product, and continually accesses fields outside itself. For her, process equals trial. Her work emulates potential forms of life, in various systems and territories, from a perspective of the non-self– a world beyond identity. McPhee’s dynamic, performative, physical engagement with materials, in both her analogue and digital works, is a seduction into surface-skidding calligraphic gestures and mark-making. The tactics of living are in subterfuge, like the ‘dazzle ships...

Dynamic Sink Pulse One One One One, 2009 digital chromogenic print, aluminum back mount, acrylic face mount  36 x 36 inches / 914 x 914 mm edition of 3 plus AP available print edition 2/3 Christina McPhee’s expansive abstract paintings, drawings, photographs, and videos test or query how can we know, and who is we? Moving from within a matrix of measurement, observation and contingent effects, her work resists characterization as product, and continually accesses fields outside itself. For her, process equals trial. Her work emulates potential forms of life, in various systems and territories, from a perspective of the non-self– a world beyond identity. McPhee’s dynamic, performative, physical engagement with materials, in both her analogue and digital works, is a seduction into surface-skidding calligraphic gestures and mark-making. The tactics of living are in subterfuge, like the ‘dazzle...

DEBRIS (CARRIZO), 2004 digital chromogenic print 92 x  44 inches / 2336 x 1117 mm edition of 3 plus AP Californian artist Christina McPhee has an educational background in painting ...

DEBRIS (CARRIZO), 2004 digital chromogenic print 92 x  44 inches / 2336 x 1117 mm edition of 3 plus AP