Cindy Wolsfeld Art

Olivia 2 from Oliva suite. Hand signed by Alex Katz lower left. Hand numbered PP 4/4 lower right (there is also a main edition of 50). Artwork size: 40 x 54 inches. Published by L...

New Year's Eve 1988 is a silkscreen print on paper, mounted on board, by Keith Haring with an image size of 10.25 x 8.25". The signature lower right is a plate signature. The art is...

Screen print with Diamond Dust on Lenox Museum Board. Hand signed and numbered by Andy Warhol. Printed by Rupert Jasen Smith, New York and published by Kennedy for President Committee, Washington D.C. Hand numbered 72/300 (there were also 25 AP's, 3 PP's, 10 HC's, 15 TP's, 1 TPPP's). Frame size approx 44 x 36 inches. The artwork is in excellent condition. All reasonable offers will be considered. Edward Kennedy...

Lithograph in colors on wove paper. Hand signed, dated and numbered by Keith Haring. Published by Nicole Fauché, Paris. Littmann 115. Edition 4/50. Artwork is in excellent conditio...

Screen print on Lenox museum board. From the Cowboys And Indians Portfolio. Hand signed and numbered lower front by Andy Warhol. Numbered 131/250 (there were also 50 AP's, 15 PP's, 15 HC's and 10 numbered in Roman numerals). Published by Gaultney, Klineman Art, Inc., New York. Printed by Rupert Jasen Smith, New York. The artwork is in excellent condition. All reasonable offers will be considered. In Cowboys and Indians, Warhol interspersed recognizable portraits of well-known American heroes with less familiar Native American images and motifs. It demonstrates his ironic commentary on America’s collective mythologizing of the historic West. Rather than portraying Native Americans within their historical landscape, Warhol chose to portray a romanticized version of the American West. The West that he chose to represent is familiar to everyone and can be seen in novels, films, and television series. Warhol’s Cowboys and Indians suite...

This silkscreen greeting card, a reproduction of Robert Indiana's iconic Love design, was created in 1993 for The Museum of Modern Art, New York. Rarely does a postcard achieve such ...

A wonderful piece of unknown edition by Andy Warhol. A silkscreen print on a Cellulose and Cotton dress. Fearing the artist's trade mark Campbell's soup can. In very good condition.

This is a unique proof, aside from the edition of only 6 on wood panel (there was a separate larger edition of paper - this is the rare wood panel example): Shepard Fairey God Save t...

Artist: John Matos "Crash" Title: Paris Review Medium: Serigraph Signed: Hand Signed Measurements: 22" x30" Edition Number: AP 18/25 Condition:Excellent. This piece has been sto...

Signed and numbered in pencil

Screen print on Rives BFK paper. From the Love Portfolio. Hand signed and numbered lower front by Andy Warhol. Numbered 12/100 (there were also 10 AP's, 2 PP's, 5 EP's and 7 HC's). ...

Robert Indiana HOPE, 2008 Oil silkscreen in colors on watermarked Coventry archival paper 25 × 19 inches Edition 138/200 Signed, dated and numbered 138/200 in graphite pencil on the front; paper is watermarked by AIA with text (There were also 25 Artist's Proofs) Published by American Image Art (AIA) for the Obama Victory Fund and the Democratic National Committee, master printer Gary Lichtenstein Unframed This work was published in 2008 as part of the "Artists for Obama" portfolio, in which some of the top artists contributed prints to raise money for Obama's presidential campaign. Robert Indiana donated all of the proceeds of the sale of this work to electing Barack Obama. During the 2020 election, it became an even greater part of American popular culture when it was featured on the influential NBC show Saturday Night Live's cold open skit featuring the Vice Presidential debate between Kamala Harris and Mike Pence. Mid-debate, "Joe Biden" (played by actor Jim Carrey), watching from his living room sofa and eager to help out, leaps up from his chair and asks his doctor to teleport him to the debate - where he lands, inadvertently, as the famous fly that stayed on Mike Pence's head. On the wall behind Biden's "doctor", in clear view, is an edition of this work: Robert Indiana's 2008 silkscreen HOPE. (Quite the conversation piece!) For reference is a photograph of Robert Indiana signing...